Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Cranes|Loved

Loved

Cranes

Disponible en
16-Bit/44.1 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

On the band's third major album, Cranes found themselves balancing more immediate accessibility with its own particular musical obsessions like never before. If nothing on the album was as immediately harrowing as much of the band's late-'80s/early-'90s work -- guitars and drums both were generally less forceful and out in front -- Loved was still a mysterious and artistic experience, effortlessly standing aside from prevailing music trends. The band's self-production skills continued to improve, evidenced by the sometimes elaborate arrangements; if the core of Cranes' music revolves around intentionally basic rhythms and melodies repeated as mantras, it's always been the focused delivery that puts everything together. Where things get more conventionally catchy, it's an interesting combination of brute electric power and hooky melody. "Pale Blue Sky" is a good example: A roiling band performance, slightly buried in the mix, kicks out the jams while Alison Shaw's much clearer singing traces a hummable lead melody. It's not power pop, but it's a change nonetheless. Lead single "Shining Road," with its quick, catchy pace, sets the tone for a fair number of the album's cuts like "Reverie" and "Beautiful Friend." If anything, there's something of Siouxsie and the Banshees' early-'80s work coming out in the brisk performances. "Paris and Rome" is the sleeper on the album, appearing towards the end. It's another in the line of beautifully orchestrated numbers like "Adoration" and "Cloudless," building towards a dramatic, evocative ending. Other weirdly pretty numbers include "Are You Gone?" and the piano-led, very Cocteau Twins-styled "In the Night." Three remixes appear on the American version of the album as bonus tracks. Two, Michael Brauer's take on "Shining Road" and Flood's revamp of "Lilies," come from the Shining Road EP, while the third is new, with Flood remixing "Paris and Rome."

© Ned Raggett /TiVo

Plus d'informations

Loved

Cranes

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de 12,49€/mois

1
Shining Road
00:03:51

Cranes, Associated Performer, Engineer, Main Artist, Producer, Associated Performer, Engineer, Producer - A. Shaw, Lyricist - Tony Jones, Assistant Engineer - Giles Hall, Assistant Engineer - Neil Simons, Assistant Engineer - Jim Shaw, Composer - Alison Shaw

(P) 1994 Dedicated

2
Pale Blue Sky
00:03:29

Cranes, Associated Performer, Engineer, Main Artist, Producer, Associated Performer, Engineer, Producer - A. Shaw, Lyricist - Tony Jones, Assistant Engineer - Giles Hall, Assistant Engineer - Neil Simons, Assistant Engineer - Alison Shaw - Jim Shaw, Composer

(P) 1994 Dedicated

3
Rêverie
00:04:00

Cranes, Associated Performer, Engineer, Main Artist, Producer, Associated Performer, Engineer, Producer - A. Shaw, Lyricist - Alison Shaw - Tony Jones, Assistant Engineer - Giles Hall, Assistant Engineer - Neil Simons, Assistant Engineer - Jim Shaw, Composer

(P) 1994 Dedicated

4
Lilies
00:03:46

Cranes, Associated Performer, Engineer, Main Artist, Producer, Associated Performer, Engineer, Producer - A. Shaw, Lyricist - Tony Jones, Assistant Engineer - Giles Hall, Assistant Engineer - Neil Simons, Assistant Engineer - Jim Shaw, Composer - Alison Shaw

(P) 1994 Dedicated

5
Are You Gone?
00:02:57

Cranes, Associated Performer, Engineer, Main Artist, Producer, Associated Performer, Engineer, Producer - A. Shaw, Lyricist - Alison Shaw - Tony Jones, Assistant Engineer - Giles Hall, Assistant Engineer - Neil Simons, Assistant Engineer - Jim Shaw, Composer

(P) 1994 Dedicated

6
Loved
00:03:10

Cranes, Associated Performer, Engineer, Main Artist, Producer, Associated Performer, Engineer, Producer - A. Shaw, Lyricist - Alison Shaw - Tony Jones, Assistant Engineer - Giles Hall, Assistant Engineer - Neil Simons, Assistant Engineer - Jim Shaw, Composer

(P) 1994 Dedicated

7
Beautiful Friend
00:03:15

Cranes, Associated Performer, Engineer, Main Artist, Producer, Associated Performer, Engineer, Producer - A. Shaw, Lyricist - Tony Jones, Assistant Engineer - Giles Hall, Assistant Engineer - Neil Simons, Assistant Engineer - Jim Shaw, Composer - Alison Shaw

