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Milt Jackson|Jackson's Ville

Jackson's Ville

Milt Jackson

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This fine 1956 date features Jackson leading a session that moves with ease and authority through a relaxing eight-minute ride on Charlie Parker's "Now's the Time," an Ellington ballad medley, and a pair of the vibist's own blues-based, hard bop compositions. The real treat here is Lucky Thompson's tenor sax. The Don Byas-influenced Thompson has a sound that invites the listener to luxuriate in its grace and strength. Thompson solos on "Mood Indigo" with a sublime, breathy legato, adding bite and rougher edges -- without sacrificing nuance or subtlety -- on Jackson's "Minor Conception" and "Soul in 3/4." For his part, Jackson reels off a fluid stream of shifting, seamless, advanced blues -- his time, phrasing, and execution all exquisite. In the rhythm section, Hank Jones (piano), Wendell Marshall (bass), and Kenny Clarke (drums) support with the ego-free artistry expected of the Savoy house band of the day. Jackson's Ville is one of four Savoy CDs that pair Jackson with Thompson. The others are The Jazz Skyline, Roll 'em Bags, and Meet Milt Jackson. Each on its own is short measure (Jackson's Ville clocks in at 30 minutes). As a collection, though, they comprise a vital document that sits nicely alongside Jackson's and Thompson's work with Miles Davis from this period.

© Jim Todd /TiVo

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Jackson's Ville

Milt Jackson

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1
Now's the Time
00:08:20

Wendell Marshall, Ensemble - Ozzie Cadena, Producer - Charlie Parker, Composer - Rudy Van Gelder, Engineer - Milt Jackson, MainArtist, AssociatedPerformer - Hank Jones, Ensemble - Kenny Clarke, Ensemble - Lucky Thompson, Ensemble - Savoy Music Co / Screen Gems-EMI Music Inc / Screen Gems-EMI Music Ltd, MusicPublisher

2021 Brand Recordings, under license to Music Manager 1956 Brand Recordings, under license to Music Manager

2
In a Sentimental Mood / Mood Indigo / Azure
00:06:50

Wendell Marshall, Ensemble - Ozzie Cadena, Producer - Duke Ellington, Composer - Barney Bigard, Composer - Rudy Van Gelder, Engineer - Milt Jackson, MainArtist, AssociatedPerformer - Hank Jones, Ensemble - Kenny Clarke, Ensemble - Lucky Thompson, Ensemble - Belwin Mills Publishing Corporation / CPP-Belwin Inc / Alfred Publishing Co Inc, MusicPublisher - EMI Mills Music Inc / EMI Harmonies Ltd, MusicPublisher - EMI Mills Music Inc / EMI Harmonies Ltd / Lafleur Music Ltd / Belwin Mills Publishing Corporation / CPP-Belwin Inc / Alfred Publishing Co Inc, MusicPublisher

2021 Brand Recordings, under license to Music Manager 1956 Brand Recordings, under license to Music Manager

3
Minor Conception
00:08:40

Wendell Marshall, Ensemble - Ozzie Cadena, Producer - Rudy Van Gelder, Engineer - Milt Jackson, Composer, MainArtist, AssociatedPerformer - Hank Jones, Ensemble - Kenny Clarke, Ensemble - Lucky Thompson, Ensemble - Crossroads Music Co / Screen-Gems-EMI Music Inc / Sony-ATV Music Publishing LLC / Screen Gems-EMI Music Ltd, MusicPublisher

2021 Brand Recordings, under license to Music Manager 1956 Brand Recordings, under license to Music Manager

4
Soul in 3/4
00:06:43

Wendell Marshall, Ensemble - Ozzie Cadena, Producer - Rudy Van Gelder, Engineer - Milt Jackson, Composer, MainArtist, AssociatedPerformer - Hank Jones, Ensemble - Kenny Clarke, Ensemble - Lucky Thompson, Ensemble - Screen Gems-EMI Music Ltd, MusicPublisher

2021 Brand Recordings, under license to Music Manager 1956 Brand Recordings, under license to Music Manager

Chronique

This fine 1956 date features Jackson leading a session that moves with ease and authority through a relaxing eight-minute ride on Charlie Parker's "Now's the Time," an Ellington ballad medley, and a pair of the vibist's own blues-based, hard bop compositions. The real treat here is Lucky Thompson's tenor sax. The Don Byas-influenced Thompson has a sound that invites the listener to luxuriate in its grace and strength. Thompson solos on "Mood Indigo" with a sublime, breathy legato, adding bite and rougher edges -- without sacrificing nuance or subtlety -- on Jackson's "Minor Conception" and "Soul in 3/4." For his part, Jackson reels off a fluid stream of shifting, seamless, advanced blues -- his time, phrasing, and execution all exquisite. In the rhythm section, Hank Jones (piano), Wendell Marshall (bass), and Kenny Clarke (drums) support with the ego-free artistry expected of the Savoy house band of the day. Jackson's Ville is one of four Savoy CDs that pair Jackson with Thompson. The others are The Jazz Skyline, Roll 'em Bags, and Meet Milt Jackson. Each on its own is short measure (Jackson's Ville clocks in at 30 minutes). As a collection, though, they comprise a vital document that sits nicely alongside Jackson's and Thompson's work with Miles Davis from this period.

© Jim Todd /TiVo

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