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Agnese Toniutti|John Cage: Sonatas & Interludes for Prepared Piano

John Cage: Sonatas & Interludes for Prepared Piano

Agnese Toniutti

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Langue disponible : anglais

John Cage's Sonatas & Interludes for prepared piano (1948) are among his most popular works, drawing in even listeners skeptical about his later conceptual experiments with their invention and varied timbral and tonal colors. Prepared pianos differ greatly according to the materials used to prepare them, and pianist Agnese Toniutti comes well prepared ("I travel with a special little briefcase where bolts, nuts, screws, plastic, rubber of different sizes and materials have been stored during previous years," she writes). The rhythmic aspects of the work may also be realized in different ways. Toniutti does not put it this way, but her reading accords well with an emphasis on the Indian aspects of the work, which Cage himself pointed out. Toniutti's tempi are fixed; she writes that her intent was to "secure the durational element of the work as precisely as possible, so that its sonic form could manifest itself vividly." Some of the pieces sound like Indonesian gamelan music (which has an essentially Indian rhythmic basis); sample the First Interlude. The sound, recorded in Toniutti's native Italy (no further information is given as to the location), is clear, and those wanting an engaging introduction to this work or to early Cage, in general, can confidently select this recording.
© James Manheim /TiVo

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John Cage: Sonatas & Interludes for Prepared Piano

Agnese Toniutti

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1
Sonata I
00:02:51

John Cage, Composer - Agnese Toniutti, MainArtist

2023 Agnese Toniutti 2023 Agnese Toniutti

2
Sonata II
00:02:02

John Cage, Composer - Agnese Toniutti, MainArtist

2023 Agnese Toniutti 2023 Agnese Toniutti

3
Sonata III
00:02:10

John Cage, Composer - Agnese Toniutti, MainArtist

2023 Agnese Toniutti 2023 Agnese Toniutti

4
Sonata IV
00:02:03

John Cage, Composer - Agnese Toniutti, MainArtist

2023 Agnese Toniutti 2023 Agnese Toniutti

5
First Interlude
00:03:36

John Cage, Composer - Agnese Toniutti, MainArtist

2023 Agnese Toniutti 2023 Agnese Toniutti

6
Sonata V
00:01:49

John Cage, Composer - Agnese Toniutti, MainArtist

2023 Agnese Toniutti 2023 Agnese Toniutti

7
Sonata VI
00:02:12

John Cage, Composer - Agnese Toniutti, MainArtist

2023 Agnese Toniutti 2023 Agnese Toniutti

8
Sonata VII
00:02:21

John Cage, Composer - Agnese Toniutti, MainArtist

2023 Agnese Toniutti 2023 Agnese Toniutti

9
Sonata VIII
00:02:32

John Cage, Composer - Agnese Toniutti, MainArtist

2023 Agnese Toniutti 2023 Agnese Toniutti

10
Second Interlude
00:04:01

John Cage, Composer - Agnese Toniutti, MainArtist

2023 Agnese Toniutti 2023 Agnese Toniutti

11
Third Interlude
00:02:32

John Cage, Composer - Agnese Toniutti, MainArtist

2023 Agnese Toniutti 2023 Agnese Toniutti

12
Sonata IX
00:04:04

John Cage, Composer - Agnese Toniutti, MainArtist

2023 Agnese Toniutti 2023 Agnese Toniutti

13
Sonata X
00:03:09

John Cage, Composer - Agnese Toniutti, MainArtist

2023 Agnese Toniutti 2023 Agnese Toniutti

14
Sonata XI
00:03:33

John Cage, Composer - Agnese Toniutti, MainArtist

2023 Agnese Toniutti 2023 Agnese Toniutti

15
Sonata XII
00:03:00

John Cage, Composer - Agnese Toniutti, MainArtist

2023 Agnese Toniutti 2023 Agnese Toniutti

16
Fourth Interlude
00:02:27

John Cage, Composer - Agnese Toniutti, MainArtist

2023 Agnese Toniutti 2023 Agnese Toniutti

17
Sonata XIII
00:03:47

John Cage, Composer - Agnese Toniutti, MainArtist

2023 Agnese Toniutti 2023 Agnese Toniutti

18
Sonatas XIV & XV
00:06:20

John Cage, Composer - Agnese Toniutti, MainArtist

2023 Agnese Toniutti 2023 Agnese Toniutti

19
Sonata XVI
00:03:58

John Cage, Composer - Agnese Toniutti, MainArtist

2023 Agnese Toniutti 2023 Agnese Toniutti

Chronique

John Cage's Sonatas & Interludes for prepared piano (1948) are among his most popular works, drawing in even listeners skeptical about his later conceptual experiments with their invention and varied timbral and tonal colors. Prepared pianos differ greatly according to the materials used to prepare them, and pianist Agnese Toniutti comes well prepared ("I travel with a special little briefcase where bolts, nuts, screws, plastic, rubber of different sizes and materials have been stored during previous years," she writes). The rhythmic aspects of the work may also be realized in different ways. Toniutti does not put it this way, but her reading accords well with an emphasis on the Indian aspects of the work, which Cage himself pointed out. Toniutti's tempi are fixed; she writes that her intent was to "secure the durational element of the work as precisely as possible, so that its sonic form could manifest itself vividly." Some of the pieces sound like Indonesian gamelan music (which has an essentially Indian rhythmic basis); sample the First Interlude. The sound, recorded in Toniutti's native Italy (no further information is given as to the location), is clear, and those wanting an engaging introduction to this work or to early Cage, in general, can confidently select this recording.
© James Manheim /TiVo

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