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Langue disponible : anglais
Around the time the reggaeton gold rush of 2003-2005 was running dry, and a great many critics were eager to write off the style as a next-big-thing phenomenon that burned itself out, along came Calle 13. The Puerto Rican duo was a revelation: a reggaeton act whose appeal extended beyond clubs and mixtapes, one whose music was as engaging intellectually as it was sonically. Granted, Calle 13 was a reggaeton act that wasn't genuinely reggaeton. These guys were presenting an alternative style, one that was purposefully different -- when so many other reggaeton acts were parroting the mannerisms of Daddy Yankee and Don Omar in hopes of cashing in on the gold rush, Calle 13 blazed a trail of their own. They didn't catch on at first, but once they did, slowly but steadily, they were showered with acclaim, including three Latin Grammys, and they enjoyed surging popularity, especially among the MTV demographic. All of this success opened a lot of doors for the duo, as Residente (the vocalist) accepted invitations to work with Nelly Furtado and Alejandro Sanz and Visitante (the producer) with Shakira and Beyoncé on their "Beautiful Liar" collaboration -- not bad for a reggaeton act. The thing is, Calle 13 is so much more than a reggaeton act, something they seem to stress on their second album, Residente o Visitante. Sure, reggaeton is the basis for the music of Residente and Visitante, but they synthesize it with a wide-ranging assortment of styles and sounds, including opera ("Intro"), tango ("Tango del Pecado"), bossa nova ("Un Beso de Desayuno"), electric guitar ("Llégale a Mi Guarida"), and cumbia ("La Cumbia de los Aburridos"). More than anything, though, rap and electronica are clear touchstones for Calle 13, as Residente is a gifted rapper who matches Eminem in terms of wit and playfulness while Visitante is a similarly gifted producer who creates multi-layered tracks that rarely sound alike. As expected, Residente o Visitante is a significantly more advanced album than Calle 13, given all that happened in the time between. For one, the guys are much more willing to experiment stylistically. The handful of collaborations -- true collaborations, not phoned-in vocal tracks -- seem to have been a vehicle for experimentation: the lead single, "Tango del Pecado," is a clever narrative graced instrumentally by the Bajofondo Tango Club; "Sin Exagerar" is a crazed runaway rap showcase teaming Residente with his labelmate Tego Calderón; "Mala Suerta con el 13" is an impressive boy-versus-girl face-off with rapper Mala Rodríguez; and "Pal Norte" features Cuban rappers Orishas. These aren't necessarily the best songs. They just happen to be the most interesting, because of the experimentation -- and they're front-loaded, kicking off Residente o Visitante wildly. As the album nears its 15-track close, it's just Residente and Visitante, the mood turns darker, and the style turns increasingly away from reggaeton and toward a more general urban-alternative style. "A Limpiar el Sucio," in particular, is powerful, while "La Era de la Copiaera," the derisive final song, whose title translates to "The Age of the Copier," closes the album fittingly.
© Jason Birchmeier /TiVo
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Edgardo Matta, Mixing Engineer - Bibiana Righi, Vocal - Elias De León, Executive Producer - Ivan Gutiérrez, Mixing Engineer - Juan Campodonico, Producer - James Cruz, Mastering Engineer - Gustavo Santaolalla, Producer - Gustavo Santaolalla, Composer - cabra, Vocal - Calle 13, Performer - René Perez, Lyricist - Alejandro Teran, Arranger - Eduardo Cabra, Composer - Eduardo Cabra, Producer
(P) 2007 5020 Records
Arturo Verges, Trombone - James Cruz, Mastering Engineer - Eduardo Cabra, Producer - Eduardo Cabra, Composer - Edgardo Matta, Mixing Engineer - René Perez, Lyricist - Calle 13, Performer - Elias De León, Executive Producer - Ivan Gutiérrez, Mixing Engineer
(P) 2007 5020 Records
