Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
Shebang follows Oren Ambarchi releases like Quixotism and Hubris, which consist of a single continuous piece divided into movements, threading together contributions from an impressive cast of experimental and electronic music luminaries. Less techno-influenced than those two albums, which included appearances from Thomas Brinkmann and Ricardo Villalobos, Shebang falls somewhere in the vicinity of post-minimalism, ECM-style chamber jazz, and Krautrock, with several instruments and techniques suggesting other far-flung genres. Ambarchi's tightly wound guitar playing is central to the piece, and as the arrangement becomes deeper and more intricate, the first few minutes suggest that Ambarchi could keep piling on fractured guitar patterns and build an entire world with one instrument. Gradually, other players enter the picture, with Sam Dunscombe's bass clarinet expanding the atmospheric qualities and Joe Talia's drumming outlining the rhythm. Like the guitars, the drums never settle into a straightforward pattern, as they're constantly mutating and hitting different emphasis points. Master pedal steel guitarist B.J. Cole adds a surreal ambient country dimension to the soundscape, as the guitars get knottier and proggier. The piece blooms even more during the second half, as Chris Abrahams' piano both enhances the rhythm and provides jazzy melodicism, and Johan Berthling's acoustic bass gives the music a nice propulsion. Jim O'Rourke also provides some sharp modular synth sweeps, and Julia Reidy contributes mesmerizing 12-string guitar playing that could easily be mistaken for zither or hammered dulcimer. As dense as the mix gets, it never suffocates, and all of the instruments are allowed to breathe easily. Shebang is an inventive, vibrant work that constantly surprises and uplifts.
© Paul Simpson /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Oren Ambarchi, Composer, MainArtist - Drag City, MusicPublisher
2022 Drag City 2022 Drag City
Oren Ambarchi, Composer, MainArtist - Drag City, MusicPublisher
2022 Drag City 2022 Drag City
Oren Ambarchi, Composer, MainArtist - Drag City, MusicPublisher
2022 Drag City 2022 Drag City
Oren Ambarchi, Composer, MainArtist - Drag City, MusicPublisher
2022 Drag City 2022 Drag City
Chronique
Shebang follows Oren Ambarchi releases like Quixotism and Hubris, which consist of a single continuous piece divided into movements, threading together contributions from an impressive cast of experimental and electronic music luminaries. Less techno-influenced than those two albums, which included appearances from Thomas Brinkmann and Ricardo Villalobos, Shebang falls somewhere in the vicinity of post-minimalism, ECM-style chamber jazz, and Krautrock, with several instruments and techniques suggesting other far-flung genres. Ambarchi's tightly wound guitar playing is central to the piece, and as the arrangement becomes deeper and more intricate, the first few minutes suggest that Ambarchi could keep piling on fractured guitar patterns and build an entire world with one instrument. Gradually, other players enter the picture, with Sam Dunscombe's bass clarinet expanding the atmospheric qualities and Joe Talia's drumming outlining the rhythm. Like the guitars, the drums never settle into a straightforward pattern, as they're constantly mutating and hitting different emphasis points. Master pedal steel guitarist B.J. Cole adds a surreal ambient country dimension to the soundscape, as the guitars get knottier and proggier. The piece blooms even more during the second half, as Chris Abrahams' piano both enhances the rhythm and provides jazzy melodicism, and Johan Berthling's acoustic bass gives the music a nice propulsion. Jim O'Rourke also provides some sharp modular synth sweeps, and Julia Reidy contributes mesmerizing 12-string guitar playing that could easily be mistaken for zither or hammered dulcimer. As dense as the mix gets, it never suffocates, and all of the instruments are allowed to breathe easily. Shebang is an inventive, vibrant work that constantly surprises and uplifts.
© Paul Simpson /TiVo
À propos
- 1 disque(s) - 4 piste(s)
- Durée totale : 00:35:00
- Artistes principaux : Oren Ambarchi
- Compositeur : Oren Ambarchi
- Label : Drag City
- Genre : Pop/Rock Rock Alternatif et Indé
2022 Drag City 2022 Drag City
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.