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Lucille Chung|Lucille Chung: Liszt

Lucille Chung: Liszt

Lucille Chung

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Langue disponible : anglais

At the close of her 2018 release on Signum Classics, Lucille Chung presents a thoughtful reading of Franz Liszt's Sonata in B minor, a touchstone for her and a major achievement for any pianist to pull off. Chung displays a strong sympathy for Liszt's wide range of expressions, as well as the technical skills to get all the notes under her hands, and her performance is convincing for its subtle shifts of mood, even though it's not overwhelming in physical power. Yet the character pieces programmed before the Sonata reveal even more of Chung's deeply personal relationship with Liszt's music, and the late pieces especially show her interest in Liszt's ambiguous treatment of tonality and spare textures. To understand the introspective side of late Liszt, and Chung's aptitude for these understated pieces, listen to Trübe Wolken, also called Nuages gris, a study that avoids conventional progressive harmony and any clear sense of resolution in a key. Chung's controlled touch and careful shading of the dynamics concentrate the attention even though the harmonies drift vaguely in and out of focus. Signum's sound is fairly close to the piano, so Chung's articulation is easy to hear, even at the softest volume setting.

© TiVo

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Lucille Chung: Liszt

Lucille Chung

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1
Toccata, S. 197a
00:01:15

Franz Liszt, Composer - Lucille Chung, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

2
Unstern! Sinistre, disastro, S. 208
00:04:55

Franz Liszt, Composer - Lucille Chung, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

3
Wiegenlied (Chant du berceau), S. 198
00:03:14

Franz Liszt, Composer - Lucille Chung, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

4
Bagatelle sans tonalité, S. 216a
00:02:46

Franz Liszt, Composer - Lucille Chung, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

5
Abschied, russisches Volkslied, S.251
00:02:23

Franz Liszt, Composer - Lucille Chung, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

6
Resignazione, S. 263/187a
00:01:23

Franz Liszt, Composer - Lucille Chung, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

7
Schlaflos! Frage und Antwort, S. 203
00:02:35

Franz Liszt, Composer - Lucille Chung, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

8
Im Traum, S. 207
00:01:48

Franz Liszt, Composer - Lucille Chung, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

9
Trübe Wolken (Nuages gris), S. 199
00:02:51

Franz Liszt, Composer - Lucille Chung, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

10
Gretchen (from the Faust Symphony), S. 513
00:17:50

Franz Liszt, Composer - Lucille Chung, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

11
Sonata in B Minor, S. 178
00:30:39

Franz Liszt, Composer - Lucille Chung, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

Chronique

At the close of her 2018 release on Signum Classics, Lucille Chung presents a thoughtful reading of Franz Liszt's Sonata in B minor, a touchstone for her and a major achievement for any pianist to pull off. Chung displays a strong sympathy for Liszt's wide range of expressions, as well as the technical skills to get all the notes under her hands, and her performance is convincing for its subtle shifts of mood, even though it's not overwhelming in physical power. Yet the character pieces programmed before the Sonata reveal even more of Chung's deeply personal relationship with Liszt's music, and the late pieces especially show her interest in Liszt's ambiguous treatment of tonality and spare textures. To understand the introspective side of late Liszt, and Chung's aptitude for these understated pieces, listen to Trübe Wolken, also called Nuages gris, a study that avoids conventional progressive harmony and any clear sense of resolution in a key. Chung's controlled touch and careful shading of the dynamics concentrate the attention even though the harmonies drift vaguely in and out of focus. Signum's sound is fairly close to the piano, so Chung's articulation is easy to hear, even at the softest volume setting.

© TiVo

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