Edgardo Matta, Mixing Engineer - Edgardo Matta, Recording Engineer - Jean Robert Antoine, 2nd Engineer - Jose Cuevas, 2nd Engineer - Antonio "Toy" Hernández, Composer - Elias De León, Executive Producer - Antonio Hernandez, Producer - Antonio Hernandez, 2nd Engineer - Ivan Gutiérrez, Mixing Engineer - James Cruz, Mastering Engineer - Frank Rodriguez, 2nd Engineer - Calle 13 Featuring Tego Calderón, Performer - Waldemar Izquierdo, 2nd Engineer - Ben Diehl, 2nd Engineer - Eduardo Olaniel, 2nd Engineer - René Perez, Lyricist - Eduardo Cabra, Producer - Eduardo Cabra, Composer
(P) 2007 5020 Records
Calle 13 Featuring La Mala Rodríguez, Performer - Edgardo Matta, Mixing Engineer - Edgardo Matta, Recording Engineer - Panasuyo, Percussion - Elias De León, Executive Producer - Ivan Gutiérrez, Mixing Engineer - Ramon Martinez, Recording Engineer - James Cruz, Mastering Engineer - La Mala Rodríguez, Lyricist - Frank Rodriguez, 2nd Engineer - Carlos Velazquez, Recording Engineer - René Perez, Lyricist - Eduardo Cabra, Producer - Eduardo Cabra, Composer
(P) 2007 5020 Records
Edgardo Matta, Mixing Engineer - Ismael Cancel, Percussion - Elias De León, Executive Producer - Mark Rivera, Electric Guitar - Ivan Gutiérrez, Mixing Engineer - James Cruz, Mastering Engineer - Calle 13 Featuring VICENTICO, Performer - Héctor Barez, Percussion - Nicolás Cordero, Bass - Héctor Melendez, Acoustic Baritone Guitar - René Perez, Lyricist - Eduardo Cabra, Producer - Eduardo Cabra, Composer - Eduardo Cabra, Electric Guitar - Eduardo Cabra, Percussion
(P) 2007 5020 Records
Edgardo Matta, Mixing Engineer - Andrés Cruz, Percussion - Elias De León, Executive Producer - Mark Rivera, Electric Guitar - Ivan Gutiérrez, Mixing Engineer - Ramon Martinez, Recording Engineer - Calle 13, Performer - Héctor Melendez, Acoustic Baritone Guitar - René Perez, Lyricist - Carlos Velazquez, Recording Engineer - Eduardo Cabra, Producer - Eduardo Cabra, Composer
(P) 2007 5020 Records
Edgardo Matta, Mixing Engineer - Elias De León, Executive Producer - Ivan Gutiérrez, Mixing Engineer - Ramon Martinez, Recording Engineer - James Cruz, Mastering Engineer - Calle 13, Performer - Carlos Velazquez, Recording Engineer - René Perez, Lyricist - Eduardo Cabra, Producer - Eduardo Cabra, Composer
(P) 2007 5020 Records
Edgardo Matta, Mixing Engineer - Ismael Cancel, Percussion - Elias De León, Executive Producer - Mark Rivera, Electric Guitar - Ivan Gutiérrez, Mixing Engineer - Ramon Martinez, Recording Engineer - James Cruz, Mastering Engineer - Edgard Abraham Marrero, Producer - Edgard Abraham Marrero, Arranger - Héctor Barez, Percussion - Calle 13 Featuring pg-13, Performer - Carlos Velazquez, Recording Engineer - René Perez, Lyricist - Tomás Márquez, Arranger - Eduardo Cabra, Producer - Eduardo Cabra, Composer - Eduardo Cabra, Arranger
(P) 2007 5020 Records
Edgardo Matta, Mixing Engineer - Panasuyo, Composer - Panasuyo, Producer - Calle 13 Featuring Orishas, Performer - Elias De León, Executive Producer - Juan Campodonico, Composer - Juan Campodonico, Lyricist - Ivan Gutiérrez, Mixing Engineer - Ramon Martinez, Recording Engineer - James Cruz, Mastering Engineer - Orishas, Lyricist - Carlos Velazquez, Recording Engineer - René Perez, Lyricist - pg-13, Executive Producer - Eduardo Cabra, Producer - Eduardo Cabra, Composer
(P) 2007 5020 Records
Edgardo Matta, Mixing Engineer - Edgardo Matta, Recording Engineer - Elias De León, Executive Producer - Antonio Hernandez, Producer - Ivan Gutiérrez, Mixing Engineer - Ramon Martinez, Recording Engineer - James Cruz, Mastering Engineer - Enrique Egurrola, Percussion - Calle 13, Performer - Chad Bernstein, Trombone - René Perez, Lyricist - Carlos Velazquez, Recording Engineer - Henry Ortiz, Acordeon - Eduardo Cabra, Producer - Eduardo Cabra, Composer - Felipe Álvarez, Recording Engineer
(P) 2007 5020 Records
Edgardo Matta, Mixing Engineer - Elias De León, Executive Producer - Ivan Gutiérrez, Mixing Engineer - Ramon Martinez, Recording Engineer - James Cruz, Mastering Engineer - Calle 13, Performer - Carlos Velazquez, Recording Engineer - René Perez, Lyricist - Eduardo Cabra, Producer - Eduardo Cabra, Composer
(P) 2007 5020 Records
Edgardo Matta, Mixing Engineer - Elias De León, Executive Producer - Ivan Gutiérrez, Mixing Engineer - Ramon Martinez, Recording Engineer - James Cruz, Mastering Engineer - Calle 13, Performer - Carlos Velazquez, Recording Engineer - René Perez, Lyricist - Eduardo Cabra, Producer - Eduardo Cabra, Composer
