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Nanci Griffith|There's A Light Beyond These Woods

There's A Light Beyond These Woods

NANCI GRIFFITH

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Langue disponible : anglais

Returning to Nanci Griffith's first album, cut in 1978-1979, provides an interesting backdrop to view her work in the latter part of the '90s. Clearly, the singer/songwriter fans love hasn't arrived yet, but one catches glimpses of future greatness on songs like "I Remember Joe" and "Song for Remembered Heroes." Call Griffith a songwriter-in-training on There's a Light Beyond These Woods, learning how to shape a melody, pitch her voice, and surround herself with the right musicians. Even on weaker pieces, like the title cut and "Michael's Song," Griffith attempts to write a strong melody, giving each piece a distinctive flavor. She doesn't take a lot of chances vocally though, and many of the songs could've used a more robust approach. Still, her voice is already singular, and she delivers lots of emotion on pieces like "John Philip Griffith." Most of the accompaniment is simple, as in the guitar and cello that underline her voice in "West Texas Sun." Lyrically, songs like "Montana Backroads" rely on uncomplicated imagery -- pickup trucks, feed stores, and bars -- to paint a lonely portrait of a washed-up rodeo rider. This integrated, low-key approach contrasts sharply with Griffith's later albums, like 2001's Clock Without Hands. While she exudes much more confidence on the latter effort, she forgets many of the basics of songcraft, overreaching lyrically and adding an overly bright production. In retrospect, There's a Light Beyond These Woods sounds better because it sticks closer its folk roots. Fans only familiar with Griffith's later work will enjoy watching a young poet find her muse.

© Ronnie D. Lankford, Jr. /TiVo

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There's A Light Beyond These Woods

Nanci Griffith

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1
I Remember Joe
00:04:23

NANCI GRIFFITH, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Tom Ellis, Mandolin, AssociatedPerformer - Mike Williams, Producer, Executive Producer, Background Vocalist, Recording Producer, AssociatedPerformer - Stephen Doster, Acoustic Guitar, AssociatedPerformer - Maggie Graham, Background Vocalist, AssociatedPerformer - Tom Pittman, Banjo, AssociatedPerformer - Hugh Sparks, Bass Guitar, AssociatedPerformer - Bill Blachlu, Recording Engineer, StudioPersonnel - Franci Files, Background Vocalist, AssociatedPerformer - Lela Cain, Background Vocalist, AssociatedPerformer - Carla Cain, Background Vocalist, AssociatedPerformer

℗ 2023 Jim Rooney. Under Exclusive License To Craft Recordings.

2
Alabama Soft Spoken Blues
00:03:47

NANCI GRIFFITH, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Rick West, Acoustic Guitar, AssociatedPerformer - Richard Cooper, Digital Piano, AssociatedPerformer - Mike Williams, Producer, Guitar, Percussion, Executive Producer, Background Vocalist, Recording Producer, AssociatedPerformer - Maggie Graham, ComposerLyricist - Hugh Sparks, Bass Guitar, Background Vocalist, AssociatedPerformer - Bill Blachlu, Recording Engineer, StudioPersonnel - Lela Cain, Background Vocalist, AssociatedPerformer - Carla Cain, Background Vocalist, AssociatedPerformer - Frank Delvy, Background Vocalist, AssociatedPerformer - Maggie Lopez, Background Vocalist, AssociatedPerformer

℗ 2023 Jim Rooney. Under Exclusive License To Craft Recordings.

3
Michael's Song
00:04:01

Paul Kelly, Bass Guitar, AssociatedPerformer - NANCI GRIFFITH, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Rick West, Acoustic Guitar, AssociatedPerformer - Mike Williams, Producer, Executive Producer, Recording Producer - Bill Blachlu, Recording Engineer, StudioPersonnel

℗ 2023 Jim Rooney. Under Exclusive License To Craft Recordings.

4
Song For Remembered Heroes
00:03:23

Paul Kelly, Bass Guitar, AssociatedPerformer - NANCI GRIFFITH, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Rick West, Dobro, AssociatedPerformer - Mike Williams, Producer, Executive Producer, Recording Producer - Bill Blachlu, Recording Engineer, StudioPersonnel - Lela Cain, Background Vocalist, AssociatedPerformer - Carla Cain, Background Vocalist, AssociatedPerformer

℗ 2023 Jim Rooney. Under Exclusive License To Craft Recordings.