(P) 1994 Dedicated

8
Bewildered
00:04:22

Cranes, Associated Performer, Engineer, Main Artist, Producer, Associated Performer, Engineer, Producer - A. Shaw, Lyricist - Alison Shaw - Tony Jones, Assistant Engineer - Giles Hall, Assistant Engineer - Neil Simons, Assistant Engineer - Jim Shaw, Composer

(P) 1994 Dedicated

9
Come This Far
00:04:10

Cranes, Associated Performer, Engineer, Main Artist, Producer, Associated Performer, Engineer, Producer - A. Shaw, Lyricist - Alison Shaw - Tony Jones, Assistant Engineer - Giles Hall, Assistant Engineer - Neil Simons, Assistant Engineer - Jim Shaw, Composer

(P) 1994 Dedicated

10
Paris and Rome
00:06:05

Cranes, Associated Performer, Engineer, Main Artist, Producer, Associated Performer, Engineer, Producer - A. Shaw, Lyricist - Tony Jones, Assistant Engineer - Giles Hall, Assistant Engineer - Neil Simons, Assistant Engineer - Jim Shaw, Composer - Alison Shaw

(P) 1994 Dedicated

11
In the Night
00:04:12

Cranes, Associated Performer, Engineer, Main Artist, Producer, Associated Performer, Engineer, Producer - A. Shaw, Lyricist - Alison Shaw - Tony Jones, Assistant Engineer - Giles Hall, Assistant Engineer - Neil Simons, Assistant Engineer - Jim Shaw, Composer

(P) 1994 Dedicated

12
Shining Road (Brauer Mix)
00:03:52

Cranes, Associated Performer, Main Artist, Producer, Associated Performer, Producer - Jim Shaw, Composer - Alison Shaw, Lyricist - Michael Brauer, Mixing Engineer

(P) 1994 Dedicated

13
Paris and Rome (Flood Mix)
00:05:15

Cranes, Associated Performer, Main Artist, Producer, Associated Performer, Producer - A. Shaw, Lyricist - Alison Shaw - Jim Shaw, Composer - Kristin Flood, Re-Mixer

(P) 1994 Dedicated

14
Lilies (Flood Mix)
00:03:53

Cranes, Associated Performer, Main Artist, Producer, Associated Performer, Producer - Jim Shaw, Composer - Alison Shaw, Lyricist - Kristin Flood, Mixing Engineer

(P) 1994 Dedicated

Chronique

On the band's third major album, Cranes found themselves balancing more immediate accessibility with its own particular musical obsessions like never before. If nothing on the album was as immediately harrowing as much of the band's late-'80s/early-'90s work -- guitars and drums both were generally less forceful and out in front -- Loved was still a mysterious and artistic experience, effortlessly standing aside from prevailing music trends. The band's self-production skills continued to improve, evidenced by the sometimes elaborate arrangements; if the core of Cranes' music revolves around intentionally basic rhythms and melodies repeated as mantras, it's always been the focused delivery that puts everything together. Where things get more conventionally catchy, it's an interesting combination of brute electric power and hooky melody. "Pale Blue Sky" is a good example: A roiling band performance, slightly buried in the mix, kicks out the jams while Alison Shaw's much clearer singing traces a hummable lead melody. It's not power pop, but it's a change nonetheless. Lead single "Shining Road," with its quick, catchy pace, sets the tone for a fair number of the album's cuts like "Reverie" and "Beautiful Friend." If anything, there's something of Siouxsie and the Banshees' early-'80s work coming out in the brisk performances. "Paris and Rome" is the sleeper on the album, appearing towards the end. It's another in the line of beautifully orchestrated numbers like "Adoration" and "Cloudless," building towards a dramatic, evocative ending. Other weirdly pretty numbers include "Are You Gone?" and the piano-led, very Cocteau Twins-styled "In the Night." Three remixes appear on the American version of the album as bonus tracks. Two, Michael Brauer's take on "Shining Road" and Flood's revamp of "Lilies," come from the Shining Road EP, while the third is new, with Flood remixing "Paris and Rome."

© Ned Raggett /TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

Blue Train

John Coltrane

Blue Train John Coltrane

Speak No Evil

Wayne Shorter

Speak No Evil Wayne Shorter
À découvrir également
Par Cranes

Loved

Cranes

Loved Cranes

Forever (Expanded Edition)

Cranes

Fuse

Cranes

Fuse Cranes

Wings Of Joy (Expanded Edition)

Cranes

John Peel Sessions (1989-1990)

Cranes

Playlists

Dans la même thématique...

i/o

Peter Gabriel

i/o Peter Gabriel

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

Rumours

Fleetwood Mac

Rumours Fleetwood Mac

Now And Then

The Beatles

Now And Then The Beatles

Dark Matter

Pearl Jam

Dark Matter Pearl Jam