Catégories :
Panier 0

Votre panier est vide

Kid Koala|Music To Draw To: Io

Music To Draw To: Io

Kid Koala

Livret numérique

Disponible en
16-Bit/44.1 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

The bewildering first volume of Kid Koala's Music to Draw To series was a departure from his usual brand of whimsical, cut-and-paste turntablism, constructing wintry, ambient, pop soundscapes with the help of Icelandic singer Emilíana Torrini. Io is its sequel, and it seems to expand on the darker impulses of Satellite. This is immediately apparent in the opening piece, "Circle of Clouds," seven stirring minutes of buzzing synths which forcefully cause the speakers to vibrate, along with softer, more chiming tones and drifting post-rock guitars. Second cut "All for You" introduces vocal collaborator Trixie Whitley, and her deeply expressive vocals transform Io into an astral soul album. Her message on this song is purely positive, thanking her subject of affection for enlightening and inspiring her. "Lost at Sea" offers a similarly empowering message over a detached, Krautrock-esque synth pattern and hesitant beats. "Hera's Song," however takes a much more harrowing turn, with vengeful lyrics ("Won't sleep until you're ruined, too") and a crashing, noisy end which sounds like howling wolves and evil sorcery. This is far from the lullaby-like mood of Satellite, but still in the same country -- it's just deeper into the frozen tundra. Some of the album's "Transmission" interludes feature what sounds like the distorted voices from a police scanner, adding to the music's paranoid feel. The album can't stay dark and haunting the whole way through though, and tracks like "Resonance" flicker with a hopeful light. Whitley's final vocal turn, "Look-Back Time," is a graceful resolution, simultaneously delivered as a confessional whisper as well as soft singing. A bit riskier than its predecessor, Io is much more emotionally turbulent, and perhaps too heady to designate as simply background music for creating art.

© Paul Simpson /TiVo

Plus d'informations

Music To Draw To: Io

Kid Koala

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de 12,49€/mois

1
Circle Of Clouds
00:07:35

Kid Koala, Producer, Mixer, Mastering Engineer, MainArtist, StudioPersonnel - Eric San, ComposerLyricist

℗ 2019 Kid Koala Productions Under exclusive license to Arts & Crafts Productions Inc.

2
All For You
00:03:19

Trixie Whitley, FeaturedArtist, ComposerLyricist - Kid Koala, Producer, Mixer, Mastering Engineer, MainArtist, StudioPersonnel - Eric San, ComposerLyricist

℗ 2018 Kid Koala Productions Under exclusive license to Arts & Crafts Productions Inc.

3
Torus
00:03:03

Kid Koala, Producer, Mixer, Mastering Engineer, MainArtist, StudioPersonnel - Eric San, ComposerLyricist

℗ 2019 Kid Koala Productions Under exclusive license to Arts & Crafts Productions Inc.

4
Transmission 4
00:03:43

Kid Koala, Producer, Mixer, Mastering Engineer, MainArtist, StudioPersonnel - Eric San, ComposerLyricist

℗ 2019 Kid Koala Productions Under exclusive license to Arts & Crafts Productions Inc.

5
Lost At Sea
00:06:19

Trixie Whitley, FeaturedArtist, ComposerLyricist - Kid Koala, Producer, Mixer, Mastering Engineer, MainArtist, StudioPersonnel - Eric San, ComposerLyricist

℗ 2019 Kid Koala Productions Under exclusive license to Arts & Crafts Productions Inc.

6
Shielded
00:01:42

Kid Koala, Producer, Mixer, Mastering Engineer, MainArtist, StudioPersonnel - Eric San, ComposerLyricist

℗ 2019 Kid Koala Productions Under exclusive license to Arts & Crafts Productions Inc.

7
Liminality
00:01:38

Kid Koala, Producer, Mixer, Mastering Engineer, MainArtist, StudioPersonnel - Eric San, ComposerLyricist

℗ 2019 Kid Koala Productions Under exclusive license to Arts & Crafts Productions Inc.

8
Transmission 5
00:03:26

Kid Koala, Producer, Mixer, Mastering Engineer, MainArtist, StudioPersonnel - Eric San, ComposerLyricist

℗ 2019 Kid Koala Productions Under exclusive license to Arts & Crafts Productions Inc.

9
Hera's Song
00:05:46

Trixie Whitley, FeaturedArtist, ComposerLyricist - Kid Koala, Producer, Mixer, Mastering Engineer, MainArtist, StudioPersonnel - Eric San, ComposerLyricist

℗ 2019 Kid Koala Productions Under exclusive license to Arts & Crafts Productions Inc.

10
Transmission 6
00:02:13

Kid Koala, Producer, Mixer, Mastering Engineer, MainArtist, StudioPersonnel - Eric San, ComposerLyricist

℗ 2019 Kid Koala Productions Under exclusive license to Arts & Crafts Productions Inc.

