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Leipziger Streichquartett|Bruckner: String Quintet in F Major & String Quartet in C Minor

Bruckner: String Quintet in F Major & String Quartet in C Minor

Leipziger Streichquartett, Hartmut Rohde

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Very beautifully, very powerfully, very affectionately played, the Leipziger Streichquartett's 2005 recording of Bruckner's String Quintet and String Quartet just misses being a great recording. While the Leipzig quartet has made tremendous recordings in the past -- Beethoven and especially Schubert recordings are as fine and as deep and as true as the best in the postwar period -- its Bruckner has everything going for it except profundity. In the quintet, its structure in the opening Gemässig, while wonderfully controlled, misses the sense of expansive inclusiveness it needs to convince. The tempo in the Adagio, while appropriately broad, misses the sense of imminent epiphany it needs to compel. The rhythm in its closing Lehaft bewegt, while robustly vigorous, misses the sense of elemental ecstasy it needs to persuade. In the early quartet, the Leipzig, while earnest and honest, lacks the assurance and authority to make its performance more than lightly diverting. Of course, the work is not much more than diverting, but still, the quartet is by Bruckner and surely more depth and weight would not have been amiss. Musikproduktion Dabringhaus und Grimm's sound is clear, rich, and pure.
© TiVo

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Bruckner: String Quintet in F Major & String Quartet in C Minor

Leipziger Streichquartett

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1
String Quintet in F Major: I. Gemäßigt
00:13:01

Hartmut Rohde, MainArtist - Anton BRUCKNER, Composer - Leipziger Streichquartett, MainArtist - copyright has expired, MusicPublisher

2004 Musikproduktion Dabringhaus und Grimm 2004 Musikproduktion Dabringhaus und Grimm

2
String Quintet in F Major: II. Scherzo. Schnell
00:07:58

Hartmut Rohde, MainArtist - Anton BRUCKNER, Composer - Leipziger Streichquartett, MainArtist - copyright has expired, MusicPublisher

2004 Musikproduktion Dabringhaus und Grimm 2004 Musikproduktion Dabringhaus und Grimm

3
String Quintet in F Major: III. Adagio
00:13:57

Hartmut Rohde, MainArtist - Anton BRUCKNER, Composer - Leipziger Streichquartett, MainArtist - copyright has expired, MusicPublisher

2004 Musikproduktion Dabringhaus und Grimm 2004 Musikproduktion Dabringhaus und Grimm

4
String Quintet in F Major: IV. Finale. Lebhaft bewegt
00:10:25

Hartmut Rohde, MainArtist - Anton BRUCKNER, Composer - Leipziger Streichquartett, MainArtist - copyright has expired, MusicPublisher

2004 Musikproduktion Dabringhaus und Grimm 2004 Musikproduktion Dabringhaus und Grimm

5
String Quartet in C Minor: I. Allegro moderato
00:08:02

Anton BRUCKNER, Composer - Leipziger Streichquartett, MainArtist - copyright has expired, MusicPublisher

2004 Musikproduktion Dabringhaus und Grimm 2004 Musikproduktion Dabringhaus und Grimm

6
String Quartet in C Minor: II. Andante
00:06:02

Anton BRUCKNER, Composer - Leipziger Streichquartett, MainArtist - copyright has expired, MusicPublisher

2004 Musikproduktion Dabringhaus und Grimm 2004 Musikproduktion Dabringhaus und Grimm

7
String Quartet in C Minor: III. Scherzo. Presto
00:03:12

Anton BRUCKNER, Composer - Leipziger Streichquartett, MainArtist - copyright has expired, MusicPublisher

2004 Musikproduktion Dabringhaus und Grimm 2004 Musikproduktion Dabringhaus und Grimm

8
String Quartet in C Minor: IV. Rondo. Schnell
00:03:56

Anton BRUCKNER, Composer - Leipziger Streichquartett, MainArtist - copyright has expired, MusicPublisher

2004 Musikproduktion Dabringhaus und Grimm 2004 Musikproduktion Dabringhaus und Grimm

Chronique

Very beautifully, very powerfully, very affectionately played, the Leipziger Streichquartett's 2005 recording of Bruckner's String Quintet and String Quartet just misses being a great recording. While the Leipzig quartet has made tremendous recordings in the past -- Beethoven and especially Schubert recordings are as fine and as deep and as true as the best in the postwar period -- its Bruckner has everything going for it except profundity. In the quintet, its structure in the opening Gemässig, while wonderfully controlled, misses the sense of expansive inclusiveness it needs to convince. The tempo in the Adagio, while appropriately broad, misses the sense of imminent epiphany it needs to compel. The rhythm in its closing Lehaft bewegt, while robustly vigorous, misses the sense of elemental ecstasy it needs to persuade. In the early quartet, the Leipzig, while earnest and honest, lacks the assurance and authority to make its performance more than lightly diverting. Of course, the work is not much more than diverting, but still, the quartet is by Bruckner and surely more depth and weight would not have been amiss. Musikproduktion Dabringhaus und Grimm's sound is clear, rich, and pure.
© TiVo

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