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Tobymac|Dubbed & Freq'd: A Remix Project

Dubbed & Freq'd: A Remix Project

TobyMac

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Langue disponible : anglais

There was a time when Christian rock was little more than vapid, vanilla pop music designed to serve as a safe carrying case for cookie-cutter messages of praise and devotion. It was safe music for good kids who liked the beat of rock music but didn't want to run the risk of hearing lots of vulgarity or of supporting the promotion of messages they considered dangerous and wrong. No more. These days Christian pop music can take almost any form -- hip-hop, death metal, ska -- and the religious messages are very often hidden in lyrics that sound superficially like love songs. TobyMac, who is basically the Justin Timberlake of Christian pop, has always bucked the latter trend while embracing the former: his music is resolutely beat-based, but his lyrics are unabashedly devotional. "Boomin'" includes a couplet that nicely summarizes his approach: "Boomin' out the stereo system/Here to rep the Most High with this one." With Dubbed & Freq'd, tobyMac consolidates his bid for the status of World's Funkiest Jesus Freak (a designation he has cheerfully co-opted in several songs). The program consists of songs taken from Tonight and Portable Sounds, presented in new mixes that run the stylistic gamut from staggering, off-kilter dubstep ("Start Somewhere," the gorgeously Bassnectar-ish "City on Our Knees") to synth funk ("Captured") and from stomping electro ("Showstopper") to squidgy house ("Tonight"). There are moments of glorious weirdness, several of them occurring during the clattery and clangorous dubstep mix of "Start Somewhere," and a few of irritating pretense (note the fake Jamaican accent on the reggae-tinged "Hold On"). But overall, the joyful and fun easily outweigh the annoying on this fine collection.

© Rick Anderson /TiVo

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Dubbed & Freq'd: A Remix Project

Tobymac

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1
Made To Love (Telemitry Remix)
00:04:13

TobyMac, MainArtist, ComposerLyricist - Aaron Rice, ComposerLyricist - Cary Barlowe, ComposerLyricist - Jamie Moore, ComposerLyricist - Telemitry, Remixer, StudioPersonnel

(C) 2012 ForeFront Records ℗ 2012 ForeFront Records

2
No Ordinary Love (G-Man Remix)
00:02:56

Randy Crawford, Composer - TobyMac, Composer, MainArtist - David Garcia, Remixer, StudioPersonnel - Dave Wyatt, Composer

(C) 2012 ForeFront Records ℗ 2012 ForeFront Records

3
Showstopper (Capital Kings Remix)
00:02:48

Christopher Stevens, Composer - Toby McKeehan, Composer - TobyMac, MainArtist - Capital Kings, Remixer, StudioPersonnel

(C) 2012 ForeFront Records ℗ 2012 ForeFront Records

4
City On Our Knees (Golden Snax Remix)
00:04:13

Toby McKeehan, ComposerLyricist - TobyMac, MainArtist - Cary Barlowe, ComposerLyricist - Jaime Moore, ComposerLyricist - J Snax, Remixer, StudioPersonnel - K Snax, Remixer, StudioPersonnel

(C) 2012 ForeFront Records ℗ 2012 ForeFront Records

5
Tonight (Capital Kings Remix)
00:04:11

Christopher Stevens, Composer - Toby McKeehan, Composer - TobyMac, MainArtist - Cary Barlowe, Composer - Capital Kings, Remixer, StudioPersonnel

(C) 2012 ForeFront Records ℗ 2012 ForeFront Records

6
Hold On (Telemitry Remix)
00:04:05

Christopher Stevens, Producer - Toby McKeehan, Composer, Producer - TobyMac, MainArtist - Cary Barlowe, Composer - Jesse Frasure, Composer - Telemitry, Remixer, StudioPersonnel

(C) 2012 ForeFront Records ℗ 2010 ForeFront Records

7
Get Back Up (Broke Remix)
00:03:33

Toby McKeehan, Composer - TobyMac, MainArtist - Aaron Rice, Composer - Cary Barlowe, Composer - Jaime Moore, Composer - Mike Woods, Remixer, StudioPersonnel

(C) 2012 ForeFront Records ℗ 2012 ForeFront Records

8
Boomin' (UTB Remix)
00:03:33

Christopher Stevens, Composer, Producer - TobyMac, Composer, Producer, MainArtist - Shonlock, FeaturedArtist

(C) 2012 ForeFront Records ℗ 2008 ForeFront Records

9
Lose My Soul (Shoc Remix)
00:04:14

Christopher Stevens, Composer, Producer - Michael Ripoll, Composer - TobyMac, Composer, Producer, MainArtist - Mandisa, FeaturedArtist - Kirk Franklin, FeaturedArtist - Jack Shocklee, Remixer, StudioPersonnel

(C) 2012 ForeFront Records ℗ 2007 ForeFront Records

10
Captured (KP Remix)
00:03:41

Christopher Stevens, Composer, Producer - Toby McKeehan, Composer, Producer - TobyMac, MainArtist - Kevin Powell, Remixer, StudioPersonnel - Tim Rosenau, Composer

(C) 2012 ForeFront Records ℗ 2010 ForeFront Records

11
Ignition (Hot Wired Remix)
00:03:56

Trevor McNevan, Composer - Christopher Stevens, Composer, Producer - TobyMac, Composer, Producer, MainArtist - Kevin Powell, Remixer, StudioPersonnel

(C) 2012 ForeFront Records ℗ 2008 ForeFront Records

12
Start Somewhere (X-Zach'd Remix)
00:03:16

Christopher Stevens, Composer - Toby McKeehan, Composer - TobyMac, MainArtist - Jamie Moore, Composer - Zach Hall, Remixer, StudioPersonnel

(C) 2012 ForeFront Records ℗ 2012 ForeFront Records

Chronique

There was a time when Christian rock was little more than vapid, vanilla pop music designed to serve as a safe carrying case for cookie-cutter messages of praise and devotion. It was safe music for good kids who liked the beat of rock music but didn't want to run the risk of hearing lots of vulgarity or of supporting the promotion of messages they considered dangerous and wrong. No more. These days Christian pop music can take almost any form -- hip-hop, death metal, ska -- and the religious messages are very often hidden in lyrics that sound superficially like love songs. TobyMac, who is basically the Justin Timberlake of Christian pop, has always bucked the latter trend while embracing the former: his music is resolutely beat-based, but his lyrics are unabashedly devotional. "Boomin'" includes a couplet that nicely summarizes his approach: "Boomin' out the stereo system/Here to rep the Most High with this one." With Dubbed & Freq'd, tobyMac consolidates his bid for the status of World's Funkiest Jesus Freak (a designation he has cheerfully co-opted in several songs). The program consists of songs taken from Tonight and Portable Sounds, presented in new mixes that run the stylistic gamut from staggering, off-kilter dubstep ("Start Somewhere," the gorgeously Bassnectar-ish "City on Our Knees") to synth funk ("Captured") and from stomping electro ("Showstopper") to squidgy house ("Tonight"). There are moments of glorious weirdness, several of them occurring during the clattery and clangorous dubstep mix of "Start Somewhere," and a few of irritating pretense (note the fake Jamaican accent on the reggae-tinged "Hold On"). But overall, the joyful and fun easily outweigh the annoying on this fine collection.

© Rick Anderson /TiVo

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