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Philippe Graffin|Rêves - Ysaÿe: Violin Concerto in E Minor, Poème Concertant

Rêves - Ysaÿe: Violin Concerto in E Minor, Poème Concertant

Philippe Graffin

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Langue disponible : anglais

Violinist Philippe Graffin, in his notes to this Avie release, states that violinists have long wished that composer/virtuoso Eugène Ysaÿe had written a concerto. It turns out that he sketched one, which has been assembled from various sketches by musicologist Xavier Falques, and here receives its world premiere. There is also a Poème concertant, listed as "orchestrated by Erika Vega" (it is not quite clear what the original form of this work was). A good deal of musicological labor went into this album, from coordinating the sketches of the Violin Concerto in E minor to editing and reproducing the letters Ysaÿe sent to Irma Sèthe, the dedicatee of the Poème concertant and the composer's mistress at the time. What propelled the album onto classical best-seller charts in 2024, though, was not musicological thoroughness but the chance to hear new music by Ysaÿe, a composer whose popularity has been increasing ever since it once again became permissible to enjoy the pleasures of virtuosity. The violin concerto is not quite in a league with the unaccompanied sonatas from later in Ysaÿe's career (these are both early works), but especially in the finale, one can hear him developing the language of those, and it is quite a ride. Graffin is a fine exponent of the Belgian style who has played Ysaÿe before, and he is an expert in the kind of brilliant clarity the music demands. He gets strong support from the Royal Liverpool Philharmonic under conductor Jean-Jacques Kantorow and from pianist Marisa Gupta in the small pieces that round out the album. Anyone who likes Ysaÿe should hear this newly reconstructed music.

© James Manheim /TiVo

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Rêves - Ysaÿe: Violin Concerto in E Minor, Poème Concertant

Philippe Graffin

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1
Poème Concertant (orch. Erika Vega)
00:22:58

Eugene Ysaye, Composer - Royal Liverpool Philharmonic Orchestra, Orchestra - Jean-Jacques Kantorow, Conductor - Philippe Graffin, MainArtist

(C) 2024 Traces Production (P) 2024 Philippe Graffin

2
Violin Concerto in E Minor: I. Allegro appassionato non troppo vivo
00:15:21

Eugene Ysaye, Composer - Royal Liverpool Philharmonic Orchestra, Orchestra - Jean-Jacques Kantorow, Conductor - Philippe Graffin, MainArtist

(C) 2024 Traces Production (P) 2024 Philippe Graffin

3
Violin Concerto in E Minor: II. Andante
00:07:49

Eugene Ysaye, Composer - Royal Liverpool Philharmonic Orchestra, Orchestra - Jean-Jacques Kantorow, Conductor - Philippe Graffin, MainArtist

(C) 2024 Traces Production (P) 2024 Philippe Graffin

4
Violin Concerto in E Minor: III. Allegro in modo di pomposo ma furioso
00:12:23

Eugene Ysaye, Composer - Royal Liverpool Philharmonic Orchestra, Orchestra - Jean-Jacques Kantorow, Conductor - Philippe Graffin, MainArtist

(C) 2024 Traces Production (P) 2024 Philippe Graffin

5
2 Mazurkas de Salon, Op. 10: No. 1, (Dans le lontain)
00:04:25

Eugene Ysaye, Composer - Royal Liverpool Philharmonic Orchestra, Orchestra - Jean-Jacques Kantorow, Conductor - Philippe Graffin, MainArtist - Marisa Gupta, MainArtist

(C) 2024 Traces Production (P) 2024 Philippe Graffin

6
2 Mazurkas de Salon, Op. 10: No. 2, Mazurka
00:04:19

Eugene Ysaye, Composer - Royal Liverpool Philharmonic Orchestra, Orchestra - Jean-Jacques Kantorow, Conductor - Philippe Graffin, MainArtist - Marisa Gupta, MainArtist

(C) 2024 Traces Production (P) 2024 Philippe Graffin

7
Rêve d’enfant, Op. 14
00:04:12

Eugene Ysaye, Composer - Royal Liverpool Philharmonic Orchestra, Orchestra - Jean-Jacques Kantorow, Conductor - Philippe Graffin, MainArtist - Marisa Gupta, MainArtist

(C) 2024 Traces Production (P) 2024 Philippe Graffin

Chronique

Violinist Philippe Graffin, in his notes to this Avie release, states that violinists have long wished that composer/virtuoso Eugène Ysaÿe had written a concerto. It turns out that he sketched one, which has been assembled from various sketches by musicologist Xavier Falques, and here receives its world premiere. There is also a Poème concertant, listed as "orchestrated by Erika Vega" (it is not quite clear what the original form of this work was). A good deal of musicological labor went into this album, from coordinating the sketches of the Violin Concerto in E minor to editing and reproducing the letters Ysaÿe sent to Irma Sèthe, the dedicatee of the Poème concertant and the composer's mistress at the time. What propelled the album onto classical best-seller charts in 2024, though, was not musicological thoroughness but the chance to hear new music by Ysaÿe, a composer whose popularity has been increasing ever since it once again became permissible to enjoy the pleasures of virtuosity. The violin concerto is not quite in a league with the unaccompanied sonatas from later in Ysaÿe's career (these are both early works), but especially in the finale, one can hear him developing the language of those, and it is quite a ride. Graffin is a fine exponent of the Belgian style who has played Ysaÿe before, and he is an expert in the kind of brilliant clarity the music demands. He gets strong support from the Royal Liverpool Philharmonic under conductor Jean-Jacques Kantorow and from pianist Marisa Gupta in the small pieces that round out the album. Anyone who likes Ysaÿe should hear this newly reconstructed music.

© James Manheim /TiVo

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