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Peggy Lee|Pretty Eyes (HD Remastered)

Pretty Eyes (HD Remastered)

Peggy Lee

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Pretty Eyes was cut during what has become known to her devotees and discographers as Peggy Lee's second Capitol Records period which ran from 1957-1972. The hiatus between the first and second periods was filled by Lee's association with Decca. Like many of her albums during this time with Capitol, Lee was hooked up with orchestras with large, lush string sections conducted by the likes of Nelson Riddle and even Frank Sinatra. On this 1960 release, it's Billy May with the baton in a rather unusual situation for him. There's no brass in the orchestra, just flutes, woodwinds, and strings. The result is that the arrangements are tame compared to charts May turned out when he had trumpets and trombones to work with. On some tracks, one gets the impression that Lee was bored with some of the complacent arrangements and shows her indifference by having a bit of fun using overly broad vowel pronunciations on such tunes as "Pretty Eyes." But on the better stuff, such as the swinging "It Could Happen to You," "Too Close for Comfort," and "Fly Me to the Moon" (the latter done as a slow ballad), she holds nothing back. Although her bountiful vocal gifts are occasionally held somewhat in check, there's still enough here to satisfy Lee and vocal fans alike.
© Dave Nathan /TiVo

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Pretty Eyes (HD Remastered)

Peggy Lee

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1
As You Desire Me
00:02:54

Peggy Lee, MainArtist - Allie Wrubel, Composer, Lyricist

2018 Reborn Recordings 2018 Reborn Recordings

2
It Could Happen to You
00:02:27

James Van Heusen, Composer, Lyricist - Johnny Burke, Composer, Lyricist - Peggy Lee, MainArtist

2018 Reborn Recordings 2018 Reborn Recordings

3
Pretty Eyes
00:02:37

Peggy Lee, Composer, Lyricist, MainArtist

2018 Reborn Recordings 2018 Reborn Recordings

4
Moments Like This
00:01:57

FRANK LOESSER, Composer, Lyricist - Peggy Lee, MainArtist - Burton Lane, Composer, Lyricist

2018 Reborn Recordings 2018 Reborn Recordings

5
Remind Me
00:04:24

Jerome Kern, Composer, Lyricist - Dorothy Fields, Composer, Lyricist - Peggy Lee, MainArtist

2018 Reborn Recordings 2018 Reborn Recordings

6
You Fascinate Me So
00:02:12

Peggy Lee, MainArtist - CY COLEMAN, Composer, Lyricist - CAROLYN LEIGH, Composer, Lyricist

2018 Reborn Recordings 2018 Reborn Recordings

7
I Wanna Be Loved
00:03:05

Edward Heyman, Composer, Lyricist - Billy Rose, Composer, Lyricist - Johnny Green, Composer, Lyricist - Peggy Lee, MainArtist

2018 Reborn Recordings 2018 Reborn Recordings

8
I'm Walking Through Heaven with You
00:02:41

Joe Turner, Composer, Lyricist - Peggy Lee, MainArtist - Jimmie Lunceford, Composer, Lyricist

2018 Reborn Recordings 2018 Reborn Recordings

9
I Remember You
00:02:34

Johnny Mercer, Composer, Lyricist - Victor Schertzinger, Composer, Lyricist - Peggy Lee, MainArtist

2018 Reborn Recordings 2018 Reborn Recordings

10
Too Close for Comfort
00:02:23

GEORGE DAVID WEISS, Composer, Lyricist - Jerry Bock, Composer, Lyricist - Larry Holofcener, Composer, Lyricist - Peggy Lee, MainArtist

2018 Reborn Recordings 2018 Reborn Recordings

11
Fly Me to the Moon
00:03:00

Bart Howard, Composer, Lyricist - Peggy Lee, MainArtist

2018 Reborn Recordings 2018 Reborn Recordings

12
Because I Love Him So
00:03:08

Peggy Lee, Composer, Lyricist, MainArtist - Milt Raskin, Composer, Lyricist

2018 Reborn Recordings 2018 Reborn Recordings

Chronique

Pretty Eyes was cut during what has become known to her devotees and discographers as Peggy Lee's second Capitol Records period which ran from 1957-1972. The hiatus between the first and second periods was filled by Lee's association with Decca. Like many of her albums during this time with Capitol, Lee was hooked up with orchestras with large, lush string sections conducted by the likes of Nelson Riddle and even Frank Sinatra. On this 1960 release, it's Billy May with the baton in a rather unusual situation for him. There's no brass in the orchestra, just flutes, woodwinds, and strings. The result is that the arrangements are tame compared to charts May turned out when he had trumpets and trombones to work with. On some tracks, one gets the impression that Lee was bored with some of the complacent arrangements and shows her indifference by having a bit of fun using overly broad vowel pronunciations on such tunes as "Pretty Eyes." But on the better stuff, such as the swinging "It Could Happen to You," "Too Close for Comfort," and "Fly Me to the Moon" (the latter done as a slow ballad), she holds nothing back. Although her bountiful vocal gifts are occasionally held somewhat in check, there's still enough here to satisfy Lee and vocal fans alike.
© Dave Nathan /TiVo

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