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Doc Watson|Live at Club 47

Live at Club 47

Doc Watson

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In the mid-'60s, Doc Watson rose from relative obscurity to become one of the leading lights of American folk music, displaying a dazzling flatpicking technique on the guitar and an encyclopedic knowledge of old-timey and traditional music. Watson was just starting to make a name for himself as a solo act (and was a few months away from his breakthrough performance at the Newport Folk Festival) when, in February 1963, he played Boston's venerable folk music venue Club 47, where he quickly became a favorite of the New England cognoscenti. A local music fan, Michael Eisenstadt, brought a professional-grade tape recorder to the show, and 55 years later, the show has been given a commercial release by Yep Roc Records as Live at Club 47. The audio is remarkably crisp and clear despite being recorded with a single microphone, and it captures Watson in splendid form. It should surprise no one that Watson was picking up a storm on guitar this evening, as well as showing he was a sure hand on banjo and autoharp. But Live at Club 47 is a vivid reminder of how personable and engaging Watson could be performing in front of an audience. Playing in a small room, Watson's simple but expressive vocals are superb, finding humor and drama in these songs, which he delivers with genuine warmth and sincerity. If there are moments when Watson seems to be playing up his hillbilly roots for the sake of the Big City audience, there's no arguing that he knew how to work a crowd and get an honest laugh. Watson seems fully engaged and having a great time on Live at Club 47, and the set list is a treasure trove of essential American folk tunes (including a few he never got around to recording in the studio). Live at Club 47 doesn't reveal much that's unknown about the artistry of Doc Watson, but the good humor and intimacy of this performance are irresistible, and it's as pleasing a document of Doc Watson in concert as you could ask for.

© Mark Deming /TiVo

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Live at Club 47

Doc Watson

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1
Wabash Cannonball (Live)
00:03:47

A.P. CARTER, Composer - Doc Watson, MainArtist - APRS/BMI, MusicPublisher

2018 Southern Folklife Collection, UNC. Under exclusive license to Yep Roc Records 2018 APRS/BMI

2
The House Carpenter (Live)
00:05:23

Traditional, Composer, MusicPublisher - Doc Watson, MainArtist

2018 Southern Folklife Collection, UNC. Under exclusive license to Yep Roc Records 2018 Traditional

3
I Wish I Was Single Again (Live)
00:03:37

Traditional, Composer, MusicPublisher - Doc Watson, MainArtist

2018 Southern Folklife Collection, UNC. Under exclusive license to Yep Roc Records 2018 Traditional

4
Little Darling Pal of Mine (Live)
00:03:00

A.P. CARTER, Composer - Doc Watson, MainArtist - APRS/BMI, MusicPublisher

2018 Southern Folklife Collection, UNC. Under exclusive license to Yep Roc Records 2018 APRS/BMI

5
Train That Carried My Girl From Town (Live)
00:04:31

Doc Watson, Composer, MainArtist - Hillgreen Music/BMI, MusicPublisher

2018 Southern Folklife Collection, UNC. Under exclusive license to Yep Roc Records 2018 Hillgreen Music/BMI

6
The Worried Blues (Live)
00:02:53

Traditional, Composer, MusicPublisher - Doc Watson, MainArtist

2018 Southern Folklife Collection, UNC. Under exclusive license to Yep Roc Records 2018 Traditional

7
Old Dan Tucker (Live)
00:02:36

Traditional, Composer, MusicPublisher - Doc Watson, MainArtist

2018 Southern Folklife Collection, UNC. Under exclusive license to Yep Roc Records 2018 Traditional

8
Sweet Heaven When I Die (Live)
00:03:04

Doc Watson, MainArtist - Claude Grant, Composer - APRS/BMI, MusicPublisher

2018 Southern Folklife Collection, UNC. Under exclusive license to Yep Roc Records 2018 APRS/BMI

9
Doc's Talkin' Blues (Live)
00:04:18

Doc Watson, Composer, MainArtist - Hillgreen Music/BMI, MusicPublisher

2018 Southern Folklife Collection, UNC. Under exclusive license to Yep Roc Records 2018 Hillgreen Music/BMI

10
Little Margaret (Live)
00:03:09

Traditional, Composer, MusicPublisher - Doc Watson, MainArtist

2018 Southern Folklife Collection, UNC. Under exclusive license to Yep Roc Records 2018 Traditional

11
Sitting on Top of the World (Live)
00:02:25

Doc Watson, MainArtist - Lonnie Carter And Walter Jacobs, Composer - Edwin H Morris & Co, a division of MPL Music Publishing, Inc./ASCAP, MusicPublisher

2018 Southern Folklife Collection, UNC. Under exclusive license to Yep Roc Records 2018 Edwin H Morris & Co, a division of MPL Music Publishing, Inc./ASCAP

12
Don't Let Your Deal Go Down (Live)
00:03:45

Doc Watson, Composer, MainArtist - Hillgreen Music/BMI, MusicPublisher

2018 Southern Folklife Collection, UNC. Under exclusive license to Yep Roc Records 2018 Hillgreen Music/BMI

13
Blue Smoke (Live)
00:01:35

Merle Travis, Composer - Doc Watson, MainArtist - Unichappell Music, Inc./BMI, MusicPublisher

