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Johnny Paycheck|The Soul & The Edge: The Best Of Johnny Paycheck

The Soul & The Edge: The Best Of Johnny Paycheck

Johnny Paycheck

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Most listeners know Johnny Paycheck from "Take This Job and Shove It" -- a song so popular and so iconic that it overshadows everything else Paycheck did, not just for pop fans but for country listeners. Couple that with a reputation for being a roughneck hellion and you have somebody who is known as a persona, not as a musician. And that's a real shame, as Epic/Legacy's The Soul & the Edge: The Best of Johnny Paycheck proves. As the first comprehensive CD collection of Paycheck's hit-making peak years of the '70s and '80s -- his early years are documented on the stellar The Real Mr. Heartache collection -- this collection is a revelation, offering definitive proof that he was one of the very greatest hardcore country singers. He could do it all: blue-collar rage ("Take This Job and Shove It," "Me and the IRS"), barroom weepers ("Slide Off of Your Satin Sheets," "I Did the Right Thing") and barroom ravers ("Fifteen Beers"), lush country-pop (the Billy Sherrill-produced "She's All I Got") and gritty country-soul (a George Jones duet on "You Better Move On"), tough-guy laments ("I'm the Only Hell (My Mama Ever Raised)") and tough-guy bravado ("Ragged Old Truck," "The Outlaw's Prayer"). Plus, there's a wicked, bizarre sense of humor, evidenced clearly on the neo-talking blues "Colorado Cool-Aid," illustrating that he didn't tame his wildness even at his popular peak. Then there's that voice -- a resonant baritone with impeccable phrasing that some claim was an inspiration for George Jones' style (and listening to this and Mr. Heartache makes those claims quite credible). It all adds up to a collection that not only captures Paycheck at his peak, but also lays claim as one of the great country albums of its era, if not all time. It's the kind of collection an artist the stature of Johnny Paycheck deserves.

© Stephen Thomas Erlewine /TiVo

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The Soul & The Edge: The Best Of Johnny Paycheck

Johnny Paycheck

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1
Take This Job and Shove It
00:02:35

D.A Coe, Composer - D.A Coe, Lyricist - Johnny Paycheck, Performer - Billy Sherrill, Producer

(P) 1977 Sony Music Entertainment

2
11 Months and 29 Days
00:03:44

J. Paycheck, Composer - J. Paycheck, Lyricist - Johnny Paycheck, Performer - B. Sherrill, Composer - B. Sherrill, Lyricist - Billy Sherrill, Producer

(P) 1976 Sony Music Entertainment

3
I'm the Only Hell (Mama Ever Raised)
00:03:09

W. Kemp, Composer - W. Kemp, Lyricist - M. Vickery, Composer - M. Vickery, Lyricist - B. Borchers, Composer - B. Borchers, Lyricist - Johnny Paycheck, Performer - Billy Sherrill, Producer

(P) 1977 Sony Music Entertainment

4
Slide off of Your Satin Sheets (Album Version)
00:02:56

Wayne Carson, Composer - Wayne Carson, Lyricist - Johnny Paycheck, Performer - Margie Hunt, Executive Producer - Billy Sherrill, Producer - Johnathan Russell, 2nd Engineer - Carlos Grier, Edited By - Eric Conn, Edited By - Richard Lescallette, Mastering Engineer - Denny Purcell, Mastering Engineer - Donn Tankersley, Composer - Donn Tankersley, Lyricist

(P) 1977 Sony Music Entertainment

5
She's All I Got
00:02:53

Johnny Paycheck, Performer - J. Williams, Jr., Composer - J. Williams, Jr., Lyricist - G. Bonds, Composer - G. Bonds, Lyricist - Billy Sherrill, Producer

(P) 1971 Sony Music Entertainment

6
Ragged Old Truck
00:03:05

Phil Baugh, Guitar - Henry Strzelecki, Bass - Tommy Cogbill, Bass - Barry Chance, Guitar - Terry McMillan, Harmonica - Jim Vest, Steel Guitar - Reggie Young, Guitar - The Nashville Edition, Background Vocal - Tommy Allsup, Guitar - B.J. Shaver, Composer - B.J. Shaver, Lyricist - Dwight Yoakam, Harmonica - Hargus "Pig" Robbins, Piano - Cliff Parker, Guitar - Barry Walsh, Piano - James Allen Smith, Piano - Jerry Kroon, Drums - Pete Wade, Guitar - Lou Bradley, Engineer - Weldon Myrick, Steel Guitar - Jimmy Murphy, Steel Guitar - Jimmy Murphy, Dobro - Jimmy Murphy, Saxophone - Bobby R. Wood, Piano - Tommy Jackson, Fiddle - JOHNNIE WINTER, Drums - Jim Isbell, Drums - Johnny Paycheck, Performer - Billy Sherrill, Producer - Michael McBride, Bass - Billy Sanford, Guitar

(P) 1979 Sony Music Entertainment

7
Colorado Cool-Aid
00:03:34

P. Thomas, Composer - P. Thomas, Lyricist - Johnny Paycheck, Performer - Billy Sherrill, Producer

(P) 1977 Sony Music Entertainment

8
Fifteen Beers
00:02:38

B. Davis, Composer - B. Davis, Lyricist - S. Davis, Composer - S. Davis, Lyricist - Johnny Paycheck, Performer - Billy Sherrill, Producer

(P) 1979 Sony Music Entertainment

9
I've Seen Better Days
00:03:38

R. Lane, Composer - R. Lane, Lyricist - Lou Bradley, Engineer - D. Morrison, Composer - D. Morrison, Lyricist - Johnny Paycheck, Performer - Billy Sherrill, Producer

(P) 1976 Columbia Records, a division of Sony Music Entertainment

10
Someone to Give My Love To
00:02:59

B. Rice, Composer - B. Rice, Lyricist - Johnny Paycheck, Performer - J. Foster, Composer - J. Foster, Lyricist - Billy Sherrill, Producer

(P) 1972 Sony Music Entertainment

11
My Part of Forever
00:02:57

B. Rice, Composer - B. Rice, Lyricist - Johnny Paycheck, Performer - J. Foster, Composer - J. Foster, Lyricist - Billy Sherrill, Producer

(P) 1974 Sony Music Entertainment

12
Yesterday's News Just Hit Home Today
00:03:50

M. Haggard, Composer - M. Haggard, Lyricist - Johnny Paycheck, Performer - Billy Sherrill, Producer

(P) 1981 Sony Music Entertainment

13
(Stay Away From) The Cocaine Train (Live)
00:03:15

Phil Baugh, Guitar - Henry Strzelecki, Bass - Tommy Cogbill, Bass - Barry Chance, Guitar - Terry McMillan, Harmonica - Jim Vest, Steel Guitar - Reggie Young, Guitar - Tommy Allsup, Guitar - Dwight Yoakam, Harmonica - Hargus "Pig" Robbins, Piano - Cliff Parker, Guitar - Barry Walsh, Piano - James Allen Smith, Piano - Jerry Kroon, Drums - Pete Wade, Guitar - Lou Bradley, Engineer - Weldon Myrick, Steel Guitar - Jimmy Murphy, Steel Guitar - Jimmy Murphy, Dobro - Jimmy Murphy, Saxophone - Bobby R. Wood, Piano - Tommy Jackson, Fiddle - JOHNNIE WINTER, Drums - Jim Isbell, Drums - Johnny Paycheck, Composer - Johnny Paycheck, Lyricist - Johnny Paycheck, Performer - Billy Sherrill, Producer - Michael McBride, Bass - Billy Sanford, Guitar

(P) 1980 SONY BMG MUSIC ENTERTAINMENT

14
Me and the I.R.S. (Live)
00:03:04

Phil Thomas, Composer - Phil Thomas, Lyricist - Johnny Paycheck, Performer - Gladys Scaife, Composer - Gladys Scaife, Lyricist - Don Scaife, Composer - Don Scaife, Lyricist - Ronny Scaife, Composer - Ronny Scaife, Lyricist - Billy Sherrill, Producer

(P) 1980 SONY BMG MUSIC ENTERTAINMENT

15
The Feminine Touch
00:02:35

F. Dycus, Composer - F. Dycus, Lyricist - Johnny Paycheck, Performer - L. Kingston, Composer - L. Kingston, Lyricist - Billy Sherrill, Producer

(P) 1976 SONY BMG MUSIC ENTERTAINMENT

16
You Better Move On (duet with George Jones)
00:02:46

Johnny Paycheck, Performer - A. Alexander, Composer - A. Alexander, Lyricist - George Jones, Performer - Billy Sherrill, Producer

(P) 1980 Sony Music Entertainment

17
I Did the Right Thing
00:04:03

Johnny Paycheck, Performer - B. Braddock, Composer - B. Braddock, Lyricist - Billy Sherrill, Producer

(P) 1977 Columbia Records, a division of Sony Music Entertainment

18
When I Had A Home To Go To
00:02:14

Lou Bradley, Engineer - The Nashville Edition, Background Vocal - Johnny Paycheck, Performer - G. SUTTON, Composer - G. SUTTON, Lyricist - B. Sherrill, Composer - B. Sherrill, Lyricist - Billy Sherrill, Producer

(P) 1977 SONY BMG MUSIC ENTERTAINMENT

19
Barstool Mountain
00:02:50

D. Tankersley, Composer - D. Tankersley, Lyricist - Lou Bradley, Engineer - W. Carson, Composer - W. Carson, Lyricist - The Nashville Edition, Background Vocal - Johnny Paycheck, Performer - Billy Sherrill, Producer

(P) 1977 SONY BMG MUSIC ENTERTAINMENT

20
I Can See Me Lovin' You Again
00:03:18

B. Rice, Composer - B. Rice, Lyricist - Johnny Paycheck, Performer - J. Foster, Composer - J. Foster, Lyricist - Billy Sherrill, Producer

(P) 1976 Columbia Records, a division of Sony Music Entertainment

21
Old Violin
00:03:43
22
All Night Lady
00:03:20

M. Haggard, Composer - M. Haggard, Lyricist - M.C. Rather, Mastering Engineer - Don Markham, Trumpet - Don Markham, Saxophone - Don Markham, Horns - Roy Nichols, Electric Guitar - Ronnie Reno, Acoustic Baritone Guitar - Dennis McCracken, Acoustic Bass - Jim Williamson, Engineer - Ron Reynolds, Engineer - Gordon Terry, Fiddle - Merle Haggard, Electric Guitar - Mark Yeary, Piano - Ronnie Dean, Engineer - Russ Bracher, Engineer - Norm Hamlet, Steel Guitar - Biff Adams, Drums - Ken Suesov, Engineer - Johnny Paycheck, Performer - Billy Sherrill, Producer - Steve Pouliot, Engineer

(P) 1981 Sony Music Entertainment

23
The Outlaw's Prayer
00:05:03

Johnny Paycheck, Performer - G. SUTTON, Composer - G. SUTTON, Lyricist - B. Sherrill, Composer - B. Sherrill, Lyricist - Billy Sherrill, Producer

(P) 1978 Sony Music Entertainment

Chronique

Most listeners know Johnny Paycheck from "Take This Job and Shove It" -- a song so popular and so iconic that it overshadows everything else Paycheck did, not just for pop fans but for country listeners. Couple that with a reputation for being a roughneck hellion and you have somebody who is known as a persona, not as a musician. And that's a real shame, as Epic/Legacy's The Soul & the Edge: The Best of Johnny Paycheck proves. As the first comprehensive CD collection of Paycheck's hit-making peak years of the '70s and '80s -- his early years are documented on the stellar The Real Mr. Heartache collection -- this collection is a revelation, offering definitive proof that he was one of the very greatest hardcore country singers. He could do it all: blue-collar rage ("Take This Job and Shove It," "Me and the IRS"), barroom weepers ("Slide Off of Your Satin Sheets," "I Did the Right Thing") and barroom ravers ("Fifteen Beers"), lush country-pop (the Billy Sherrill-produced "She's All I Got") and gritty country-soul (a George Jones duet on "You Better Move On"), tough-guy laments ("I'm the Only Hell (My Mama Ever Raised)") and tough-guy bravado ("Ragged Old Truck," "The Outlaw's Prayer"). Plus, there's a wicked, bizarre sense of humor, evidenced clearly on the neo-talking blues "Colorado Cool-Aid," illustrating that he didn't tame his wildness even at his popular peak. Then there's that voice -- a resonant baritone with impeccable phrasing that some claim was an inspiration for George Jones' style (and listening to this and Mr. Heartache makes those claims quite credible). It all adds up to a collection that not only captures Paycheck at his peak, but also lays claim as one of the great country albums of its era, if not all time. It's the kind of collection an artist the stature of Johnny Paycheck deserves.

© Stephen Thomas Erlewine /TiVo

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