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Bridget St. John|Thank You For...

Thank You For...

Bridget St. John

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Bridget St. John has a small legion of fans willing to do battle for their hero, but to most she sounds like a pleasant, secondary British folk-rock artist of the early 1970s. Those impressions won't be changed by this, her third album, mixing low-key originals with covers of songs by Bob Dylan and Buddy Holly, as well as one of her most popular tracks, an interpretation of the traditional folk tune "Lazarus." Simply put, St. John doesn't come within bow-and-arrow range of Sandy Denny or Maddy Prior. She favors a low, slightly husky delivery that sometimes brings to mind what Marianne Faithfull might have sounded like in the late '70s had Faithfull's voice lowered naturally, instead of being ravaged. Reserve can be effective, but it sounds like St. John would need to be roasted over an open flame before her temperature rose. [The album was reissued on CD in 1995, with the addition of eight bonus tracks from a live performance in 1972.]

© Richie Unterberger /TiVo

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Thank You For...

Bridget St. John

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À partir de 12,49€/mois

1
Nice
00:03:22

Bridget St John, Composer - Bridget St. John, MainArtist

© 2005 Cherry Red ℗ 1972 Cherry Red Records

2
Thank You For...
00:03:37

Bridget St. John, MainArtist

© 2005 Cherry Red ℗ 1972 Cherry Red Records

3
Lazarus
00:04:21

Bridget St. John, MainArtist

© 2005 Cherry Red ℗ 1972 Cherry Red Records

4
Goodbaby Goodbye
00:02:08

Bridget St. John, MainArtist

© 2005 Cherry Red ℗ 1972 Cherry Red Records

5
Love Minus Zero, No Limit
00:03:20

Bridget St. John, MainArtist

© 2005 Cherry Red ℗ 1972 Cherry Red Records

6
Silver Coin
00:03:07

Bridget St. John, MainArtist - Terence Hiscock, Composer

© 2005 Cherry Red ℗ 1972 Cherry Red Records

7
Happy Day
00:03:54

Bridget St. John, MainArtist

© 2005 Cherry Red ℗ 1972 Cherry Red Records

8
Fly High
00:03:23

Bridget St. John, Adapter, MainArtist - Robert Louis Balfour Stevenson, Composer

© 2005 Cherry Red ℗ 1972 Cherry Red Records

9
To Leave Your Cover
00:03:22

Bridget St. John, MainArtist

© 2005 Cherry Red ℗ 1972 Cherry Red Records

10
Every Day
00:04:20

Bridget St. John, MainArtist

© 2005 Cherry Red ℗ 1972 Cherry Red Records

11
A Song Is As Long As It Wants to Go On
00:01:11

Bridget St. John, MainArtist

© 2005 Cherry Red ℗ 1972 Cherry Red Records

12
Passing Thru'
00:04:23

Bridget St. John, MainArtist

© 2005 Cherry Red ℗ 1972 Cherry Red Records

13
There's a Place I Know
00:02:38

Bridget St John, Composer - Bridget St. John, MainArtist

© 2005 Cherry Red ℗ 1972 Cherry Red Records

14
Nice (Live)
00:05:08

Bridget St. John, MainArtist

© 2005 Cherry Red ℗ 1972 Cherry Red Records

15
Silver Coin (Live)
00:03:47

Bridget St. John, MainArtist

© 2005 Cherry Red ℗ 1972 Cherry Red Records

16
Fly High (Live)
00:03:57

Bridget St. John, MainArtist

© 2005 Cherry Red ℗ 1972 Cherry Red Records

17
Lazarus (Live)
00:04:44

Bridget St. John, MainArtist

© 2005 Cherry Red ℗ 1972 Cherry Red Records

18
The River (Live and Recorded for the BBC Between 1968 and 1972) (Live in Montreaux, 28th April 1972)
00:03:36

Bridget St. John, MainArtist

© 2005 Cherry Red ℗ 1972 Cherry Red Records

19
Thank You For... (Live)
00:03:54

Bridget St. John, MainArtist

© 2005 Cherry Red ℗ 1972 Cherry Red Records

20
Ask Me Kno Questions (Live)
00:04:54

Bridget St. John, MainArtist

© 2005 Cherry Red ℗ 1972 Cherry Red Records

21
If You've Got Money (Live and Recorded for the BBC Between 1968 and 1972) (Live in Montreaux, 28th April 1972)
00:02:58

Bridget St. John, MainArtist

© 2005 Cherry Red ℗ 1972 Cherry Red Records

Chronique

Bridget St. John has a small legion of fans willing to do battle for their hero, but to most she sounds like a pleasant, secondary British folk-rock artist of the early 1970s. Those impressions won't be changed by this, her third album, mixing low-key originals with covers of songs by Bob Dylan and Buddy Holly, as well as one of her most popular tracks, an interpretation of the traditional folk tune "Lazarus." Simply put, St. John doesn't come within bow-and-arrow range of Sandy Denny or Maddy Prior. She favors a low, slightly husky delivery that sometimes brings to mind what Marianne Faithfull might have sounded like in the late '70s had Faithfull's voice lowered naturally, instead of being ravaged. Reserve can be effective, but it sounds like St. John would need to be roasted over an open flame before her temperature rose. [The album was reissued on CD in 1995, with the addition of eight bonus tracks from a live performance in 1972.]

© Richie Unterberger /TiVo

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