Catégories :
Panier 0

Votre panier est vide

Kill Hannah|Until There's Nothing Left Of Us

Until There's Nothing Left Of Us

Kill Hannah

Disponible en
16-Bit/44.1 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Langue disponible : anglais

The continual dividing and multiplying of musical subgenres may sometimes seem absurd, but bulky as they are, all those tiny little classifications are still necessary. Kill Hannah's 2006 release Until There's Nothing Left of Us is a good example of why: an album most easily described as indie-shoegaze-electro-post-hardcore-emo-dream pop-rock. The only drawback to describing music this way is that it implies that the record is eclectic, when in fact, Kill Hannah's sound takes the most related elements of these disparate styles and omits the aspects of each that might make their combination sound disjointed. This wide sampling of so many influences finds the band dipping their creative cups into numerous genres with enough depth to integrate them and enough restraint to avoid their clichés: the slickly feminized male vocals sound sassy and adolescent but never breach into emo-catharsis; the distorted vocal harmonies call to mind My Bloody Valentine but never become lost in their own ambience; and the unabashedly heavy production transforms the buzzing of guitars into some kind of growling synthesizer without ever succumbing to vapid goth pop à la My Chemical Romance. When given a choice, Kill Hannah pick accessibility over high art on this record, but those looking for a substantial and sophisticated successor to Fugazi, the Cure or Jesus and Mary Chain should find what they're looking for here.

© Cammila Albertson /TiVo

Plus d'informations

Until There's Nothing Left Of Us

Kill Hannah

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de 12,49€/mois

1
(Sleep Tight) (Album Version)
00:02:35

Ted Jensen, Masterer - JOHNNY K, Producer, Mixer, Engineer - Josh Mills, AssistantEngineer - John Rubeli, A&R Manager - Kill Hannah, MainArtist - Mat Devine, Writer - Dmitar "Dim-E" Krnjaic at Resonate Music, Assistant Mix Engineer - Garrett Hammond, Drums, Additional Production, AdditionalEngineer - Keith Armstrong at Resonate Music, Assistant Mix Engineer - Mat and Jon, Additional Piano, Additional Synthesiser - Matt Skaggs, Synthesiser, Loops, Samples - John Doyle, Engineer

© 2003, 2006 Atlantic Recording Corp. This Compilation P. 2008 The All Blacks U.S.A., Inc Issued under license to The All Blacks U.S.A., Inc. from Atlantic Records. Roadrunner Records is a registered trademark of The All Blacks B.V. ℗ 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

2
Believer (Album Version)
00:03:46

CHRIS LORD-ALGE, Mixer - Ted Jensen, Masterer - JOHNNY K, Producer, Engineer - Josh Mills, AdditionalEngineer - John Rubeli, A&R Manager - Kill Hannah, MainArtist - Mat Devine, Writer - Dmitar "Dim-E" Krnjaic at Resonate Music, Assistant Mix Engineer - Garrett Hammond, Drums, Production, AdditionalEngineer - Keith Armstrong at Resonate Music, Assistant Mix Engineer - Mat and Jon, Additional Piano, Additional Synthesiser - Matt Skaggs, Synthesiser, Loops, Samples - John Doyle, Engineer

© 2003, 2006 Atlantic Recording Corp. This Compilation P. 2008 The All Blacks U.S.A., Inc Issued under license to The All Blacks U.S.A., Inc. from Atlantic Records. Roadrunner Records is a registered trademark of The All Blacks B.V. ℗ 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

3
Lips Like Morphine (Album Version)
00:03:43

CHRIS LORD-ALGE, Mixer - Ted Jensen, Masterer - JOHNNY K, Producer, Engineer - Josh Mills, AssistantEngineer - John Rubeli, A&R Manager - Kill Hannah, MainArtist - Mat Devine, Writer - Dmitar "Dim-E" Krnjaic at Resonate Music, Assistant Mix Engineer - Garrett Hammond, Drums, Additional Production, AdditionalEngineer - Keith Armstrong at Resonate Music, Assistant Mix Engineer - Mat and Jon, Additional Piano, Additional Synthesiser - Matt Skaggs, Synthesiser, Loops, Samples - John Doyle, Engineer

© 2003, 2006 Atlantic Recording Corp. This Compilation P. 2008 The All Blacks U.S.A., Inc Issued under license to The All Blacks U.S.A., Inc. from Atlantic Records. Roadrunner Records is a registered trademark of The All Blacks B.V. ℗ 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

4
Boys & Girls (Chris Lord-Alge Mix)
00:03:13

Kill Hannah, Performance, MainArtist

© 2003, 2006 Atlantic Recording Corp. This Compilation P. 2008 The All Blacks U.S.A., Inc Issued under license to The All Blacks U.S.A., Inc. from Atlantic Records. Roadrunner Records is a registered trademark of The All Blacks B.V. ℗ 2008 Atlantic Recording Corporation for the United States and WEA International for the world outside of the United States

