Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Otomo Yoshihide is largely known for his innovative works in the avant-garde electronic music world as well as his collaborations on drone pieces, creative methods on the turntables, and forays into experimental jazz. However, this five-song session throws most of that reputation out the window and finds Yoshihide collaborating with drummer Yoshida Tatsuya (Ruins, Satoko Fujii Quartet) and bassist Bill Laswell in a jam session that not only marks the resurgence of psychedelic rock in Japan circa 2006, but recalls the roots of the psychedelic sound from the late '60s. At times Yoshihide sounds like a cross between Hendrix and Zappa, and at other times Tony Iommi. As for Laswell and Tatsuya, they serve as a rhythm section worthy of the Experience for Yoshihide to solo over during the album's opener, "Fudge." With "Layout" it's Laswell's turn to step into the spotlight for a solo with Yoshihide providing bare-bones chord stabs and Zappa-like phrasing over an ever-changing drum pattern. The remainder of the record pretty much plays out the same way, but the chemistry among the three musicians is never as tight as on the album's climax, "Substantiality," and "Spin." And while some of the jams are a little long, the gaps and spaces are filled with measured caution and a choice to avoid overplaying or repeating themes too often. Fans of stoner rock and sludge metal will no doubt revel in this performance, but those expecting a drone exercise with sharp guitar passages and heavy computer processing will have to search for their fix elsewhere. This is three guys kicking out the jams, and nothing more.
© Rob Theakston /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Bill Laswell, Composer, MainArtist - Otomo Yoshihide, MainArtist - Tatsuya Yoshida, Composer, MainArtist - Yoshihide Otomo, Composer - Tzadik, MusicPublisher
2006 Tzadik 2006 Tzadik
Bill Laswell, Composer, MainArtist - Otomo Yoshihide, MainArtist - Tatsuya Yoshida, Composer, MainArtist - Yoshihide Otomo, Composer - Tzadik, MusicPublisher
2006 Tzadik 2006 Tzadik
Bill Laswell, Composer, MainArtist - Otomo Yoshihide, MainArtist - Tatsuya Yoshida, Composer, MainArtist - Yoshihide Otomo, Composer - Tzadik, MusicPublisher
2006 Tzadik 2006 Tzadik
Bill Laswell, Composer, MainArtist - Otomo Yoshihide, MainArtist - Tatsuya Yoshida, Composer, MainArtist - Yoshihide Otomo, Composer - Tzadik, MusicPublisher
2006 Tzadik 2006 Tzadik
Bill Laswell, Composer, MainArtist - Otomo Yoshihide, MainArtist - Tatsuya Yoshida, Composer, MainArtist - Yoshihide Otomo, Composer - Tzadik, MusicPublisher
2006 Tzadik 2006 Tzadik
Chronique
Otomo Yoshihide is largely known for his innovative works in the avant-garde electronic music world as well as his collaborations on drone pieces, creative methods on the turntables, and forays into experimental jazz. However, this five-song session throws most of that reputation out the window and finds Yoshihide collaborating with drummer Yoshida Tatsuya (Ruins, Satoko Fujii Quartet) and bassist Bill Laswell in a jam session that not only marks the resurgence of psychedelic rock in Japan circa 2006, but recalls the roots of the psychedelic sound from the late '60s. At times Yoshihide sounds like a cross between Hendrix and Zappa, and at other times Tony Iommi. As for Laswell and Tatsuya, they serve as a rhythm section worthy of the Experience for Yoshihide to solo over during the album's opener, "Fudge." With "Layout" it's Laswell's turn to step into the spotlight for a solo with Yoshihide providing bare-bones chord stabs and Zappa-like phrasing over an ever-changing drum pattern. The remainder of the record pretty much plays out the same way, but the chemistry among the three musicians is never as tight as on the album's climax, "Substantiality," and "Spin." And while some of the jams are a little long, the gaps and spaces are filled with measured caution and a choice to avoid overplaying or repeating themes too often. Fans of stoner rock and sludge metal will no doubt revel in this performance, but those expecting a drone exercise with sharp guitar passages and heavy computer processing will have to search for their fix elsewhere. This is three guys kicking out the jams, and nothing more.
© Rob Theakston /TiVo
À propos
- 1 disque(s) - 5 piste(s)
- Durée totale : 00:59:02
- Artistes principaux : Otomo Yoshihide Bill Laswell Tatsuya Yoshida
- Compositeur : Various Composers
- Label : Tzadik
- Genre : Pop/Rock Rock Alternatif et Indé
2006 Tzadik 2006 Tzadik
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.