Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
This is probably Steve Camp's best album, only in part because he steals his musical ideas from better sources than usual. He has never lacked for honesty or passion, but his lyrical barbs are aimed even more directly than usual (at Ronald Reagan, complacent Christians, Wheel of Fortune, Oral Roberts...). Camp has always aspired to be Keith Green's successor as CCM's foremost fiery prophet, and Justice is his most convincing attempt (he even quotes Green verbatim in one song, singing "as our dear brother Keith once said, we're so well-fed and yet we're dead"). The musical imitations are also convincing: Camp recasts a Larry Norman folk anthem ("Great American Novel") as a Phil Collins synth ballad, and is surprisingly successful in mixing pop polish and gospel vocals with the song's Dylanisms. On "Living Dangerously," Camp perfectly mimics the richness and rhythmic flair of Bruce Hornsby's distinctive keyboard style. "Do You Feel Their Pain" is pure "We Are the World" -- an anti-AIDS ballad with an all-star cast of CCM vocalists. Camp wrote this song at a time when AIDS was hardly the cause du jour in the conservative world of Christian pop, and his arrangement does that courageousness justice. The song's a cappella choral conclusion is powerful enough to shake the most hardened cynic. Originality is not Camp's strong suit, but passion he has in spades.
© Darryl Cater /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Steve Camp, Composer, MainArtist - Rob Frazier, Composer
(C) 1989 Sparrow Records ℗ 1989 Sparrow Records
Steve Camp, Composer, Producer, MainArtist - Rob Frazier, Composer
(C) 1989 Sparrow Records ℗ 1989 Sparrow Records
Steve Camp, Composer, Producer, MainArtist - Rob Frazier, Composer
(C) 1989 Sparrow Records ℗ 1989 Sparrow Records
Steve Camp, Composer, MainArtist - Rob Frazier, Composer
(C) 1989 Sparrow Records ℗ 1989 Sparrow Records
Phill McHugh, Composer - Steve Camp, Composer, Producer, MainArtist - Rob Frazier, Composer - Kim Maxfield Camp, Composer
(C) 1989 Sparrow Records ℗ 1989 Sparrow Records
Steve Camp, Composer, MainArtist - Rob Frazier, Composer
(C) 1989 Sparrow Records ℗ 1989 Sparrow Records
Larry Norman, Composer - Steve Camp, MainArtist
(C) 1989 Sparrow Records ℗ 1989 Sparrow Records
Steve Camp, Composer, MainArtist - Rob Frazier, Composer
(C) 1989 Sparrow Records ℗ 1989 Sparrow Records
Steve Camp, Composer, Producer, MainArtist - Rob Frazier, Composer
(C) 1989 Sparrow Records ℗ 1989 Sparrow Records
Steve Camp, Composer, Producer, MainArtist - Rob Frazier, Composer
(C) 1989 Sparrow Records ℗ 1989 Sparrow Records
Chronique
This is probably Steve Camp's best album, only in part because he steals his musical ideas from better sources than usual. He has never lacked for honesty or passion, but his lyrical barbs are aimed even more directly than usual (at Ronald Reagan, complacent Christians, Wheel of Fortune, Oral Roberts...). Camp has always aspired to be Keith Green's successor as CCM's foremost fiery prophet, and Justice is his most convincing attempt (he even quotes Green verbatim in one song, singing "as our dear brother Keith once said, we're so well-fed and yet we're dead"). The musical imitations are also convincing: Camp recasts a Larry Norman folk anthem ("Great American Novel") as a Phil Collins synth ballad, and is surprisingly successful in mixing pop polish and gospel vocals with the song's Dylanisms. On "Living Dangerously," Camp perfectly mimics the richness and rhythmic flair of Bruce Hornsby's distinctive keyboard style. "Do You Feel Their Pain" is pure "We Are the World" -- an anti-AIDS ballad with an all-star cast of CCM vocalists. Camp wrote this song at a time when AIDS was hardly the cause du jour in the conservative world of Christian pop, and his arrangement does that courageousness justice. The song's a cappella choral conclusion is powerful enough to shake the most hardened cynic. Originality is not Camp's strong suit, but passion he has in spades.
© Darryl Cater /TiVo
À propos
- 1 disque(s) - 10 piste(s)
- Durée totale : 00:49:40
- Artistes principaux : Steve Camp
- Compositeur : Various Composers
- Label : Sparrow
- Genre : Jazz Gospel
© 1989 Sparrow Records ℗ 1989 Sparrow Records
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.