2018 Southern Folklife Collection, UNC. Under exclusive license to Yep Roc Records 2018 Unichappell Music, Inc./BMI

14
Deep River Blues (Live)
00:03:07

Doc Watson, Composer, MainArtist - Hillgreen Music/BMI, MusicPublisher

2018 Southern Folklife Collection, UNC. Under exclusive license to Yep Roc Records 2018 Hillgreen Music/BMI

15
Way Downtown (Live)
00:02:54

Doc Watson, Composer, MainArtist - Hillgreen Music/BMI, MusicPublisher

2018 Southern Folklife Collection, UNC. Under exclusive license to Yep Roc Records 2018 Hillgreen Music/BMI

16
Somebody Touched Me (Live)
00:03:39

Doc Watson, Composer, MainArtist - Southern Melody Publishing Company/BMI, MusicPublisher

2018 Southern Folklife Collection, UNC. Under exclusive license to Yep Roc Records 2018 Southern Melody Publishing Company/BMI

17
Billy in the Low Ground (Live)
00:01:45

Traditional, Composer, MusicPublisher - Doc Watson, MainArtist

2018 Southern Folklife Collection, UNC. Under exclusive license to Yep Roc Records 2018 Traditional

18
Boil Them Cabbage Down (Live)
00:02:14

Traditional, Composer, MusicPublisher - Doc Watson, MainArtist

2018 Southern Folklife Collection, UNC. Under exclusive license to Yep Roc Records 2018 Traditional

19
Everyday Dirt (Live)
00:02:39

Doc Watson, MainArtist - David McCarn, Composer - Peer International Corp./BMI, MusicPublisher

2018 Southern Folklife Collection, UNC. Under exclusive license to Yep Roc Records 2018 Peer International Corp./BMI

20
I Am a Pilgrim (Live)
00:03:30

Merle Travis, Composer - Doc Watson, MainArtist - Songs Of Universal, Inc./BMI, MusicPublisher

2018 Southern Folklife Collection, UNC. Under exclusive license to Yep Roc Records 2018 Songs of Universal, Inc./BMI

21
No Telephone in Heaven (Live)
00:02:55

A.P. CARTER, Composer - Doc Watson, MainArtist - APRS/BMI, MusicPublisher

2018 Southern Folklife Collection, UNC. Under exclusive license to Yep Roc Records 2018 APRS/BMI

22
Hop High Ladies the Cake's All Dough (Live)
00:01:12

Traditional, Composer, MusicPublisher - Doc Watson, MainArtist

2018 Southern Folklife Collection, UNC. Under exclusive license to Yep Roc Records 2018 Traditional

23
Little Sadie (Live)
00:02:26

Doc Watson, Composer, MainArtist - Hillgreen Music/BMI, MusicPublisher

2018 Southern Folklife Collection, UNC. Under exclusive license to Yep Roc Records 2018 Hillgreen Music/BMI

24
Black Mountain Rag (Live)
00:02:07

Doc Watson, Composer, MainArtist - Hillgreen Music/BMI, MusicPublisher

2018 Southern Folklife Collection, UNC. Under exclusive license to Yep Roc Records 2018 Hillgreen Music/BMI

25
Blackberry Rag (Live)
00:01:29

Doc Watson, Composer, MainArtist - Universal Songs of Polygram International, Inc./BMI, MusicPublisher

2018 Southern Folklife Collection, UNC. Under exclusive license to Yep Roc Records 2018 Universal Songs of Polygram International, Inc./BMI

26
Childhood Play (Live)
00:02:18

Doc Watson, MainArtist - Alfred G. Karnes, Composer - Southern Music Pub. Co., Inc./ASCAP, MusicPublisher

2018 Southern Folklife Collection, UNC. Under exclusive license to Yep Roc Records 2018 Southern Music Pub. Co., Inc./ASCAP

Chronique

In the mid-'60s, Doc Watson rose from relative obscurity to become one of the leading lights of American folk music, displaying a dazzling flatpicking technique on the guitar and an encyclopedic knowledge of old-timey and traditional music. Watson was just starting to make a name for himself as a solo act (and was a few months away from his breakthrough performance at the Newport Folk Festival) when, in February 1963, he played Boston's venerable folk music venue Club 47, where he quickly became a favorite of the New England cognoscenti. A local music fan, Michael Eisenstadt, brought a professional-grade tape recorder to the show, and 55 years later, the show has been given a commercial release by Yep Roc Records as Live at Club 47. The audio is remarkably crisp and clear despite being recorded with a single microphone, and it captures Watson in splendid form. It should surprise no one that Watson was picking up a storm on guitar this evening, as well as showing he was a sure hand on banjo and autoharp. But Live at Club 47 is a vivid reminder of how personable and engaging Watson could be performing in front of an audience. Playing in a small room, Watson's simple but expressive vocals are superb, finding humor and drama in these songs, which he delivers with genuine warmth and sincerity. If there are moments when Watson seems to be playing up his hillbilly roots for the sake of the Big City audience, there's no arguing that he knew how to work a crowd and get an honest laugh. Watson seems fully engaged and having a great time on Live at Club 47, and the set list is a treasure trove of essential American folk tunes (including a few he never got around to recording in the studio). Live at Club 47 doesn't reveal much that's unknown about the artistry of Doc Watson, but the good humor and intimacy of this performance are irresistible, and it's as pleasing a document of Doc Watson in concert as you could ask for.

© Mark Deming /TiVo

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