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James Taylor|That's Why I'm Here

That's Why I'm Here

James Taylor

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Langue disponible : anglais

Taylor took four and a half years off from record-making in the early '80s, returning with That's Why I'm Here, which suggested he had found his long-term niche with baby boomer fans now permanently tuned to soft rock radio -- this was Taylor's first record to spawn three Top Ten adult contemporary hits, with the title track, "Only One," and a cover of Buddy Holly's "Everyday." But those boomers just don't go to the record store as often as their children, and the album failed to go gold and was his lowest-charting effort since his debut. If, in the title song, he had reconciled himself to the notion that he was here to sing "Fire and Rain" at summer concerts, that also meant he was settling for a complacent position in which his new material was virtually irrelevant, and that being the case, why should people buy it? (Notwithstanding its initial commercial reception, That's Why I'm Here eventually went platinum.)

© William Ruhlmann /TiVo

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That's Why I'm Here

James Taylor

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1
That's Why I'm Here (Album Version)
00:03:37

David Sanborn, Saxophone - FRANK FILIPETTI, Producer - Frank Filipetti, Recording Engineer - James Taylor, Vocal - James Taylor, Performer - David Lasley, Vocal - Deniece Williams, Vocal - Russell Kunkel, Drums - J. TAYLOR, Producer - Tony Levin, Bass - Billy Miranda, 2nd Engineer - Clifford Carter, Keyboards - J. Taylor, Composer - J. Taylor, Lyricist - Ted Jensen, Re-Mastering Engineer - Jim Maelen, Percussion - Billy Payne, Keyboards - Moira Marquis, 2nd Engineer - Don Grolnick, Keyboards

(P) 1985 Columbia Records, a division of Sony Music Entertainment

2
Song for You Far Away (Album Version)
00:02:56

FRANK FILIPETTI, Producer - Frank Filipetti, Recording Engineer - James Taylor, Vocal - James Taylor, Performer - Russell Kunkel, Drums - Dan Dugmore, Steel Guitar - J. TAYLOR, Producer - Tony Levin, Bass - Billy Miranda, 2nd Engineer - J. Taylor, Composer - J. Taylor, Lyricist - Ted Jensen, Re-Mastering Engineer - Jim Maelen, Percussion - Billy Payne, Keyboards - Moira Marquis, 2nd Engineer

(P) 1985 Columbia Records, a division of Sony Music Entertainment

3
Only a Dream in Rio (Album Version)
00:04:59

Eliane Eliaf, Vocal - FRANK FILIPETTI, Producer - Frank Filipetti, Recording Engineer - James Taylor, Performer - Zbeto, Vocal - Airto Moreira, Percussion - Kenia Gould, Vocal - Russell Kunkel, Drums - Randy Brecker, Vocal - J. TAYLOR, Producer - Tony Levin, Bass - Billy Miranda, 2nd Engineer - J. Taylor, Composer - J. Taylor, Lyricist - Ted Jensen, Re-Mastering Engineer - Billy Payne, Keyboards - Moira Marquis, 2nd Engineer

(P) 1985 Columbia Records, a division of Sony Music Entertainment

4
Turn Away (Album Version)
00:03:22

Leland Sklar, Bass - FRANK FILIPETTI, Producer - Rick Shlosser, Drums - Frank Filipetti, Vocal - Frank Filipetti, Recording Engineer - James Taylor, Vocal - James Taylor, Performer - David Lasley, Vocal - Rosemary Butler, Vocal - Renatta Blauer, 2nd Engineer - J. TAYLOR, Producer - Jeff Pevar, Guitar - Arnold McCuller, Vocal - Clifford Carter, Keyboards - J. Taylor, Composer - J. Taylor, Lyricist - Starz Vanderlockit, Percussion - Ted Jensen, Re-Mastering Engineer - Billy Payne, Keyboards - Peter Asher, Producer - Peter Asher, Vocal

(P) 1985 Columbia Records, a division of Sony Music Entertainment

5
Going Around One More Time (Album Version)
00:03:22

FRANK FILIPETTI, Producer - James Taylor, Vocal - James Taylor, Performer - Frank Filipelli, Recording Engineer - Greg 'Fingers' Taylor, Harmonica - Russell Kunkel, Drums - J. TAYLOR, Producer - Tony Levin, Bass - Billy Miranda, 2nd Engineer - L. Taylor, Composer - L. Taylor, Lyricist - Ted Jensen, Re-Mastering Engineer - Rory Dodd, Vocal - Jim Maelen, Percussion - Eric Troyer, Vocal - Billy Payne, Keyboards - Moira Marquis, 2nd Engineer

(P) 1985 Columbia Records, a division of Sony Music Entertainment

6
My Romance (Album Version)
00:02:46

FRANK FILIPETTI, Producer - James Taylor, Performer - Frank Filipelli, Recording Engineer - L. Hart, Composer - L. Hart, Lyricist - Russell Kunkel, Drums - J. TAYLOR, Producer - Tony Levin, Bass - Billy Miranda, 2nd Engineer - Ted Jensen, Re-Mastering Engineer - R. RODGERS, Composer - R. RODGERS, Lyricist - Moira Marquis, 2nd Engineer - Don Grolnick, Piano

