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Bob Welch|Three Hearts

Three Hearts

Bob Welch

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After the platinum success of 1977's French Kiss, Fleetwood Mac alumnus Bob Welch obviously decided there was no need to alter the formula for 1979's Three Hearts. The album was another slick, smartly crafted slice of late-'70s pop/rock, yet it only went gold. Welch blends richly distorted hard rock guitar hooks, disco-influenced strings, and bright vocal melodies on Three Hearts, which includes guest appearances by Fleetwood Mac members Mick Fleetwood, Christine McVie, and Stevie Nicks. The vibrant, insanely catchy "Precious Love" was the album's only Top 40 hit single; the prominent strings and bouncy chorus fuel this gem. "Church," a minor hit, features warm keyboards and smooth vocals. "The Ghost of Flight 401" deviates the most from the pop/rock blueprint, and its sparse acoustic guitar and piano lines add a dark, mysterious feel. "Devil Wind" peaks with a driving rhythm in the coda that also highlights Nicks on backing vocals. Other decent cuts include the buoyant pop tune "Little Star," "Oh Jenny," and "China." The only misfires are two covers: a quirky, pseudo-funk version of the Beatles' "I Saw Her Standing There" and a fairly straightforward rendering of the Fleetwoods' "Come Softly to Me."

© Bret Adams /TiVo

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Three Hearts

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1
3 Hearts
00:03:24

John Carter, Producer - Bob Welch, MainArtist, ComposerLyricist

℗ 1979 Capitol Records, LLC

2
Oh Jenny
00:04:19

John Carter, Producer - Bob Welch, MainArtist, ComposerLyricist

℗ 1979 Capitol Records, LLC

3
I Saw Her Standing There
00:02:55

John Carter, Producer - John Lennon, ComposerLyricist - Paul Mccartney, ComposerLyricist - Bob Welch, MainArtist

℗ 1979 Capitol Records, LLC

4
Here Comes The Night
00:03:05

John Carter, Producer - Bob Welch, MainArtist, ComposerLyricist

℗ 1979 Capitol Records, LLC

5
China
00:03:22

John Carter, Producer - Bob Welch, MainArtist, ComposerLyricist

℗ 1979 Capitol Records, LLC

6
The Ghost Of Flight 401
00:03:09

Richard Dashut, Producer - Bob Welch, MainArtist, ComposerLyricist

℗ 1979 Capitol Records, LLC

7
Precious Love
00:03:13

John Carter, Producer - Bob Welch, MainArtist, ComposerLyricist

℗ 1979 Capitol Records, LLC

8
Church
00:03:07

John Carter, Producer - Bob Welch, MainArtist, ComposerLyricist

℗ 1979 Capitol Records, LLC

9
Come Softly To Me
00:02:44

John Carter, Producer - Christine Mcvie, Keyboards, AssociatedPerformer - Barbara Ellis, ComposerLyricist - Gary Troxel, ComposerLyricist - Gretchen Christopher, ComposerLyricist - Bob Welch, MainArtist

℗ 1979 Capitol Records, LLC

10
Devil Wind
00:04:00

Stevie Nicks, Background Vocalist, AssociatedPerformer - John Carter, Producer - Bob Welch, MainArtist, ComposerLyricist

℗ 1979 Capitol Records, LLC

11
Don't Wait Too Long
00:03:55

John Carter, Producer - Christine Mcvie, Keyboards, AssociatedPerformer - Bob Welch, MainArtist, ComposerLyricist

℗ 1979 Capitol Records, LLC

12
Little Star
00:03:42

John Carter, Producer - Bob Welch, MainArtist, ComposerLyricist

℗ 1979 Capitol Records, LLC

Chronique

After the platinum success of 1977's French Kiss, Fleetwood Mac alumnus Bob Welch obviously decided there was no need to alter the formula for 1979's Three Hearts. The album was another slick, smartly crafted slice of late-'70s pop/rock, yet it only went gold. Welch blends richly distorted hard rock guitar hooks, disco-influenced strings, and bright vocal melodies on Three Hearts, which includes guest appearances by Fleetwood Mac members Mick Fleetwood, Christine McVie, and Stevie Nicks. The vibrant, insanely catchy "Precious Love" was the album's only Top 40 hit single; the prominent strings and bouncy chorus fuel this gem. "Church," a minor hit, features warm keyboards and smooth vocals. "The Ghost of Flight 401" deviates the most from the pop/rock blueprint, and its sparse acoustic guitar and piano lines add a dark, mysterious feel. "Devil Wind" peaks with a driving rhythm in the coda that also highlights Nicks on backing vocals. Other decent cuts include the buoyant pop tune "Little Star," "Oh Jenny," and "China." The only misfires are two covers: a quirky, pseudo-funk version of the Beatles' "I Saw Her Standing There" and a fairly straightforward rendering of the Fleetwoods' "Come Softly to Me."

© Bret Adams /TiVo

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