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Grant Green|Carryin' On

Carryin' On

Grant Green

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Reissued on CD as part of Blue Note's Rare Groove series, Carryin' On was Grant Green's first album for Blue Note since 1965, an absence of four years during which he recorded just two albums for other labels. Green's return was accompanied by a seismic shift in direction -- Carryin' On was an album of commercially accessible jazz-funk with a heavy R&B influence, plus miles and miles of Fender Rhodes electric piano. It would typify Green's approach over the next few years, which later made him a hero among acid-jazz aficionados, even though it was the last thing purists wanted to hear from him. Those audiences will certainly be split over Carryin' On, whose entire first half is devoted to R&B covers -- the Meters' "Ease Back"; Little Anthony & the Imperials' doo wop standard "Hurt So Bad"; and a tense, barely recognizable version of James Brown's "I Don't Want Nobody to Give Me Nothing." The hottest soloing comes on Green's original "Upshot," and closer "Cease the Bombing" -- though it has no lyrics -- has all the hallmarks of a starry-eyed save-the-world anthem, yet was later covered by Pucho & the Latin Soul Brothers. The presence of Brown-inspired funky drummer Idris Muhammad virtually guarantees a load of sample-ready breakbeats, and Green and the rest of the mostly anonymous sextet work a simmering groove over his propulsive rhythms. Green's playing features more chordal work than usual, but gets very bluesy when he does grab the spotlight. While it won't win over fans of Green's older work, Carryin' On is a solid addition to any acid-jazz/funk/rare-groove library, as are most of Green's albums from this period.
© Steve Huey /TiVo

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Carryin' On

Grant Green

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1
Ease Back
00:05:48

George Porter Jr., Composer - Jimmy Lewis, Bass Guitar, Electric Bass, AssociatedPerformer - Grant Green, Guitar, MainArtist, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Francis Wolff, Producer - Art Neville, Composer - Joseph "Zigaboo" Modeliste, Composer - Leo Nocentelli, Composer - Idris Muhammad, Drums, AssociatedPerformer - Claude Bartee, Tenor Saxophone, AssociatedPerformer - Clarence Palmer, Piano, AssociatedPerformer - William Bivens, Vibraphone, AssociatedPerformer

℗ 1970 Capitol Records, LLC

2
Hurt So Bad
00:06:49

Bobby Hart, ComposerLyricist - Bobby Weinstein, ComposerLyricist - Teddy Randazzo, ComposerLyricist - Jimmy Lewis, Electric Bass, AssociatedPerformer - Grant Green, Guitar, MainArtist, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Francis Wolff, Producer - Idris Muhammad, Drums, AssociatedPerformer - Claude Bartee, Tenor Saxophone, AssociatedPerformer - Clarence Palmer, Piano, AssociatedPerformer - William Bivens, Vibraphone, AssociatedPerformer

℗ 1970 Capitol Records, LLC

3
I Don't Want Nobody To Give Me Nothing (Open Up The Door I'll Get It Myself) (Extended Version)
00:06:13

JAMES BROWN, Composer - Jimmy Lewis, Bass Guitar, AssociatedPerformer - Grant Green, Guitar, MainArtist, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Francis Wolff, Producer - Idris Muhammad, Drums, AssociatedPerformer - Claude Bartee, Tenor Saxophone, AssociatedPerformer - Clarence Palmer, Piano, AssociatedPerformer - William Bivens, Vibraphone, AssociatedPerformer

℗ 1970 Capitol Records, LLC

4
Upshot
00:10:04

Jimmy Lewis, Bass Guitar, AssociatedPerformer - Grant Green, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Francis Wolff, Producer - Idris Muhammad, Drums, AssociatedPerformer - Claude Bartee, Tenor Saxophone, AssociatedPerformer - Clarence Palmer, Piano, AssociatedPerformer - William Bivens, Vibraphone, AssociatedPerformer

℗ 1970 Capitol Records, LLC

5
Cease The Bombing
00:08:50

Jimmy Lewis, Bass Guitar, AssociatedPerformer - Grant Green, Guitar, MainArtist, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Francis Wolff, Producer - Earl Neal Creque, Composer, Arranger, Piano, Work Arranger, AssociatedPerformer - Idris Muhammad, Drums, AssociatedPerformer - Claude Bartee, Tenor Saxophone, AssociatedPerformer - William Bivens, Vibraphone, AssociatedPerformer

℗ 1970 Capitol Records, LLC

Chronique

Reissued on CD as part of Blue Note's Rare Groove series, Carryin' On was Grant Green's first album for Blue Note since 1965, an absence of four years during which he recorded just two albums for other labels. Green's return was accompanied by a seismic shift in direction -- Carryin' On was an album of commercially accessible jazz-funk with a heavy R&B influence, plus miles and miles of Fender Rhodes electric piano. It would typify Green's approach over the next few years, which later made him a hero among acid-jazz aficionados, even though it was the last thing purists wanted to hear from him. Those audiences will certainly be split over Carryin' On, whose entire first half is devoted to R&B covers -- the Meters' "Ease Back"; Little Anthony & the Imperials' doo wop standard "Hurt So Bad"; and a tense, barely recognizable version of James Brown's "I Don't Want Nobody to Give Me Nothing." The hottest soloing comes on Green's original "Upshot," and closer "Cease the Bombing" -- though it has no lyrics -- has all the hallmarks of a starry-eyed save-the-world anthem, yet was later covered by Pucho & the Latin Soul Brothers. The presence of Brown-inspired funky drummer Idris Muhammad virtually guarantees a load of sample-ready breakbeats, and Green and the rest of the mostly anonymous sextet work a simmering groove over his propulsive rhythms. Green's playing features more chordal work than usual, but gets very bluesy when he does grab the spotlight. While it won't win over fans of Green's older work, Carryin' On is a solid addition to any acid-jazz/funk/rare-groove library, as are most of Green's albums from this period.
© Steve Huey /TiVo

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