Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
So many great recordings of Shostakovich's First Violin Concerto by David Oistrakh, so little time. There's his recording with Dimitri Mitropoulos leading the New York Philharmonic, his recording with Yevgeny Mravinsky leading the Leningrad Philharmonic, and his recording with Maxim Shostakovich leading the New Philharmonia -- this recording. Both the Mitropoulos and the Mravinsky come from 1956 -- and both are urgent, forceful performances inspired by the overwhelming need to compel conversion. The Shostakovich was recorded in 1972 -- and it, too, is an urgent, forceful performance but now without the need to compel conversion; that mission had already been accomplished. Instead, Oistrakh, supported by the intuitive and insightful conducting of the composer's son, turns in a performance of supercharged emotional intensity. While Oistrakh's earlier recordings had the fresh passion of new love, his later recording had the seasoned ardor of long acquaintance and deep knowledge. He had always known what the concerto was about; but after he'd lived with it for nearly two decades, he knew what it could do -- and exactly what to do to make it do it. The result is a brooding, brilliant, brutal, and bumptious performance that easily overshadows all other performances -- except, of course, Oistrakh's other performances.
So which Oistrakh recording to hear? It depends on the coupling. This one comes with a quite lovely performance of the First Cello Concerto by Paul Tortelier with Paavo Berglund leading the Bournemouth Symphony Orchestra from 1973. The Mitropoulos, however, comes with a rip-roaring performance of the same work by Rostropovich with Eugene Ormandy leading the Philadelphia from 1959 -- an altogether more persuasive performance. On the other hand, the Mravinsky usually comes with a riveting performance of the Second Violin Concerto by Oistrakh with Rozhdestvensky leading the Moscow Philharmonic in 1968. And, to make matters more complicated, there's also an electrifying live performance of the first concerto by Oistrakh with Shostakovich leading the New Philharmonia recorded a few weeks earlier than this one that usually comes with a searing live performance of the Second Concerto by Oistrakh with Svetlanov leading the USSR Symphony, also from 1968. So which Oistrakh recording to hear? The answer, of course, is all of them.
© TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Dmitri Shostakovich, Composer - Paul Tortelier, Cello, MainArtist - Bournemouth Symphony Orchestra, Orchestra, MainArtist - Paavo Berglund, Conductor, MainArtist
A Warner Classics release, © 2007 Parlophone Records Limited A Warner Classics release, ℗ 1973, 2006 Parlophone Records Limited
Dmitri Shostakovich, Composer - Paul Tortelier, Cello, MainArtist - Bournemouth Symphony Orchestra, Orchestra, MainArtist - Paavo Berglund, Conductor, MainArtist
A Warner Classics release, © 2007 Parlophone Records Limited A Warner Classics release, ℗ 1973, 2006 Parlophone Records Limited
Dmitri Shostakovich, Composer - Paul Tortelier, Cello, MainArtist - Bournemouth Symphony Orchestra, Orchestra, MainArtist - Paavo Berglund, Conductor, MainArtist
A Warner Classics release, © 2007 Parlophone Records Limited A Warner Classics release, ℗ 1973, 2006 Parlophone Records Limited
Dmitri Shostakovich, Composer - Paul Tortelier, Cello, MainArtist - Bournemouth Symphony Orchestra, Orchestra, MainArtist - Paavo Berglund, Conductor, MainArtist
A Warner Classics release, © 2007 Parlophone Records Limited A Warner Classics release, ℗ 1973, 2006 Parlophone Records Limited
Dmitri Shostakovich, Composer - David Oistrakh, Violin, MainArtist - New Philharmonia Orchestra, Orchestra, MainArtist - Maxim Shostakovich, Conductor, MainArtist
A Warner Classics release, © 2007 Parlophone Records Limited A Warner Classics release, ℗ 1973, 2005 Parlophone Records Limited
Dmitri Shostakovich, Composer - David Oistrakh, Violin, MainArtist - New Philharmonia Orchestra, Orchestra, MainArtist - Maxim Shostakovich, Conductor, MainArtist
A Warner Classics release, © 2007 Parlophone Records Limited A Warner Classics release, ℗ 1973, 2005 Parlophone Records Limited
Dmitri Shostakovich, Composer - David Oistrakh, Violin, MainArtist - New Philharmonia Orchestra, Orchestra, MainArtist - Maxim Shostakovich, Conductor, MainArtist
A Warner Classics release, © 2007 Parlophone Records Limited A Warner Classics release, ℗ 1973, 2005 Parlophone Records Limited
Dmitri Shostakovich, Composer - David Oistrakh, Violin, MainArtist - New Philharmonia Orchestra, Orchestra, MainArtist - Maxim Shostakovich, Conductor, MainArtist
A Warner Classics release, © 2007 Parlophone Records Limited A Warner Classics release, ℗ 1973, 2005 Parlophone Records Limited
Chronique
So many great recordings of Shostakovich's First Violin Concerto by David Oistrakh, so little time. There's his recording with Dimitri Mitropoulos leading the New York Philharmonic, his recording with Yevgeny Mravinsky leading the Leningrad Philharmonic, and his recording with Maxim Shostakovich leading the New Philharmonia -- this recording. Both the Mitropoulos and the Mravinsky come from 1956 -- and both are urgent, forceful performances inspired by the overwhelming need to compel conversion. The Shostakovich was recorded in 1972 -- and it, too, is an urgent, forceful performance but now without the need to compel conversion; that mission had already been accomplished. Instead, Oistrakh, supported by the intuitive and insightful conducting of the composer's son, turns in a performance of supercharged emotional intensity. While Oistrakh's earlier recordings had the fresh passion of new love, his later recording had the seasoned ardor of long acquaintance and deep knowledge. He had always known what the concerto was about; but after he'd lived with it for nearly two decades, he knew what it could do -- and exactly what to do to make it do it. The result is a brooding, brilliant, brutal, and bumptious performance that easily overshadows all other performances -- except, of course, Oistrakh's other performances.
So which Oistrakh recording to hear? It depends on the coupling. This one comes with a quite lovely performance of the First Cello Concerto by Paul Tortelier with Paavo Berglund leading the Bournemouth Symphony Orchestra from 1973. The Mitropoulos, however, comes with a rip-roaring performance of the same work by Rostropovich with Eugene Ormandy leading the Philadelphia from 1959 -- an altogether more persuasive performance. On the other hand, the Mravinsky usually comes with a riveting performance of the Second Violin Concerto by Oistrakh with Rozhdestvensky leading the Moscow Philharmonic in 1968. And, to make matters more complicated, there's also an electrifying live performance of the first concerto by Oistrakh with Shostakovich leading the New Philharmonia recorded a few weeks earlier than this one that usually comes with a searing live performance of the Second Concerto by Oistrakh with Svetlanov leading the USSR Symphony, also from 1968. So which Oistrakh recording to hear? The answer, of course, is all of them.
© TiVo
À propos
- 1 disque(s) - 8 piste(s)
- Durée totale : 01:05:21
- Artistes principaux : Paul Tortelier David Oïstrakh Paavo Berglund Maxim Shostakovich
- Compositeur : Dimitri Chostakovitch
- Label : Warner Classics
- Genre : Classique
A Warner Classics release, © 2007 Parlophone Records Limited A Warner Classics release, ℗ 2007 Parlophone Records Limited
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.