(P) 2007 5020 Records
Edgardo Matta, Mixing Engineer - Elias De León, Executive Producer - Mark Rivera, Electric Guitar - Ivan Gutiérrez, Mixing Engineer - Ramon Martinez, Recording Engineer - James Cruz, Mastering Engineer - Calle 13, Performer - René Perez, Lyricist - Carlos Velazquez, Recording Engineer - Eduardo Cabra, Producer - Eduardo Cabra, Composer
(P) 2007 5020 Records
Edgardo Matta, Mixing Engineer - Panasuyo, Producer - Panasuyo, Composer - Elias De León, Executive Producer - Ivan Gutiérrez, Mixing Engineer - Ramon Martinez, Recording Engineer - James Cruz, Mastering Engineer - Calle 13, Performer - Carlos Velazquez, Recording Engineer - René Perez, Lyricist - Eduardo Cabra, Producer - Eduardo Cabra, Composer
(P) 2007 5020 Records
Chronique
Around the time the reggaeton gold rush of 2003-2005 was running dry, and a great many critics were eager to write off the style as a next-big-thing phenomenon that burned itself out, along came Calle 13. The Puerto Rican duo was a revelation: a reggaeton act whose appeal extended beyond clubs and mixtapes, one whose music was as engaging intellectually as it was sonically. Granted, Calle 13 was a reggaeton act that wasn't genuinely reggaeton. These guys were presenting an alternative style, one that was purposefully different -- when so many other reggaeton acts were parroting the mannerisms of Daddy Yankee and Don Omar in hopes of cashing in on the gold rush, Calle 13 blazed a trail of their own. They didn't catch on at first, but once they did, slowly but steadily, they were showered with acclaim, including three Latin Grammys, and they enjoyed surging popularity, especially among the MTV demographic. All of this success opened a lot of doors for the duo, as Residente (the vocalist) accepted invitations to work with Nelly Furtado and Alejandro Sanz and Visitante (the producer) with Shakira and Beyoncé on their "Beautiful Liar" collaboration -- not bad for a reggaeton act. The thing is, Calle 13 is so much more than a reggaeton act, something they seem to stress on their second album, Residente o Visitante. Sure, reggaeton is the basis for the music of Residente and Visitante, but they synthesize it with a wide-ranging assortment of styles and sounds, including opera ("Intro"), tango ("Tango del Pecado"), bossa nova ("Un Beso de Desayuno"), electric guitar ("Llégale a Mi Guarida"), and cumbia ("La Cumbia de los Aburridos"). More than anything, though, rap and electronica are clear touchstones for Calle 13, as Residente is a gifted rapper who matches Eminem in terms of wit and playfulness while Visitante is a similarly gifted producer who creates multi-layered tracks that rarely sound alike. As expected, Residente o Visitante is a significantly more advanced album than Calle 13, given all that happened in the time between. For one, the guys are much more willing to experiment stylistically. The handful of collaborations -- true collaborations, not phoned-in vocal tracks -- seem to have been a vehicle for experimentation: the lead single, "Tango del Pecado," is a clever narrative graced instrumentally by the Bajofondo Tango Club; "Sin Exagerar" is a crazed runaway rap showcase teaming Residente with his labelmate Tego Calderón; "Mala Suerta con el 13" is an impressive boy-versus-girl face-off with rapper Mala Rodríguez; and "Pal Norte" features Cuban rappers Orishas. These aren't necessarily the best songs. They just happen to be the most interesting, because of the experimentation -- and they're front-loaded, kicking off Residente o Visitante wildly. As the album nears its 15-track close, it's just Residente and Visitante, the mood turns darker, and the style turns increasingly away from reggaeton and toward a more general urban-alternative style. "A Limpiar el Sucio," in particular, is powerful, while "La Era de la Copiaera," the derisive final song, whose title translates to "The Age of the Copier," closes the album fittingly.
© Jason Birchmeier /TiVo
À propos
- 1 disque(s) - 14 piste(s)
- Durée totale : 01:00:30
- Artistes principaux : Calle 13
- Compositeur : Eduardo Cabra
- Label : Sony Music Latin
- Genre : Musiques du monde
(P) 2007 5020 Records
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