(P) 1985 Columbia Records, a division of Sony Music Entertainment

7
Everyday (Album Version)
00:03:13

Leland Sklar, Bass - FRANK FILIPETTI, Producer - Rick Shlosser, Drums - Frank Filipetti, Mixing Engineer - Frank Filipetti, Recording Engineer - James Taylor, Vocal - James Taylor, Performer - Rosemary Butler, Vocal - Renatta Blauer, 2nd Engineer - Dan Dugmore, Guitar - J. TAYLOR, Producer - C. Hardin, Composer - C. Hardin, Lyricist - Arnold McCuller, Vocal - Billy Miranda, Mixing Engineer - Ted Jensen, Mastering Engineer - N. Petty, Composer - N. Petty, Lyricist - Billy Payne, Keyboards - Moira Marquis, Mixing Engineer - Peter Asher, Producer

(P) 1985 Columbia Records, a division of Sony Music Entertainment

8
Limousine Driver (Album Version)
00:03:49

Michael Brecker, Horns - Tony Levin, Bass - Ted Jensen, Re-Mastering Engineer - Barry Rogers, Horns - Jim Maelen, Percussion - Billy Payne, Keyboards - J. TAYLOR, Producer - FRANK FILIPETTI, Producer - Jeff Pevar, Guitar - Kenny Kosek, Violin - J. Taylor, Composer - J. Taylor, Lyricist - Russell Kunkel, Drums - Greg 'Fingers' Taylor, Harmonica - David Sanborn, Horns - Moira Marquis, 2nd Engineer - James Taylor, Performer - Billy Miranda, 2nd Engineer - Randy Brecker, Horns - Frank Filipelli, Recording Engineer

(P) 1985 Columbia Records, a division of Sony Music Entertainment

9
Only One (Album Version)
00:04:18

FRANK FILIPETTI, Producer - Frank Filipetti, Recording Engineer - James Taylor, Performer - David Lasley, Vocal - Don Henley, Vocal - Russell Kunkel, Drums - J. TAYLOR, Producer - Tony Levin, Bass - Billy Miranda, 2nd Engineer - J. Taylor, Composer - J. Taylor, Lyricist - Ted Jensen, Re-Mastering Engineer - Joni Mitchell, Vocal - Jim Maelen, Percussion - Billy Payne, Keyboards - Moira Marquis, 2nd Engineer - Don Grolnick, Keyboards

(P) 1985 SONY BMG MUSIC ENTERTAINMENT

10
Mona (Album Version)
00:02:48

Graham Nash, Vocal - FRANK FILIPETTI, Producer - Frank Filipetti, Recording Engineer - James Taylor, Vocal - James Taylor, Performer - Russell Kunkel, Drums - J. TAYLOR, Producer - Tony Levin, Bass - Billy Miranda, 2nd Engineer - J. Taylor, Composer - J. Taylor, Lyricist - Ted Jensen, Re-Mastering Engineer - Kenny Kosek, Violin - Billy Payne, Keyboards - Moira Marquis, 2nd Engineer

(P) 1985 Columbia Records, a division of Sony Music Entertainment

11
The Man Who Shot Liberty Valance (Album Version)
00:03:45

H. David, Composer - H. David, Lyricist - James Taylor, Performer - Billy Miranda, 2nd Engineer - David Sanborn, Saxophone - FRANK FILIPETTI, Producer - B. Bacharach, Composer - B. Bacharach, Lyricist - J. TAYLOR, Producer

(P) 1985 Columbia Records, a division of Sony Music Entertainment

12
That's Why I'm Here (reprise) (Album Version)
00:00:25

David Sanborn, Saxophone - FRANK FILIPETTI, Producer - Frank Filipetti, Recording Engineer - James Taylor, Vocal - James Taylor, Performer - David Lasley, Vocal - Deniece Williams, Vocal - Russell Kunkel, Drums - J. TAYLOR, Producer - Tony Levin, Bass - Billy Miranda, 2nd Engineer - Clifford Carter, Keyboards - J. Taylor, Composer - J. Taylor, Lyricist - Ted Jensen, Re-Mastering Engineer - Jim Maelen, Percussion - Billy Payne, Keyboards - Moira Marquis, 2nd Engineer - Don Grolnick, Keyboards

(P) 1985 Columbia Records, a division of Sony Music Entertainment

Chronique

Taylor took four and a half years off from record-making in the early '80s, returning with That's Why I'm Here, which suggested he had found his long-term niche with baby boomer fans now permanently tuned to soft rock radio -- this was Taylor's first record to spawn three Top Ten adult contemporary hits, with the title track, "Only One," and a cover of Buddy Holly's "Everyday." But those boomers just don't go to the record store as often as their children, and the album failed to go gold and was his lowest-charting effort since his debut. If, in the title song, he had reconciled himself to the notion that he was here to sing "Fire and Rain" at summer concerts, that also meant he was settling for a complacent position in which his new material was virtually irrelevant, and that being the case, why should people buy it? (Notwithstanding its initial commercial reception, That's Why I'm Here eventually went platinum.)

© William Ruhlmann /TiVo

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