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B.B. King|The Blues

The Blues

B.B. King

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Originally released in 1958 by the budget-priced Crown label, The Blues collected a dozen sides B.B. King cut for RPM and Kent between 1951 and 1958. (RPM and Kent were owned by the Bahari Brothers who also ran Crown, which explains how one of the true prestige artists of the blues ended up on such a notoriously cheap-o label.) As was often the case with Crown's product, The Blues used a single hit tune (in this case "When My Heart Beats Like a Hammer," a Top Ten R&B chart entry in 1954) to help sell a package of lesser-known material, but thankfully the label also picked some great tunes that hardly sound like filler, even if they didn't make the charts. The material on The Blues is dominated by muscular, horn-driven performances with King's interjections of single-note riffs and powerful string bends punctuating the arrangements, and King's songwriting was already stellar, with "I Want to Get Married," "Don't You Want a Man Like Me," and "Ruby Lee" demonstrating his way with a melody and a lyrical conceit. While King's recordings gained a greater depth and emotional force as he moved into the '60s, his RPM takes were the work of a man who already had an enviable command of his instrument and a real gift as a vocalist and songwriter, and though he would get better with time, The Blues demonstrates he was already near the top of his class.

© Mark Deming /TiVo

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The Blues

B.B. King

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1
Why Do Everything Happen to Me
00:02:48

B.B. King, MainArtist - Roy Hawkins, Composer - Jules Taub, Composer - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

2
Ruby Lee
00:02:37

B.B. King, MainArtist - Copyright Control, MusicPublisher - Jules Taub, Composer - Riley B King, Composer - Universal Music Pub Int MGB, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

3
When My Heart Beats Like a Hammer
00:02:55

B.B. King, MainArtist - John Lee Williamson, Composer - Universal, MusicPublisher - MCA Music ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

4
Don't Have to Cry AKA Past Day
00:03:17

B.B. King, MainArtist - Joe Josea, Composer - Riley B King, Composer - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

5
Boogie Woogie Woman
00:02:49

B.B. King, MainArtist - Jules Taub, Composer - Riley B King, Composer - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

6
Early in the Morning
00:02:36

B.B. King, MainArtist - Joe Josea, Composer - Riley B King, Composer - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

7
I Want to Get Married
00:03:04

B.B. King, MainArtist - Joe Josea, Composer - Riley B King, Composer - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

8
That Ain't the Way to Do It
00:02:19

B.B. King, MainArtist - Jules Taub, Composer - Riley B King, Composer - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

9
Troubles, Troubles, Troubles
00:02:59

B.B. King, MainArtist - Sam Ling, Composer - Riley B King, Composer - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

10
Don't You Want a Man Like Me
00:02:40

B.B. King, MainArtist - Jules Taub, Composer - Riley B King, Composer - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

11
You Know I Go for You
00:02:39

B.B. King, MainArtist - Jules Taub, Composer - Riley B King, Composer - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

12
What Can I Do
00:02:50

B.B. King, MainArtist - Jules Taub, Composer - Riley B King, Composer - Universal Music Pub MGB Ltd, MusicPublisher - ROCKIN MUSIC USA, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

13
Sweet Little Angel
00:03:04

B.B. King, MainArtist - Lucille Bogan, Composer - Universal, MusicPublisher - MCA Music ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

14
Don't Keep Me Waiting
00:02:16

B.B. King, MainArtist - Riley B King, Composer - Tristan Music Ltd, MusicPublisher - BMG Music Pub Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

15
Tickle Britches
00:02:29

B.B. King, MainArtist - Riley B King, Composer - Tristan Music Ltd, MusicPublisher - BMG Music Pub Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

16
Don't Break Your Promise
00:02:24

B.B. King, MainArtist - Riley B King, Composer - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

17
I'm in Love
00:02:16

B.B. King, MainArtist - Jules Taub, Composer - Sam Ling, Composer - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

18
Bye! Bye! Baby
00:02:30

B.B. King, MainArtist - Jules Taub, Composer - Riley B King, Composer - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

Chronique

Originally released in 1958 by the budget-priced Crown label, The Blues collected a dozen sides B.B. King cut for RPM and Kent between 1951 and 1958. (RPM and Kent were owned by the Bahari Brothers who also ran Crown, which explains how one of the true prestige artists of the blues ended up on such a notoriously cheap-o label.) As was often the case with Crown's product, The Blues used a single hit tune (in this case "When My Heart Beats Like a Hammer," a Top Ten R&B chart entry in 1954) to help sell a package of lesser-known material, but thankfully the label also picked some great tunes that hardly sound like filler, even if they didn't make the charts. The material on The Blues is dominated by muscular, horn-driven performances with King's interjections of single-note riffs and powerful string bends punctuating the arrangements, and King's songwriting was already stellar, with "I Want to Get Married," "Don't You Want a Man Like Me," and "Ruby Lee" demonstrating his way with a melody and a lyrical conceit. While King's recordings gained a greater depth and emotional force as he moved into the '60s, his RPM takes were the work of a man who already had an enviable command of his instrument and a real gift as a vocalist and songwriter, and though he would get better with time, The Blues demonstrates he was already near the top of his class.

© Mark Deming /TiVo

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