5
The Songs That Saved My Life (Album Version)
00:03:52

Ted Jensen, Masterer - JOHNNY K, Producer, Mixer, Engineer - Josh Mills, AssistantEngineer - John Rubeli, A&R Manager - Kill Hannah, MainArtist - Mat Devine, Writer - Dmitar "Dim-E" Krnjaic at Resonate Music, Assistant Mix Engineer - Garrett Hammond, Drums, Additional Production, AdditionalEngineer - Keith Armstrong at Resonate Music, Assistant Mix Engineer - Mat and Jon, Additional Piano, Additional Synthesiser - Matt Skaggs, Synthesiser, Loops, Samples - John Doyle, Engineer - Jon Radtke, Writer

© 2003, 2006 Atlantic Recording Corp. This Compilation P. 2008 The All Blacks U.S.A., Inc Issued under license to The All Blacks U.S.A., Inc. from Atlantic Records. Roadrunner Records is a registered trademark of The All Blacks B.V. ℗ 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

6
Crazy Angel (Album Version)
00:03:49

CHRIS LORD-ALGE, Mixer - Ted Jensen, Masterer - JOHNNY K, Producer, Engineer - Josh Mills, AssistantEngineer - John Rubeli, A&R Manager - Kill Hannah, MainArtist - Mat Devine, Writer - Dmitar "Dim-E" Krnjaic at Resonate Music, Assistant Mix Engineer - Garrett Hammond, Drums, Additional Production, AdditionalEngineer - Keith Armstrong at Resonate Music, Assistant Mix Engineer - Mat and Jon, Additional Piano, Additional Synthesiser - Matt Skaggs, Synthesiser, Loops, Samples - John Doyle, Engineer - Poe, Voice Over

© 2003, 2006 Atlantic Recording Corp. This Compilation P. 2008 The All Blacks U.S.A., Inc Issued under license to The All Blacks U.S.A., Inc. from Atlantic Records. Roadrunner Records is a registered trademark of The All Blacks B.V. ℗ 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

7
10 More Minutes (Chris Lord-Alge Mix)
00:03:42

Kill Hannah, MainArtist

© 2003, 2006 Atlantic Recording Corp. This Compilation P. 2008 The All Blacks U.S.A., Inc Issued under license to The All Blacks U.S.A., Inc. from Atlantic Records. Roadrunner Records is a registered trademark of The All Blacks B.V. ℗ 2008 Atlantic Recording Corporation for the United States and WEA International for the world outside of the United States

8
The Collapse (Album Version)
00:03:12

Ted Jensen, Masterer - JOHNNY K, Producer, Mixer, Engineer - Josh Mills, AssistantEngineer - John Rubeli, A&R Manager - Kill Hannah, MainArtist - Mat Devine, Writer - Dmitar "Dim-E" Krnjaic at Resonate Music, Assistant Mix Engineer - Garrett Hammond, Drums, Additional Production, AdditionalEngineer - Keith Armstrong at Resonate Music, Assistant Mix Engineer - Mat and Jon, Additional Piano, Additional Synthesiser - Matt Skaggs, Synthesiser, Loops, Samples - John Doyle, Engineer

© 2003, 2006 Atlantic Recording Corp. This Compilation P. 2008 The All Blacks U.S.A., Inc Issued under license to The All Blacks U.S.A., Inc. from Atlantic Records. Roadrunner Records is a registered trademark of The All Blacks B.V. ℗ 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

9
Love You to Death (Album Version)
00:03:17

CHRIS LORD-ALGE, Mixer - Ted Jensen, Masterer - Keith Armstrong, Assistant Mix Engineer - JOHNNY K, Producer, Engineer - Josh Mills, AssistantEngineer - John Rubeli, A&R Manager - Kill Hannah, MainArtist - Mat Devine, Writer - Dmitar "Dim E" Krnjaic, Assistant Mix Engineer - Garrett Hammond, Drums, Additional Production, AdditionalEngineer - Mat and Jon, Additional Piano, Additional Synthesiser - Matt Skaggs, Synthesiser, Loops, Samples - John Doyle, Engineer

© 2003, 2006 Atlantic Recording Corp. This Compilation P. 2008 The All Blacks U.S.A., Inc Issued under license to The All Blacks U.S.A., Inc. from Atlantic Records. Roadrunner Records is a registered trademark of The All Blacks B.V. ℗ 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

10
Kennedy (Album Version)
00:03:45

Kill Hannah, Performance, MainArtist - Mat Devine, Composer, Writer - SEAN BEAVAN, Producer

© 2003, 2006 Atlantic Recording Corp. This Compilation P. 2008 The All Blacks U.S.A., Inc Issued under license to The All Blacks U.S.A., Inc. from Atlantic Records. Roadrunner Records is a registered trademark of The All Blacks B.V. ℗ 2003 Atlantic Recording Corporation for the United States and WEA International for the world outside of the United States

11
Black Poison Blood (Album Version)
00:04:20

Ted Jensen, Masterer - JOHNNY K, Producer, Mixer, Engineer - Josh Mills, AssistantEngineer - John Rubeli, A&R Manager - Kill Hannah, MainArtist - Mat Devine, Writer - Dmitar "Dim-E" Krnjaic at Resonate Music, Assistant Mix Engineer - Garrett Hammond, Drums, Additional Production, AdditionalEngineer - Keith Armstrong at Resonate Music, Assistant Mix Engineer - Mat and Jon, Additional Piano, Additional Synthesiser - Matt Skaggs, Synthesiser, Loops, Samples - John Doyle, Engineer