11
Allotropic
00:03:37

Kid Koala, Producer, Mixer, Mastering Engineer, MainArtist, StudioPersonnel - Eric San, ComposerLyricist

℗ 2019 Kid Koala Productions Under exclusive license to Arts & Crafts Productions Inc.

12
Diamond Heart
00:03:41

Trixie Whitley, FeaturedArtist, ComposerLyricist - Kid Koala, Producer, Mixer, Mastering Engineer, MainArtist, StudioPersonnel - Eric San, ComposerLyricist

℗ 2019 Kid Koala Productions Under exclusive license to Arts & Crafts Productions Inc.

13
Resonance
00:03:11

Kid Koala, Producer, Mixer, Mastering Engineer, MainArtist, StudioPersonnel - Eric San, ComposerLyricist

℗ 2019 Kid Koala Productions Under exclusive license to Arts & Crafts Productions Inc.

14
Escape Of Io
00:02:08

Trixie Whitley, FeaturedArtist, ComposerLyricist - Kid Koala, Producer, Mixer, Mastering Engineer, MainArtist, StudioPersonnel - Eric San, ComposerLyricist

℗ 2019 Kid Koala Productions Under exclusive license to Arts & Crafts Productions Inc.

15
Emuii
00:04:47

Kid Koala, Producer, Mixer, Mastering Engineer, MainArtist, StudioPersonnel - Eric San, ComposerLyricist

℗ 2019 Kid Koala Productions Under exclusive license to Arts & Crafts Productions Inc.

16
Aphelion
00:03:35

Kid Koala, Producer, Mixer, Mastering Engineer, MainArtist, StudioPersonnel - Eric San, ComposerLyricist

℗ 2019 Kid Koala Productions Under exclusive license to Arts & Crafts Productions Inc.

17
Look-Back Time
00:04:44

Trixie Whitley, FeaturedArtist, ComposerLyricist - Kid Koala, Producer, Mixer, Mastering Engineer, MainArtist, StudioPersonnel - Eric San, ComposerLyricist

℗ 2019 Kid Koala Productions Under exclusive license to Arts & Crafts Productions Inc.

18
The Moons Of Galileo
00:03:06

Kid Koala, Producer, Mixer, Mastering Engineer, MainArtist, StudioPersonnel - Eric San, ComposerLyricist

℗ 2019 Kid Koala Productions Under exclusive license to Arts & Crafts Productions Inc.

Chronique

The bewildering first volume of Kid Koala's Music to Draw To series was a departure from his usual brand of whimsical, cut-and-paste turntablism, constructing wintry, ambient, pop soundscapes with the help of Icelandic singer Emilíana Torrini. Io is its sequel, and it seems to expand on the darker impulses of Satellite. This is immediately apparent in the opening piece, "Circle of Clouds," seven stirring minutes of buzzing synths which forcefully cause the speakers to vibrate, along with softer, more chiming tones and drifting post-rock guitars. Second cut "All for You" introduces vocal collaborator Trixie Whitley, and her deeply expressive vocals transform Io into an astral soul album. Her message on this song is purely positive, thanking her subject of affection for enlightening and inspiring her. "Lost at Sea" offers a similarly empowering message over a detached, Krautrock-esque synth pattern and hesitant beats. "Hera's Song," however takes a much more harrowing turn, with vengeful lyrics ("Won't sleep until you're ruined, too") and a crashing, noisy end which sounds like howling wolves and evil sorcery. This is far from the lullaby-like mood of Satellite, but still in the same country -- it's just deeper into the frozen tundra. Some of the album's "Transmission" interludes feature what sounds like the distorted voices from a police scanner, adding to the music's paranoid feel. The album can't stay dark and haunting the whole way through though, and tracks like "Resonance" flicker with a hopeful light. Whitley's final vocal turn, "Look-Back Time," is a graceful resolution, simultaneously delivered as a confessional whisper as well as soft singing. A bit riskier than its predecessor, Io is much more emotionally turbulent, and perhaps too heady to designate as simply background music for creating art.

© Paul Simpson /TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

The Studio Albums 2009 – 2018

Mark Knopfler

Brothers In Arms

Dire Straits

Brothers In Arms Dire Straits

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
À découvrir également
Par Kid Koala

Deltron 3030 - The Instrumentals

Kid Koala

12 bit Blues

Kid Koala

12 bit Blues Kid Koala

Some Of My Best Friends Are DJs

Kid Koala

Creatures of the Late Afternoon

Kid Koala

Music To Draw To: Satellite

Kid Koala

Playlists

Dans la même thématique...

Tourist (Remastered Hi-Res Version)

St Germain

Hyperdrama

Justice

Hyperdrama Justice

Moon Safari

Air

Random Access Memories

Daft Punk

Random Access Memories

Daft Punk