Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
By subjecting acoustic instruments to computer manipulation, Tod Machover has opened his timbral resources to limitless possibilities, yet he still retains the drama of live performance in his hybrid pieces. To demonstrate the versatility of his hyperstring techniques, Machover has created a trilogy of works that grows in complexity in proportion to its increased forces, and his fertile musical imagination expands with each piece. But Machover's soloists draw the listener into the music's emotional center and maintain a sense of humanity in the welter of electronic colors. Begin Again Again..., for hypercello, is a fantastic journey into the instrument's overtones, and cellist Matt Haimovitz pushes past all barriers in this virtuosic solo. Song of Penance, for hyperviola, computerized voice and 17 instruments, is even more elaborate, and violist Kim Kashkashian and soprano Karol Bennett are altered to sound like many performers, to haunting effect. Forever and Ever, for hyperviolin and chamber orchestra, is a concerto in form, but unlike any other in its extraordinary demands. While the orchestral accompaniment may seem rooted in tradition, violinist Ani Kafavian is often floating in the stratosphere above them, producing ethereal sonorities that defy convention and expectations. Oxingale's recording is quite "hot," so a moderate volume is recommended for comfortable listening, especially on Song of Penance.
© TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Tod Machover, MainArtist
2006 Oxingale Productions 2006 Oxingale Productions
Tod Machover, MainArtist
2006 Oxingale Productions 2006 Oxingale Productions
Tod Machover, MainArtist
2006 Oxingale Productions 2006 Oxingale Productions
Tod Machover, MainArtist
2006 Oxingale Productions 2006 Oxingale Productions
Tod Machover, MainArtist
2006 Oxingale Productions 2006 Oxingale Productions
Tod Machover, MainArtist
2006 Oxingale Productions 2006 Oxingale Productions
Tod Machover, MainArtist
2006 Oxingale Productions 2006 Oxingale Productions
Tod Machover, MainArtist
2006 Oxingale Productions 2006 Oxingale Productions
Tod Machover, MainArtist
2006 Oxingale Productions 2006 Oxingale Productions
Tod Machover, MainArtist
2006 Oxingale Productions 2006 Oxingale Productions
Tod Machover, MainArtist
2006 Oxingale Productions 2006 Oxingale Productions
Tod Machover, MainArtist
2006 Oxingale Productions 2006 Oxingale Productions
Tod Machover, MainArtist
2006 Oxingale Productions 2006 Oxingale Productions
Tod Machover, MainArtist
2006 Oxingale Productions 2006 Oxingale Productions
Tod Machover, MainArtist
2006 Oxingale Productions 2006 Oxingale Productions
Tod Machover, MainArtist
2006 Oxingale Productions 2006 Oxingale Productions
Tod Machover, MainArtist
2006 Oxingale Productions 2006 Oxingale Productions
Tod Machover, MainArtist
2006 Oxingale Productions 2006 Oxingale Productions
Tod Machover, MainArtist
2006 Oxingale Productions 2006 Oxingale Productions
Tod Machover, MainArtist
2006 Oxingale Productions 2006 Oxingale Productions
Tod Machover, MainArtist
2006 Oxingale Productions 2006 Oxingale Productions
Chronique
By subjecting acoustic instruments to computer manipulation, Tod Machover has opened his timbral resources to limitless possibilities, yet he still retains the drama of live performance in his hybrid pieces. To demonstrate the versatility of his hyperstring techniques, Machover has created a trilogy of works that grows in complexity in proportion to its increased forces, and his fertile musical imagination expands with each piece. But Machover's soloists draw the listener into the music's emotional center and maintain a sense of humanity in the welter of electronic colors. Begin Again Again..., for hypercello, is a fantastic journey into the instrument's overtones, and cellist Matt Haimovitz pushes past all barriers in this virtuosic solo. Song of Penance, for hyperviola, computerized voice and 17 instruments, is even more elaborate, and violist Kim Kashkashian and soprano Karol Bennett are altered to sound like many performers, to haunting effect. Forever and Ever, for hyperviolin and chamber orchestra, is a concerto in form, but unlike any other in its extraordinary demands. While the orchestral accompaniment may seem rooted in tradition, violinist Ani Kafavian is often floating in the stratosphere above them, producing ethereal sonorities that defy convention and expectations. Oxingale's recording is quite "hot," so a moderate volume is recommended for comfortable listening, especially on Song of Penance.
© TiVo
À propos
- 1 disque(s) - 21 piste(s)
- Durée totale : 01:04:34
- Artistes principaux : Tod Machover
- Label : Oxingale Records
- Genre : Classique
2006 Oxingale Productions 2006 Oxingale Productions
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.