© 2003, 2006 Atlantic Recording Corp. This Compilation P. 2008 The All Blacks U.S.A., Inc Issued under license to The All Blacks U.S.A., Inc. from Atlantic Records. Roadrunner Records is a registered trademark of The All Blacks B.V. ℗ 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

12
They Can't Save Us Now (Album Version)
00:03:33

Kill Hannah, MainArtist

© 2003, 2006 Atlantic Recording Corp. This Compilation P. 2008 The All Blacks U.S.A., Inc Issued under license to The All Blacks U.S.A., Inc. from Atlantic Records. Roadrunner Records is a registered trademark of The All Blacks B.V. ℗ 2003 Atlantic Recording Corporation for the United States and WEA International for the world outside of the United States

13
(Life in the Arctic) (Album Version)
00:02:39

Ted Jensen, Masterer - JOHNNY K, Producer, Mixer, Engineer - Josh Mills, AssistantEngineer - John Rubeli, A&R Manager - Kill Hannah, MainArtist - Mat Devine, Writer - Dmitar "Dim-E" Krnjaic at Resonate Music, Assistant Mix Engineer - Garrett Hammond, Additional Production, AdditionalEngineer - Keith Armstrong at Resonate Music, Assistant Mix Engineer - Mat and Jon, Additional Piano, Additional Synthesiser - Matt Skaggs, Synthesiser, Loops, Samples - John Doyle, Engineer - Garet Hammond, Drums

© 2003, 2006 Atlantic Recording Corp. This Compilation P. 2008 The All Blacks U.S.A., Inc Issued under license to The All Blacks U.S.A., Inc. from Atlantic Records. Roadrunner Records is a registered trademark of The All Blacks B.V. ℗ 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

14
The Chase (Album Version)
00:03:52

Kill Hannah, MainArtist - SEAN BEAVAN, Producer - Devine, Composer, Lyricist - Finerty, Composer, Lyricist

© 2003, 2006 Atlantic Recording Corp. This Compilation P. 2008 The All Blacks U.S.A., Inc Issued under license to The All Blacks U.S.A., Inc. from Atlantic Records. Roadrunner Records is a registered trademark of The All Blacks B.V. ℗ 2008 Roadrunner Records

15
Nerve Gas (Album Version)
00:03:47

Kill Hannah, MainArtist - SEAN BEAVAN, Producer - Devine, Composer, Lyricist - Finerty, Composer, Lyricist

© 2003, 2006 Atlantic Recording Corp. This Compilation P. 2008 The All Blacks U.S.A., Inc Issued under license to The All Blacks U.S.A., Inc. from Atlantic Records. Roadrunner Records is a registered trademark of The All Blacks B.V. ℗ 2008 Roadrunner Records

Chronique

The continual dividing and multiplying of musical subgenres may sometimes seem absurd, but bulky as they are, all those tiny little classifications are still necessary. Kill Hannah's 2006 release Until There's Nothing Left of Us is a good example of why: an album most easily described as indie-shoegaze-electro-post-hardcore-emo-dream pop-rock. The only drawback to describing music this way is that it implies that the record is eclectic, when in fact, Kill Hannah's sound takes the most related elements of these disparate styles and omits the aspects of each that might make their combination sound disjointed. This wide sampling of so many influences finds the band dipping their creative cups into numerous genres with enough depth to integrate them and enough restraint to avoid their clichés: the slickly feminized male vocals sound sassy and adolescent but never breach into emo-catharsis; the distorted vocal harmonies call to mind My Bloody Valentine but never become lost in their own ambience; and the unabashedly heavy production transforms the buzzing of guitars into some kind of growling synthesizer without ever succumbing to vapid goth pop à la My Chemical Romance. When given a choice, Kill Hannah pick accessibility over high art on this record, but those looking for a substantial and sophisticated successor to Fugazi, the Cure or Jesus and Mary Chain should find what they're looking for here.

© Cammila Albertson /TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

Takin' Off

Herbie Hancock

Takin' Off Herbie Hancock

Blue Train

John Coltrane

Blue Train John Coltrane
À découvrir également
Par Kill Hannah

Hope for the Hopeless

Kill Hannah

Hope for the Hopeless Kill Hannah

Until There's Nothing Left Of Us

Kill Hannah

For Never And Ever

Kill Hannah

For Never And Ever Kill Hannah

Wake Up The Sleepers

Kill Hannah

Wake Up The Sleepers Kill Hannah

Until There's Nothing Left Of Us

Kill Hannah

Playlists

Dans la même thématique...

i/o

Peter Gabriel

i/o Peter Gabriel

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

Now And Then

The Beatles

Now And Then The Beatles

Rumours

Fleetwood Mac

Rumours Fleetwood Mac

Dark Matter

Pearl Jam

Dark Matter Pearl Jam