Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
Originally recorded in 1998 for the MusicMasters label, this Beethoven disc was reissued in 2010 on Nimbus, complete with Mount Everest on the cover and pianist Vladimir Feltsman's own notes, quite elegant, that refer to "a feeling of brutality" in the gigantic yet exacting fugal finale of the Piano Sonata No. 29 in B flat major, Op. 106, "Hammerklavier." It's a good phrase for the entire work, whose chilly monumentality sets it apart even from the rest of Beethoven's late output. Yet what's a bit odd, although not in the least troubling, is that the work is anything but brutal in Feltsman's hands. The "Hammerklavier" is allied with the Symphony No. 9 in D minor, Op. 125, the Grosse Fuge for string quartet, Op. 133, and perhaps a few other works in making extreme demands on the performer, in fact, in existing at the very boundaries of performability. Yet, despite brisk tempos (especially in the slow movement) that bring the work in well below average in terms of duration, Feltsman doesn't sweat in the least. This is a precise, clear, almost placid "Hammerklavier" if indeed there can be such a thing, and it clarifies details of the counterpoint in the finale that seemed forever lost in the tradition of performances following Artur Schnabel's gate-storming performances. The slow movement perhaps loses some weight in this version, and you have to take it on faith that it wasn't meant to have the scope of the Ninth Symphony's outer movements. But Feltsman deserves full credit for performances that are both original and technically remarkable, both in the "Hammerklavier" and in the gentler Piano Sonata No. 28 in A major, Op. 101, where he rightly tones down his approach a good deal. Well worth hearing, as with Feltsman's other recordings of this period.
© TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Ludwig van Beethoven, Composer - Vladimir Feltsman, MainArtist
(C) 1998 MusicMasters (P) 1993 MusicMasters, Inc.
Ludwig van Beethoven, Composer - Vladimir Feltsman, MainArtist
(C) 1998 MusicMasters (P) 1993 MusicMasters, Inc.
Ludwig van Beethoven, Composer - Vladimir Feltsman, MainArtist
(C) 1998 MusicMasters (P) 1993 MusicMasters, Inc.
Ludwig van Beethoven, Composer - Vladimir Feltsman, MainArtist
(C) 1998 MusicMasters (P) 1993 MusicMasters, Inc.
Ludwig van Beethoven, Composer - Vladimir Feltsman, MainArtist
(C) 1998 MusicMasters (P) 1993 MusicMasters, Inc.
Ludwig van Beethoven, Composer - Vladimir Feltsman, MainArtist
(C) 1998 MusicMasters (P) 1993 MusicMasters, Inc.
Ludwig van Beethoven, Composer - Vladimir Feltsman, MainArtist
(C) 1998 MusicMasters (P) 1993 MusicMasters, