Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Beverly|The Blue Swell

The Blue Swell

Beverly

Disponible en
16-Bit/44.1 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

After recording the first Beverly album with Frankie Rose on board, Drew Citron struck out on her own for the band's follow-up, 2016's The Blue Swell. Not exactly alone, since she had bassist/guitarist Scott Rosenthal along to help out, but the vision is all hers this time. On the album, the duo takes a step away from the pounding noise pop of Careers in favor of something more nuanced and bigger-sounding at the same time. There's still some of the earlier sound buried in the band's DNA, but the guitars are just as likely to be jangly as they are noisy, the tempos are more in the midrange instead of fast and frantic, and Citron's vocals have a dreamier, sweeter quality throughout. While many bands have failed while making this kind of transition from scrappy to sophisticated, Beverly pull it off really well thanks to a few important factors. The production may be more expansive and a little slicker, but it never tips over into blandness. The effects, especially reverb, are used perfectly, the huge sound of the guitars serves the songs well, and the focus on Citron's voice at the center of the mixes puts her exactly where she should be. The songs themselves are very strong too, with Citron dispensing some lyrical nuggets of wisdom while writing lots of very sharp hooks and melodies. "Victoria," a co-write with Pains of Being Pure at Heart's Kip Berman, is a perfect dream pop song that sounds like the Breeders on a sugar high, the rocked-out "You Used to Be a Good Girl" provides a nostalgic jolt of punky energy, "Lake House" is a propulsive bit of post-punk gloom, and "Crooked Cop" has a nice blend of Ride-like dream pop and peppy almost country-rock with a lovely vocal from Citron. There are also a couple tunes ("South Collins" and "The Smokey Pines") that take a detour into hazy ballad territory, the kind of cloudy, soft-as-snow place where one might see Julee Cruise hanging out with Liz Fraser. These provide a nice balance to the rest of the record and show that Beverly have plenty of range. When you put together songs that sound great and have catchy melodies and smart lyrics too, it's hard to go wrong. Add in Citron's pleasant dream of a voice and Beverly really have a lot going in their favor. The Blue Swell is a very strong follow-up to Careers, and definitively positions them as one of the best guitar pop bands around.
© Tim Sendra /TiVo

Plus d'informations

The Blue Swell

Beverly

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de 12,49€/mois

1
Bulldozer
00:03:32

Beverly, Composer, MainArtist

2016 Kanine Records 2016 Kanine Records

2
Crooked Cop
00:03:46

Beverly, Composer, MainArtist

2016 Kanine Records 2015 Kanine Records

3
You Said It
00:03:39

Beverly, Composer, MainArtist

2016 Kanine Records 2016 Kanine Records

4
Victoria
00:03:43

Beverly, Composer, MainArtist

2016 Kanine Records 2016 Kanine Records

5
South Collins
00:03:58

Beverly, Composer, MainArtist

2016 Kanine Records 2016 Kanine Records

6
Lake House
00:03:34

Beverly, Composer, MainArtist

2016 Kanine Records 2016 Kanine Records

7
Contact
00:04:07

Beverly, Composer, MainArtist

2016 Kanine Records 2016 Kanine Records

8
The Smokey Pines
00:04:48

Beverly, Composer, MainArtist

2016 Kanine Records 2016 Kanine Records

9
You Used To Be A Good Girl
00:02:25

Beverly, Composer, MainArtist

2016 Kanine Records 2016 Kanine Records

10
Don't Wanna Fight
00:04:03

Beverly, Composer, MainArtist

2016 Kanine Records 2016 Kanine Records

Chronique

After recording the first Beverly album with Frankie Rose on board, Drew Citron struck out on her own for the band's follow-up, 2016's The Blue Swell. Not exactly alone, since she had bassist/guitarist Scott Rosenthal along to help out, but the vision is all hers this time. On the album, the duo takes a step away from the pounding noise pop of Careers in favor of something more nuanced and bigger-sounding at the same time. There's still some of the earlier sound buried in the band's DNA, but the guitars are just as likely to be jangly as they are noisy, the tempos are more in the midrange instead of fast and frantic, and Citron's vocals have a dreamier, sweeter quality throughout. While many bands have failed while making this kind of transition from scrappy to sophisticated, Beverly pull it off really well thanks to a few important factors. The production may be more expansive and a little slicker, but it never tips over into blandness. The effects, especially reverb, are used perfectly, the huge sound of the guitars serves the songs well, and the focus on Citron's voice at the center of the mixes puts her exactly where she should be. The songs themselves are very strong too, with Citron dispensing some lyrical nuggets of wisdom while writing lots of very sharp hooks and melodies. "Victoria," a co-write with Pains of Being Pure at Heart's Kip Berman, is a perfect dream pop song that sounds like the Breeders on a sugar high, the rocked-out "You Used to Be a Good Girl" provides a nostalgic jolt of punky energy, "Lake House" is a propulsive bit of post-punk gloom, and "Crooked Cop" has a nice blend of Ride-like dream pop and peppy almost country-rock with a lovely vocal from Citron. There are also a couple tunes ("South Collins" and "The Smokey Pines") that take a detour into hazy ballad territory, the kind of cloudy, soft-as-snow place where one might see Julee Cruise hanging out with Liz Fraser. These provide a nice balance to the rest of the record and show that Beverly have plenty of range. When you put together songs that sound great and have catchy melodies and smart lyrics too, it's hard to go wrong. Add in Citron's pleasant dream of a voice and Beverly really have a lot going in their favor. The Blue Swell is a very strong follow-up to Careers, and definitively positions them as one of the best guitar pop bands around.
© Tim Sendra /TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

Blue Train

John Coltrane

Blue Train John Coltrane

Live In Europe

Melody Gardot

Live In Europe Melody Gardot
À découvrir également
Par Beverly

SP98

Beverly

SP98 Beverly

CHAMPAGNE PARTY

Beverly

Careers

Beverly

Careers Beverly

Honey Do

Beverly

Honey Do Beverly

Thorny Love

Beverly

Thorny Love Beverly
Dans la même thématique...

Wall Of Eyes

The Smile

Wall Of Eyes The Smile

All Born Screaming

St. Vincent

All Born Screaming St. Vincent

In Times New Roman...

Queens Of The Stone Age

In Times New Roman... Queens Of The Stone Age

OK Computer OKNOTOK 1997 2017

Radiohead

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish