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Icon For Hire|Scripted

Scripted

Icon For Hire

Livret numérique

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16-Bit/44.1 kHz Stereo

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Intense and infectious in equal measure, Icon for Hire brings the Paramore sound to the Tooth & Nail set with Scripted, the Decatur, Illinois group’s debut album. Granted, this three-piece is much more than a Paramore clone with all their wit and wordplay, plus lead singer Ariel, who is a mix of powerful and approachable that might very well be the inspiration for the band’s tongue-in-cheek name. Things get layered as “Make a Move” challenges the punk-pop set to trade both angst and apathy for something positive (“Screaming in the dark, while we just play our part/I’ll play right along, like I don’t what’s going on”) while “Up in Flames” goes through a list of reasons Ariel doesn’t want to be on-stage, before admitting that she must, if only to combat the dreck. Christian ideals are the driving force here, but you could look at this as a secular rebellion against the mopey “scene” bands and still thrill at Icon for Hire’s fresh attitude and sense of purpose.
© David Jeffries /TiVo

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Scripted

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1
Overture
00:00:30

Rob Hawkins, Composer, Producer - Icon For Hire, MainArtist

(C) 2011 Tooth & Nail Records ℗ 2011 Capitol Christian Music Group, Inc.

2
Theatre
00:02:42

Rob Hawkins, Producer - Icon For Hire, MainArtist - Ariel Jump, Composer - Adam Kronshagen, Composer - Shawn Jump, Composer

(C) 2011 Tooth & Nail Records ℗ 2011 Capitol Christian Music Group, Inc.

3
Make A Move
00:03:03

Rob Hawkins, Producer - Steve Wilson, Composer - Icon For Hire, MainArtist - Ariel Jump, Composer - Adam Kronshagen, Composer - Shawn Jump, Composer

(C) 2011 Tooth & Nail Records ℗ 2011 Capitol Christian Music Group, Inc.

4
Get Well
00:02:56

Aaron Sprinkle, Composer, Producer - Icon For Hire, MainArtist - Ariel Jump, Composer - Adam Kronshagen, Composer - Shawn Jump, Composer

(C) 2011 Tooth & Nail Records ℗ 2011 Capitol Christian Music Group, Inc.

5
The Grey
00:03:27

Aaron Sprinkle, Producer - Icon For Hire, MainArtist - Ariel Jump, Composer

(C) 2011 Tooth & Nail Records ℗ 2011 Capitol Christian Music Group, Inc.

6
Off With Her Head
00:03:05

Aaron Sprinkle, Producer - Josh Davis, Composer - Icon For Hire, MainArtist - Ariel Jump, Composer - Adam Kronshagen, Composer - Shawn Jump, Composer

(C) 2011 Tooth & Nail Records ℗ 2011 Capitol Christian Music Group, Inc.

7
Fight
00:02:59

Aaron Sprinkle, Composer - Rob Hawkins, Producer - Ben Kasica, Composer - Icon For Hire, MainArtist - Ariel Jump, Composer - Adam Kronshagen, Composer - Shawn Jump, Composer

(C) 2011 Tooth & Nail Records ℗ 2011 Capitol Christian Music Group, Inc.

8
Up In Flames
00:02:48

Aaron Sprinkle, Composer, Producer - Icon For Hire, MainArtist - Ariel Jump, Composer - Adam Kronshagen, Composer - Shawn Jump, Composer - Christopher Stephens, Composer

(C) 2011 Tooth & Nail Records ℗ 2011 Capitol Christian Music Group, Inc.

9
Iodine
00:02:32

Aaron Sprinkle, Producer - Icon For Hire, MainArtist - Ariel Jump, Composer - Adam Kronshagen, Composer - Shawn Jump, Composer

(C) 2011 Tooth & Nail Records ℗ 2011 Capitol Christian Music Group, Inc.

10
Only A Memory
00:03:50

Rob Hawkins, Producer - Josh Davis, Composer - Icon For Hire, MainArtist - Ariel Jump, Composer - Adam Kronshagen, Composer - Shawn Jump, Composer

(C) 2011 Tooth & Nail Records ℗ 2011 Capitol Christian Music Group, Inc.

11
Pieces
00:03:54

Rob Hawkins, Composer, Producer - Icon For Hire, MainArtist - Ariel Jump, Composer - Adam Kronshagen, Composer - Shawn Jump, Composer

(C) 2011 Tooth & Nail Records ℗ 2011 Capitol Christian Music Group, Inc.

Chronique

Intense and infectious in equal measure, Icon for Hire brings the Paramore sound to the Tooth & Nail set with Scripted, the Decatur, Illinois group’s debut album. Granted, this three-piece is much more than a Paramore clone with all their wit and wordplay, plus lead singer Ariel, who is a mix of powerful and approachable that might very well be the inspiration for the band’s tongue-in-cheek name. Things get layered as “Make a Move” challenges the punk-pop set to trade both angst and apathy for something positive (“Screaming in the dark, while we just play our part/I’ll play right along, like I don’t what’s going on”) while “Up in Flames” goes through a list of reasons Ariel doesn’t want to be on-stage, before admitting that she must, if only to combat the dreck. Christian ideals are the driving force here, but you could look at this as a secular rebellion against the mopey “scene” bands and still thrill at Icon for Hire’s fresh attitude and sense of purpose.
© David Jeffries /TiVo

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