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Anders Osborne|Which Way to Here

Which Way to Here

Anders Osborne

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16-Bit/44.1 kHz Stereo

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Langue disponible : anglais

It is a rare event when an artist can deliver an example of what many would consider great American folk music;Anders Osborne does this with the ease of a true master. This is an album that serves well as an entertainment package, as well as a learning tool for those in search of roots based music. Solid roots blues music is featured in the opening number, "Pleasin' You." The intro features some great fretwork along with Anders Osborne's soulful vocals. When the rest of the band gets into the action, there are some colorful nuances from the organ and electric lead guitar lifting the blend to another plateau. The mix for "Favorite Son" is a rock beat structured with a melody that could have easily come from the Jackson Browne camp. "Limestone Bay" has a strong Bayou country feel. Anders Osborne's vocal style also complements the melody, adding expressive color. "Don't Leave Me" features a beautiful acoustic presentation by Anders Osborne in a folk-rock style that rings out with genuine American heart and soul. Performances of this magnitude, unfortunately, are quickly becoming a thing of the past. In the same circle as Pete Seeger, Bob Dylan, Arlo Guthrie and other great American folk singers, Anders Osborne fits the bill with ease. It is the perfectly crafed melodies, which are timeless pieces of art, that make this album truly appealing.

© Larry Belanger /TiVo

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Which Way to Here

Anders Osborne

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1
Pleasin' You
00:04:56

Anders Osborne, Associated Performer, Composer, Lyricist, Main Artist - Theresa Anderson - Nick Daniels III - Thomas McDonald - Michael Masser, Drums - Leon Medica, Bass, Co-Producer - ANDERS OSBORNE W/ JIM SCOT, Producer - Jim Scott, Engineer - Tony Daigle, Engineer - Mikal Reid, Mixing Engineer - Vlado Meller, Mastering Engineer

(P) 1995 Epic Records, a division of Sony Music Entertainment

2
Favorite Son
00:04:38

Anders Osborne, Associated Performer, Composer, Lyricist, Main Artist, Producer - Tommy Malone - A.O., Guitar - Leon Medica, Bass, Co-Producer - Jim Scott, Engineer - Debra Dobkin, Percussion - Tony Daigle, Engineer - Kenneth Blevins, Drums - Mikal Reid, Mixing Engineer - Vlado Meller, Mastering Engineer

(P) 1995 Epic Records, a division of Sony Music Entertainment

3
Burning On the Inside
00:04:14

Anders Osborne, Associated Performer, Composer, Lyricist, Main Artist - Theresa Andersson, Violin - ANDERS OSBORNE W/ JIM SCOT, Producer - Thomas McDonald - Leon Medica, Co-Producer - Irene Sage - Jim Scott, Engineer - Tony Daigle, Engineer - A.O., Guitar - Mikal Reid, Mixing Engineer - Debra Dobkin, Percussion - Vlado Meller, Mastering Engineer - Kenneth Blevins, Drums

(P) 1995 Epic Records, a division of Sony Music Entertainment

4
Limestone Bay
00:05:03

Anders Osborne, Associated Performer, Composer, Lyricist, Main Artist, Producer - A.O., Dobro, Slide Guitar, Tambourine - Leon Medica, Bass, Co-Producer - Jim Scott, Engineer - Tony Daigle, Engineer - Debra Dobkin, Percussion - Mikal Reid, Mixing Engineer - Kenneth Blevins, Drums - Vlado Meller, Mastering Engineer - Theresa Andersson, Violin

(P) 1995 Epic Records, a division of Sony Music Entertainment

5
What's Going On Here (Big Lies)
00:05:59

Anders Osborne, Associated Performer, Composer, Lyricist, Main Artist

(P) 1995 Epic Records, a division of Sony Music Entertainment

6
Blame It On a Few
00:05:33

Anders Osborne, Associated Performer, Composer, Lyricist, Main Artist - Theresa Andersson, Shaker - ANDERS OSBORNE W/ JIM SCOT, Producer - Irene Sage - Leon Medica, Associated Performer, Bass, Co-Producer - Jim Scott, Engineer - A.O., Guitar, Harmonica, Mandolin - Tony Daigle, Engineer - Mikal Reid, Mixing Engineer - Debra Dobkin, Percussion - Vlado Meller, Mastering Engineer - Kenneth Blevins, Drums - Glenn Hartman, Accordion

