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Bert Jansch|Nicola  (2015 Remaster)

Nicola (2015 Remaster)

Bert Jansch

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Jansch's third solo album is perhaps too lightly dismissed by both folk critics and the artist himself. Bowing slightly to commercial pressures, he allowed orchestration to be used on five of the 12 tracks. Actually, the orchestrated cuts aren't that bad at all, and the remainder are pretty much keeping with the character and high standard of his other '60s work. Nine of the 12 cuts are Jansch originals, and ably display his nimble guitar work, incorporation of blues, traditional British Isles folk influences into a contemporary style, and his Donovan-esque vocals. For the first and only time, he played both electric and acoustic guitars on this LP; it's also his first work to feature drumming. Some of the orchestrated numbers, especially "Woe Is Love, My Dear," were actually deemed to have potential as singles. That didn't happen (the cut "Wish My Baby Was Here" would have been a better choice in any event), but that doesn't take away from their fey period charm.

© Richie Unterberger /TiVo

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Nicola (2015 Remaster)

Bert Jansch

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1
Go Your Way My Love (2015 Remaster)
00:04:22

Anne Briggs, Composer - Bert Jansch, Composer, MainArtist - Nathan Joseph, Producer

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 2015 Sanctuary Records Group Ltd., a BMG Company

2
Woe Is Love My Dear (2015 Remaster)
00:02:20

Bert Jansch, Composer, MainArtist - Nathan Joseph, Producer

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 2015 Sanctuary Records Group Ltd., a BMG Company

3
Nicola (2015 Remaster)
00:02:55

Bert Jansch, Composer, MainArtist - Nathan Joseph, Producer

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 2015 Sanctuary Records Group Ltd., a BMG Company

4
Come Back Baby (2015 Remaster)
00:03:02

Walter Davis, Composer - Bert Jansch, Composer, MainArtist - Nathan Joseph, Producer

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 2015 Sanctuary Records Group Ltd., a BMG Company

5
A Little Sweet Sunshine (2015 Remaster)
00:02:22

Bert Jansch, Composer, MainArtist - Nathan Joseph, Producer

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 2015 Sanctuary Records Group Ltd., a BMG Company

6
Love Is Teasing (2015 Remaster)
00:02:08

Bert Jansch, Arranger, MainArtist - Nathan Joseph, Producer

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 2015 Sanctuary Records Group Ltd., a BMG Company

7
Rabbit Run (2015 Remaster)
00:02:46

Bert Jansch, Composer, MainArtist - Nathan Joseph, Producer

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 2015 Sanctuary Records Group Ltd., a BMG Company

8
Life Depends On Love (2015 Remaster)
00:01:48

Bert Jansch, Composer, MainArtist - Nathan Joseph, Producer

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 2015 Sanctuary Records Group Ltd., a BMG Company

9
Weeping Willow Blues (2015 Remaster)
00:03:43

Bert Jansch, Arranger, MainArtist - Nathan Joseph, Producer

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 2015 Sanctuary Records Group Ltd., a BMG Company

10
Box of Love (2015 Remaster)
00:02:03

Bert Jansch, Composer, MainArtist - Nathan Joseph, Producer

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 2015 Sanctuary Records Group Ltd., a BMG Company

11
Wish My Baby Was Here (2015 Remaster)
00:01:41

Bert Jansch, Composer, MainArtist - Nathan Joseph, Producer

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 2015 Sanctuary Records Group Ltd., a BMG Company

12
If the World Isn't There (2015 Remaster)
00:03:04

Bert Jansch, Composer, MainArtist - Nathan Joseph, Producer

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 2015 Sanctuary Records Group Ltd., a BMG Company

Chronique

Jansch's third solo album is perhaps too lightly dismissed by both folk critics and the artist himself. Bowing slightly to commercial pressures, he allowed orchestration to be used on five of the 12 tracks. Actually, the orchestrated cuts aren't that bad at all, and the remainder are pretty much keeping with the character and high standard of his other '60s work. Nine of the 12 cuts are Jansch originals, and ably display his nimble guitar work, incorporation of blues, traditional British Isles folk influences into a contemporary style, and his Donovan-esque vocals. For the first and only time, he played both electric and acoustic guitars on this LP; it's also his first work to feature drumming. Some of the orchestrated numbers, especially "Woe Is Love, My Dear," were actually deemed to have potential as singles. That didn't happen (the cut "Wish My Baby Was Here" would have been a better choice in any event), but that doesn't take away from their fey period charm.

© Richie Unterberger /TiVo

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