5
West Texas Sun
00:03:43

NANCI GRIFFITH, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - John Hagen, Cello, AssociatedPerformer - Rick West, Acoustic Guitar, AssociatedPerformer - Mike Williams, Producer, Executive Producer, Recording Producer - Bill Blachlu, Recording Engineer, StudioPersonnel

℗ 2023 Jim Rooney. Under Exclusive License To Craft Recordings.

6
There's A Light Beyond These Woods (Mary Margaret)
00:04:36

NANCI GRIFFITH, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - John Hagen, Cello, AssociatedPerformer - Mike Williams, Producer, Executive Producer, Recording Producer - Stephen Doster, Acoustic Guitar, AssociatedPerformer - Hugh Sparks, Bass Guitar, AssociatedPerformer - Bill Blachlu, Recording Engineer, StudioPersonnel

℗ 2023 Jim Rooney. Under Exclusive License To Craft Recordings.

7
Dollar Matinee
00:04:51

Paul Kelly, Bass Guitar, AssociatedPerformer - Eric Taylor, Acoustic Guitar, Vocals, AssociatedPerformer - David Taylor, ComposerLyricist - NANCI GRIFFITH, Vocals, MainArtist, AssociatedPerformer - Rick West, Dobro, AssociatedPerformer - Mike Williams, Producer, Executive Producer, Background Vocalist, Recording Producer, AssociatedPerformer - Bill Blachlu, Recording Engineer, StudioPersonnel - Franci Files, Background Vocalist, AssociatedPerformer - Lela Cain, Background Vocalist, AssociatedPerformer - Carla Cain, Background Vocalist, AssociatedPerformer

℗ 2023 Jim Rooney. Under Exclusive License To Craft Recordings.

8
Montana Backroads
00:05:01

Paul Kelly, Bass Guitar, AssociatedPerformer - NANCI GRIFFITH, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer - Tom Ellis, Mandolin, AssociatedPerformer - Rick West, Dobro, AssociatedPerformer - Mike Williams, Producer, Executive Producer, Recording Producer - Tom Pittman, Banjo, AssociatedPerformer - Bruce Carlson, ComposerLyricist - Bill Blachlu, Recording Engineer, StudioPersonnel

℗ 2023 Jim Rooney. Under Exclusive License To Craft Recordings.

9
John Phillip Griffith
00:04:06

Paul Kelly, Bass Guitar, AssociatedPerformer - NANCI GRIFFITH, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - John Hagen, Cello, AssociatedPerformer - Rick West, Mandolin, AssociatedPerformer - Mike Williams, Producer, Executive Producer, Recording Producer - Stephen Doster, Acoustic Guitar, AssociatedPerformer - Bill Blachlu, Recording Engineer, StudioPersonnel

℗ 2023 Jim Rooney. Under Exclusive License To Craft Recordings.

Chronique

Returning to Nanci Griffith's first album, cut in 1978-1979, provides an interesting backdrop to view her work in the latter part of the '90s. Clearly, the singer/songwriter fans love hasn't arrived yet, but one catches glimpses of future greatness on songs like "I Remember Joe" and "Song for Remembered Heroes." Call Griffith a songwriter-in-training on There's a Light Beyond These Woods, learning how to shape a melody, pitch her voice, and surround herself with the right musicians. Even on weaker pieces, like the title cut and "Michael's Song," Griffith attempts to write a strong melody, giving each piece a distinctive flavor. She doesn't take a lot of chances vocally though, and many of the songs could've used a more robust approach. Still, her voice is already singular, and she delivers lots of emotion on pieces like "John Philip Griffith." Most of the accompaniment is simple, as in the guitar and cello that underline her voice in "West Texas Sun." Lyrically, songs like "Montana Backroads" rely on uncomplicated imagery -- pickup trucks, feed stores, and bars -- to paint a lonely portrait of a washed-up rodeo rider. This integrated, low-key approach contrasts sharply with Griffith's later albums, like 2001's Clock Without Hands. While she exudes much more confidence on the latter effort, she forgets many of the basics of songcraft, overreaching lyrically and adding an overly bright production. In retrospect, There's a Light Beyond These Woods sounds better because it sticks closer its folk roots. Fans only familiar with Griffith's later work will enjoy watching a young poet find her muse.

© Ronnie D. Lankford, Jr. /TiVo

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