(P) 1995 Epic Records, a division of Sony Music Entertainment

7
Don't Leave Me
00:04:20

Anders Osborne, Associated Performer, Composer, Lyricist, Main Artist, Producer - A.O., Bells, Drums, Guitar - Debra Dobkin, Percussion - Leon Medica, Bass, Co-Producer - Jim Scott, Engineer - Tony Daigle, Engineer - Mikal Reid, Mixing Engineer - Glenn Hartman, Accordion - Vlado Meller, Mastering Engineer - Theresa Andersson, Violin

(P) 1995 Epic Records, a division of Sony Music Entertainment

8
Brother, Brother
00:05:34

Anders Osborne, Associated Performer, Composer, Lyricist, Main Artist, Producer - Theresa Andersson - Thomas McDonald - Nick Daniels III - A.O., Guitar, Mandolin - Debra Dobkin, Percussion - Michael Masser, Drums - Leon Medica, Bass, Co-Producer - Jim Scott, Engineer - Tony Daigle, Engineer - Mikal Reid, Mixing Engineer - Vlado Meller, Mastering Engineer

(P) 1995 Epic Records, a division of Sony Music Entertainment

9
Nothin' On
00:06:43

Anders Osborne, Associated Performer, Composer, Lyricist, Main Artist - Theresa Andersson, Shaker - Thomas McDonald, Bass - Nick Daniels III - A.O., Drums, Guitar - Debra Dobkin, Percussion - Michael Masser, Drums - Michael Stinkis, Congas - Glenn Hartman, Accordion - ANDERS OSBORNE W/ JIM SCOT, Producer - Leon Medica, Co-Producer - Jim Scott, Engineer - Tony Daigle, Engineer - Mikal Reid, Mixing Engineer - Vlado Meller, Mastering Engineer

(P) 1995 Epic Records, a division of Sony Music Entertainment

10
A Place Called Home
00:04:05

Anders Osborne, Associated Performer, Composer, Lyricist, Main Artist, Producer - Theresa Andersson, Percussion - A.O., Guitar, Percussion - Michael Masser, Drums - Glenn Hartman, Accordion - Leon Medica, Co-Producer - Jim Scott, Engineer - Tony Daigle, Engineer - Mikal Reid, Mixing Engineer - Vlado Meller, Mastering Engineer

(P) 1995 Epic Records, a division of Sony Music Entertainment

Chronique

It is a rare event when an artist can deliver an example of what many would consider great American folk music;Anders Osborne does this with the ease of a true master. This is an album that serves well as an entertainment package, as well as a learning tool for those in search of roots based music. Solid roots blues music is featured in the opening number, "Pleasin' You." The intro features some great fretwork along with Anders Osborne's soulful vocals. When the rest of the band gets into the action, there are some colorful nuances from the organ and electric lead guitar lifting the blend to another plateau. The mix for "Favorite Son" is a rock beat structured with a melody that could have easily come from the Jackson Browne camp. "Limestone Bay" has a strong Bayou country feel. Anders Osborne's vocal style also complements the melody, adding expressive color. "Don't Leave Me" features a beautiful acoustic presentation by Anders Osborne in a folk-rock style that rings out with genuine American heart and soul. Performances of this magnitude, unfortunately, are quickly becoming a thing of the past. In the same circle as Pete Seeger, Bob Dylan, Arlo Guthrie and other great American folk singers, Anders Osborne fits the bill with ease. It is the perfectly crafed melodies, which are timeless pieces of art, that make this album truly appealing.

© Larry Belanger /TiVo

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