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Phish|LivePhish, Vol. 15 10/31/96 (The Omni, Atlanta, GA)

LivePhish, Vol. 15 10/31/96 (The Omni, Atlanta, GA)

Phish

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Langue disponible : anglais

Besides being the most musically important of Phish's four Halloween performances between 1994 and 1998 (released as Vol. 13 through Vol. 16 of the band's archival Live Phish series), the group's rendition of Talking Heads' Remain in Light, their seminal 1980 collaboration with producer Brian Eno, is simply the best of 'em all. The Heads' record was a studio masterpiece, layering mysterious synthesizer washes over African polyrhythms to create a distinct textural beauty. It was so intricate that they never played much of the material in a live setting. The members of Phish pushed themselves remarkably for this performance: They added two horn players (including longtime Giant Country Horn Dave Grippo) and Santana percussionist Karl Perazzo (who toured with them for several weeks that fall), keyboardist Page McConnell added several synthesizers to his arsenal, and -- after several tentative starts -- drummer Jon Fishman finally began to sing for real (his voice had previously been used mostly on novelty numbers). Most importantly, it taught the bandmembers to play with a new reverence for minimalism, which helped both snap them out of the creative malaise they seemed to be suffering in for much of 1996 and provide them juice for the reinvention they would undertake beginning in early 1997 (check out both Slip, Stitch & Pass and Live Phish, Vol. 11 for evidence of Remain in Light's influence). In fact, it was this reinvention as a hippie funk unit that had the band planting seeds for the groove jam band eruption that would follow in its wake. All of that, of course, is immaterial in the wake of the show itself: Phish manages to convincingly pull off Remain in Light in its entirety, as perfect a mix of obscure weirdness, high musicality, and avant-gardisms as the band might ever encounter. The two other sets from that night sound monochromatic in comparison, although they contain their share of fun moments (including one of Trey Anastasio's story-songs, "Colonel Forbin's Ascent," in which the character is terrorized by a giant David Byrne replete with the famed big suit).

© Jesse Jarnow /TiVo

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LivePhish, Vol. 15 10/31/96 (The Omni, Atlanta, GA)

Phish

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1
Sanity
00:05:48

Trey Anastasio, Composer, Writer - Phish, Writer, MainArtist - Jon Fishman, Composer, Writer - Page McConnell, Composer, Writer - Dude Of Life, Lyricist - Mike Gordon, Composer, Writer - Steve Pollak, Writer

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

2
Highway To Hell
00:03:39

Phish, MainArtist

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

3
Down With Disease
00:11:06

Trey Anastasio, Writer - Phish, MainArtist - Tom Marshall, Writer

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

4
You Enjoy Myself
00:22:54

Trey Anastasio, Writer - Phish, Composer, MainArtist

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

5
Prince Caspian
00:07:05

Trey Anastasio, Writer - Phish, MainArtist - Tom Marshall, Writer

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

6
Reba
00:15:40

Trey Anastasio, Writer - Phish, Composer, MainArtist

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

7
Colonel Forbin's Ascent
00:05:29

Trey Anastasio, Writer - Phish, MainArtist

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

8
Fly Famous Mockingbird
00:10:07

Trey Anastasio, Writer - Phish, MainArtist

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

9
Character Zero
00:07:34

Trey Anastasio, Writer - Phish, MainArtist - Tom Marshall, Writer

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

10
Star-Spangled Banner
00:01:31

Phish, MainArtist

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

11
Born Under Punches (The Heat Goes On)
00:06:40

Phish, MainArtist

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

12
Crosseyed And Painless
00:09:59

JERRY HARRISON, Writer - Brian Eno, Writer - David Byrne, Writer - Chris Frantz, Writer - Tina Weymouth, Writer - Phish, MainArtist

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

13
The Great Curve
00:09:07

Phish, MainArtist

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

14
Once In A Lifetime
00:05:08

Phish, MainArtist

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

15
Houses In Motion
00:08:57

Phish, MainArtist

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

16
Seen And Not Seen
00:04:30

Phish, MainArtist

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

17
Listening Wind
00:08:08

Phish, MainArtist

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

18
The Overload
00:10:54

Phish, MainArtist

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

19
Brother
00:05:56

Trey Anastasio, Writer - Phish, MainArtist - Jon Fishman, Writer - Page McConnell, Writer - Mike Gordon, Writer

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

20
2001
00:06:51

Richard Strauss, Writer - Phish, MainArtist

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

21
Maze
00:12:38

Trey Anastasio, Writer - Phish, MainArtist - Tom Marshall, Writer

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

22
Simple
00:15:03

Phish, MainArtist - Mike Gordon, Writer

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

23
Swept Away
00:01:09

Trey Anastasio, Writer - Phish, MainArtist - Tom Marshall, Writer

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

24
Steep
00:01:56

Trey Anastasio, Writer - Phish, MainArtist - Jon Fishman, Writer - Page McConnell, Writer - Tom Marshall, Writer - Mike Gordon, Writer

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

25
Jesus Just Left Chicago
00:07:49

Billy Gibbons, Writer - Dusty Hill, Writer - Frank Beard, Writer - Phish, MainArtist

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

26
Suzy Greenberg
00:08:00

Phish, MainArtist - Steve Pollak, Writer

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

27
Frankenstein
00:05:21

Edgar Winter, Writer - Phish, MainArtist

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

28
The Overload Soundcheck (Bonus Track)
00:09:41

Phish, MainArtist

© 1996 2009 Phish Inc ℗ 1996 2009 Who Is She Music, inc

Chronique

Besides being the most musically important of Phish's four Halloween performances between 1994 and 1998 (released as Vol. 13 through Vol. 16 of the band's archival Live Phish series), the group's rendition of Talking Heads' Remain in Light, their seminal 1980 collaboration with producer Brian Eno, is simply the best of 'em all. The Heads' record was a studio masterpiece, layering mysterious synthesizer washes over African polyrhythms to create a distinct textural beauty. It was so intricate that they never played much of the material in a live setting. The members of Phish pushed themselves remarkably for this performance: They added two horn players (including longtime Giant Country Horn Dave Grippo) and Santana percussionist Karl Perazzo (who toured with them for several weeks that fall), keyboardist Page McConnell added several synthesizers to his arsenal, and -- after several tentative starts -- drummer Jon Fishman finally began to sing for real (his voice had previously been used mostly on novelty numbers). Most importantly, it taught the bandmembers to play with a new reverence for minimalism, which helped both snap them out of the creative malaise they seemed to be suffering in for much of 1996 and provide them juice for the reinvention they would undertake beginning in early 1997 (check out both Slip, Stitch & Pass and Live Phish, Vol. 11 for evidence of Remain in Light's influence). In fact, it was this reinvention as a hippie funk unit that had the band planting seeds for the groove jam band eruption that would follow in its wake. All of that, of course, is immaterial in the wake of the show itself: Phish manages to convincingly pull off Remain in Light in its entirety, as perfect a mix of obscure weirdness, high musicality, and avant-gardisms as the band might ever encounter. The two other sets from that night sound monochromatic in comparison, although they contain their share of fun moments (including one of Trey Anastasio's story-songs, "Colonel Forbin's Ascent," in which the character is terrorized by a giant David Byrne replete with the famed big suit).

© Jesse Jarnow /TiVo

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