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Nash Ensemble|John Pickard: The Gardener of Aleppo & Other Chamber Works

John Pickard: The Gardener of Aleppo & Other Chamber Works

Nash Ensemble and Martyn Brabbins

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Composer John Pickard has gained attention for his symphonies and other large works, but this recording will be the first that many listeners hear of his delightfully accessible chamber music. The Three Chicken Studies are not necessarily an example of Pickard's humorous side; he writes: "I have kept chickens for many years and I am fascinated by their many moods and their complex social interactions." Nevertheless, it will likely raise a smile. All of the works vividly evoke their extramusical subjects. The most serious work is the opening and titular The Gardener of Aleppo, which, besides giving the album its title, refers to an actual individual, Abu al-Ward, who sold plants in the midst of Syria's civil war until he was killed. Snowbound evokes a claustrophobic mood with low sounds on the piano, an effect that recurs several times, including in the final Ghost Train. The ghost train is a time-honored subject in classical music and pop alike, but Pickard's treatment is completely fresh -- a tall order. The works on the album date from various periods of Pickard's career and constitute a kind of survey, with informative and appealing notes by the composer. The album is credited to the Nash Ensemble under Martyn Brabbins, but the works feature smaller subsets of performers (there is one vocal work), all of whom are skillful and well-attuned to Pickard's music. A negative is the church sound, which tends toward the remote and harsh in music that is decidedly neither.

© TiVo

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John Pickard: The Gardener of Aleppo & Other Chamber Works

Nash Ensemble

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1
The Gardener of Aleppo
Philippa Davies
00:11:17

Lucy Wakeford, MainArtist, AssociatedPerformer - Philippa Davies, MainArtist, AssociatedPerformer - Simon Fox-Gál, Producer, SoundEngineer - John Pickard, Composer - Scott Dickinson, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

2
Daughters of Zion
Susan Bickley
00:08:13

Nash Ensemble, Ensemble, MainArtist - Simon Fox-Gál, Producer, SoundEngineer - Martyn Brabbins, Conductor, MainArtist - Susan Bickley, MainArtist, AssociatedPerformer - John Pickard, Composer - Gavin D’Costa, Lyricist

2020 BIS 2020 (P) BIS

3
Snowbound
Martin Robertson
00:10:27

Martin Robertson, MainArtist, AssociatedPerformer - Simon Fox-Gál, Producer, SoundEngineer - Ian Brown, MainArtist, AssociatedPerformer - Adrian Brendel, MainArtist, AssociatedPerformer - John Pickard, Composer

2020 BIS 2020 (P) BIS

Serenata Concertata (John Pickard)

4
I. Cadenza I
Philippa Davies
00:03:22

Nash Ensemble, Ensemble, MainArtist - Philippa Davies, MainArtist, AssociatedPerformer - Simon Fox-Gál, Producer, SoundEngineer - Martyn Brabbins, Conductor, MainArtist - John Pickard, Composer

2020 BIS 2020 (P) BIS

5
II. Aria I
Philippa Davies
00:04:29

Nash Ensemble, Ensemble, MainArtist - Philippa Davies, MainArtist, AssociatedPerformer - Simon Fox-Gál, Producer, SoundEngineer - Martyn Brabbins, Conductor, MainArtist - John Pickard, Composer

2020 BIS 2020 (P) BIS

6
III. Scherzo - Notturno
Philippa Davies
00:04:33

Nash Ensemble, Ensemble, MainArtist - Philippa Davies, MainArtist, AssociatedPerformer - Simon Fox-Gál, Producer, SoundEngineer - Martyn Brabbins, Conductor, MainArtist - John Pickard, Composer

2020 BIS 2020 (P) BIS

7
IV. Cadenza II
Philippa Davies
00:02:13

Nash Ensemble, Ensemble, MainArtist - Philippa Davies, MainArtist, AssociatedPerformer - Simon Fox-Gál, Producer, SoundEngineer - Martyn Brabbins, Conductor, MainArtist - John Pickard, Composer

2020 BIS 2020 (P) BIS

8
V. Aria II
Philippa Davies
00:06:16

Nash Ensemble, Ensemble, MainArtist - Philippa Davies, MainArtist, AssociatedPerformer - Simon Fox-Gál, Producer, SoundEngineer - Martyn Brabbins, Conductor, MainArtist - John Pickard, Composer

2020 BIS 2020 (P) BIS

3 Chicken Studies (John Pickard)

9
No. 1, Laying
Gareth Hulse
00:01:49

Simon Fox-Gál, Producer, SoundEngineer - Gareth Hulse, MainArtist, AssociatedPerformer - John Pickard, Composer

2020 BIS 2020 (P) BIS

10
No. 2, Feeding
Gareth Hulse
00:01:33

Simon Fox-Gál, Producer, SoundEngineer - Gareth Hulse, MainArtist, AssociatedPerformer - John Pickard, Composer

2020 BIS 2020 (P) BIS

11
No. 3, Fighting
Gareth Hulse
00:01:20

Simon Fox-Gál, Producer, SoundEngineer - Gareth Hulse, MainArtist, AssociatedPerformer - John Pickard, Composer

2020 BIS 2020 (P) BIS

12
The Phagotus of Afranio
Ursula Leveaux
00:10:34

Simon Fox-Gál, Producer, SoundEngineer - Ian Brown, MainArtist, AssociatedPerformer - John Pickard, Composer - Ursula Leveaux, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

13
Ghost-Train
Nash Ensemble
00:13:11

Nash Ensemble, Ensemble, MainArtist - Simon Fox-Gál, Producer, SoundEngineer - Martyn Brabbins, Conductor, MainArtist - John Pickard, Composer

2020 BIS 2020 (P) BIS

Chronique

Composer John Pickard has gained attention for his symphonies and other large works, but this recording will be the first that many listeners hear of his delightfully accessible chamber music. The Three Chicken Studies are not necessarily an example of Pickard's humorous side; he writes: "I have kept chickens for many years and I am fascinated by their many moods and their complex social interactions." Nevertheless, it will likely raise a smile. All of the works vividly evoke their extramusical subjects. The most serious work is the opening and titular The Gardener of Aleppo, which, besides giving the album its title, refers to an actual individual, Abu al-Ward, who sold plants in the midst of Syria's civil war until he was killed. Snowbound evokes a claustrophobic mood with low sounds on the piano, an effect that recurs several times, including in the final Ghost Train. The ghost train is a time-honored subject in classical music and pop alike, but Pickard's treatment is completely fresh -- a tall order. The works on the album date from various periods of Pickard's career and constitute a kind of survey, with informative and appealing notes by the composer. The album is credited to the Nash Ensemble under Martyn Brabbins, but the works feature smaller subsets of performers (there is one vocal work), all of whom are skillful and well-attuned to Pickard's music. A negative is the church sound, which tends toward the remote and harsh in music that is decidedly neither.

© TiVo

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