Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Chuck Mangione|Land Of Make Believe

Land Of Make Believe

Chuck Mangione, Hamilton Philharmonic Orchestra

Disponible en
16-Bit/44.1 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Langue disponible : anglais

Though much less expansive than Mangione's other Mercury concerts (only 37 minutes on a single CD or LP), Land of Make Believe is the most successful of the lot, a winning combination of attractive tunes, big-thinking orchestrations, just enough jazz content, and a genuinely felt sense of idealism. Here there is no dead weight; all of the material is very engaging and the combined forces of Mangione's quartet and the Hamilton (Ontario) Philharmonic are on fire. The performance of Mangione's "Legend of the One-Eyed Sailor" still exerts a ferocious jolt of life-affirming energy, "El Gato Triste" is an attractive Latin number, and the buoyant "Gloria" from The Mass of St. Bernard with the Horsehead Chamber Singers makes one want to hear more. The childlike title tune has both a touching sense of naïveté and a lot of drive in key spots -- credit expert drummer Joe LaBarbera with the latter -- and Esther Satterfield's clear-eyed Nancy Wilson-like vocals made her famous for a time. This would be Mangione's most irresistible attempt at embracing the whole world of music -- and for awhile, it was possible to believe that he would become a major unifying figure in American music. Alas, thus far this would be the last full flowering of that promise.

© Richard S. Ginell /TiVo

Plus d'informations

Land Of Make Believe

Chuck Mangione

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de 12,49€/mois

1
Legend Of The One-Eyed Sailor (Live (1973/Massey Hall, Toronto))
00:07:40

Phil Ramone, Mixer, Editor, Recording Engineer, StudioPersonnel - Chuck Mangione, Composer, Producer, Mixer, Editor, Recording Arranger, MainArtist, AssociatedPerformer, StudioPersonnel - Rich Blakin, Mixer, Editor, StudioPersonnel - Dave Greene, Asst. Recording Engineer, StudioPersonnel - Hamilton Philharmonic Orchestra, Orchestra, Artist

℗ 1973 The Verve Music Group, a Division of UMG Recordings, Inc.

2
Lullaby For Nancy Carol (Live (1973/Massey Hall, Toronto))
00:03:38

Phil Ramone, Mixer, Editor, Recording Engineer, StudioPersonnel - Chuck Mangione, Producer, Mixer, Editor, Recording Arranger, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Rich Blakin, Mixer, Editor, StudioPersonnel - Dave Greene, Asst. Recording Engineer, StudioPersonnel - Hamilton Philharmonic Orchestra, Orchestra, Artist

℗ 1973 The Verve Music Group, a Division of UMG Recordings, Inc.

3
El Gato Triste (Live (1973/Massey Hall, Toronto))
00:07:27

Phil Ramone, Mixer, Editor, Recording Engineer, StudioPersonnel - Chuck Mangione, Composer, Producer, Mixer, Editor, Recording Arranger, MainArtist, AssociatedPerformer, StudioPersonnel - Rich Blakin, Mixer, Editor, StudioPersonnel - Dave Greene, Asst. Recording Engineer, StudioPersonnel - Hamilton Philharmonic Orchestra, Orchestra, Artist

℗ 1973 The Verve Music Group, a Division of UMG Recordings, Inc.

4
The Gloria From The Mass Of St. Bernard (Live (1973/Massey Hall, Toronto))
00:04:10

Phil Ramone, Mixer, Editor, Recording Engineer, StudioPersonnel - Chuck Mangione, Producer, Mixer, Editor, Recording Arranger, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Rich Blakin, Mixer, Editor, StudioPersonnel - Dave Greene, Asst. Recording Engineer, StudioPersonnel - Hamilton Philharmonic Orchestra, Orchestra, Artist

℗ 1973 The Verve Music Group, a Division of UMG Recordings, Inc.

5
As Long As We're Together (Live (1973/Massey Hall, Toronto))
00:03:55

Phil Ramone, Mixer, Editor, Recording Engineer, StudioPersonnel - Chuck Mangione, Producer, Mixer, Editor, Recording Arranger, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Rich Blakin, Mixer, Editor, StudioPersonnel - Dave Greene, Asst. Recording Engineer, StudioPersonnel - Hamilton Philharmonic Orchestra, Orchestra, Artist

℗ 1973 The Verve Music Group, a Division of UMG Recordings, Inc.

6
Land Of Make Believe (Live Vocal (1973/Massey Hall, Toronto))
00:12:21

Phil Ramone, Mixer, Editor, Recording Engineer, StudioPersonnel - Chuck Mangione, Producer, Mixer, Editor, Recording Arranger, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Rich Blakin, Mixer, Editor, StudioPersonnel - Dave Greene, Asst. Recording Engineer, StudioPersonnel - Esther Satterfield, MainArtist - Hamilton Philharmonic Orchestra, Orchestra, Artist

℗ 1973 The Verve Music Group, a Division of UMG Recordings, Inc.

Chronique

Though much less expansive than Mangione's other Mercury concerts (only 37 minutes on a single CD or LP), Land of Make Believe is the most successful of the lot, a winning combination of attractive tunes, big-thinking orchestrations, just enough jazz content, and a genuinely felt sense of idealism. Here there is no dead weight; all of the material is very engaging and the combined forces of Mangione's quartet and the Hamilton (Ontario) Philharmonic are on fire. The performance of Mangione's "Legend of the One-Eyed Sailor" still exerts a ferocious jolt of life-affirming energy, "El Gato Triste" is an attractive Latin number, and the buoyant "Gloria" from The Mass of St. Bernard with the Horsehead Chamber Singers makes one want to hear more. The childlike title tune has both a touching sense of naïveté and a lot of drive in key spots -- credit expert drummer Joe LaBarbera with the latter -- and Esther Satterfield's clear-eyed Nancy Wilson-like vocals made her famous for a time. This would be Mangione's most irresistible attempt at embracing the whole world of music -- and for awhile, it was possible to believe that he would become a major unifying figure in American music. Alas, thus far this would be the last full flowering of that promise.

© Richard S. Ginell /TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

Blue Train

John Coltrane

Blue Train John Coltrane

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
À découvrir également
Par Chuck Mangione

Feels So Good

Chuck Mangione

Feels So Good Chuck Mangione

Main Squeeze

Chuck Mangione

Main Squeeze Chuck Mangione

Jazz Workshop (Live Boston '73)

Chuck Mangione

A&M Gold Series

Chuck Mangione

A&M Gold Series Chuck Mangione

Children Of Sanchez

Chuck Mangione

Children Of Sanchez Chuck Mangione

Playlists

Dans la même thématique...

The Köln Concert (Live at the Opera, Köln, 1975)

Keith Jarrett

Orchestras

Bill Frisell

Orchestras Bill Frisell

We Get Requests

Oscar Peterson

We Get Requests Oscar Peterson

Kind Of Blue

Miles Davis

Kind Of Blue Miles Davis

The Carnegie Hall Concert

Alice Coltrane

The Carnegie Hall Concert Alice Coltrane