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Roberto Abbado|Vive Verdi! (Live)

Vive Verdi! (Live)

Roberto Abbado

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Langue disponible : anglais

The premiere of Nabucco at La Scala, Milan in 1842 was a huge success for Verdi and soon led to foreign performances of the work. For its appearance in Brussels under the name Nabuchodonosor Verdi fashioned an orchestral Divertissement which was inserted into Act III; the composer’s score of this, performed here, has only very recently been rediscovered.

Macbeth is one of his psychologically penetrating masterpieces and for its Parisian staging in 1865 it underwent considerable revision, notably to make its dramatic development more incisive. When Il trovatore was performed in Paris as "Le Trouvère" Verdi added lively local colour as new additions to the score. © Dynamic

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Vive Verdi! (Live)

Roberto Abbado

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Nabucco (Excerpts) (Giuseppe Verdi)

1
Comme le Dieu Bel, notre grande reine [Ed. C. Mantica] [Live]
00:03:14

Roberto Abbado, Conductor, MainArtist - Giuseppe Verdi, Composer - Temistocle Solera, Lyricist - Orchestra del Teatro Comunale di Bologna, Orchestra, MainArtist - Coro del Teatro Regio di Parma, Choir, MainArtist - F. Gravrand, Lyricist - Jules Guilliaume, Lyricist - Candida Mantica, Arranger

(C) 2022 Dynamic (P) 2022 Dynamic

2
Divertissement [Ed. K.A. Jürgensen] [Live]
00:10:44

Roberto Abbado, Conductor, MainArtist - Giuseppe Verdi, Composer - Orchestra del Teatro Comunale di Bologna, Orchestra, MainArtist - Francesco Maria Parazzoli, Artist, MainArtist - Knud Arne Jürgensen, Arranger

(C) 2022 Dynamic (P) 2022 Dynamic

Macbeth (excerpts) (Giuseppe Verdi)

3
Interrogeons le sort pour la dernière fois [Ed. C. Mantica] [Live]
00:12:12

Roberto Abbado, Conductor, MainArtist - Giuseppe Verdi, Composer - Francesco Maria Piave, Lyricist - Ludovic Tezier, Artist, MainArtist - Alexandre Beaumont, Lyricist - Coro del Teatro Regio di Parma, Choir, MainArtist - Filarmonica Arturo Toscanini, Orchestra, MainArtist - Pietro Bolognini, Artist, MainArtist - Charles-Louis-Étienne Nuitter, Lyricist - Jacobo Ochoa, Artist, MainArtist - Candida Mantica, Arranger - Pilar Mezzadri Corona, Artist, MainArtist

(C) 2022 Dynamic (P) 2022 Dynamic

4
Sylphes légers, enfants des eaux [Ed. C. Mantica] [Live]
00:04:41

Roberto Abbado, Conductor, MainArtist - Giuseppe Verdi, Composer - Coro del Teatro Regio di Parma, Choir, MainArtist - Filarmonica Arturo Toscanini, Orchestra, MainArtist - Candida Mantica, Arranger

(C) 2022 Dynamic (P) 2022 Dynamic

5
Aux Anglais le traître contre moi - Honneurs, respect, tendresse [Ed. C. Mantica] [Live]
00:05:39

Roberto Abbado, Conductor, MainArtist - Giuseppe Verdi, Composer - Francesco Maria Piave, Lyricist - Ludovic Tezier, Artist, MainArtist - Alexandre Beaumont, Lyricist - Filarmonica Arturo Toscanini, Orchestra, MainArtist - Charles-Louis-Étienne Nuitter, Lyricist - Candida Mantica, Arranger

(C) 2022 Dynamic (P) 2022 Dynamic

6
Introduction et Chœur. Ô patrie ! Ô noble terre [Ed. C. Mantica] [Live]
00:06:50

Roberto Abbado, Conductor, MainArtist - Giuseppe Verdi, Composer - Francesco Maria Piave, Lyricist - Alexandre Beaumont, Lyricist - Coro del Teatro Regio di Parma, Artist, MainArtist - Filarmonica Arturo Toscanini, Artist, MainArtist - Charles-Louis-Étienne Nuitter, Lyricist - Candida Mantica, Arranger

(C) 2022 Dynamic (P) 2022 Dynamic

Le Trouvère (Excerpts) (Giuseppe Verdi)

7
Divertissement - Pas des Bohémiens - Gitanella - Ensemble - Sevillana - La Bohémienne - Galop [Ed. D. Lawton] [Live]
00:25:01

Roberto Abbado, Conductor, MainArtist - Giuseppe Verdi, Composer - Orchestra del Teatro Comunale di Bologna, Orchestra, MainArtist - David Lawton, Arranger

(C) 2022 Dynamic (P) 2022 Dynamic

Chronique

The premiere of Nabucco at La Scala, Milan in 1842 was a huge success for Verdi and soon led to foreign performances of the work. For its appearance in Brussels under the name Nabuchodonosor Verdi fashioned an orchestral Divertissement which was inserted into Act III; the composer’s score of this, performed here, has only very recently been rediscovered.

Macbeth is one of his psychologically penetrating masterpieces and for its Parisian staging in 1865 it underwent considerable revision, notably to make its dramatic development more incisive. When Il trovatore was performed in Paris as "Le Trouvère" Verdi added lively local colour as new additions to the score. © Dynamic

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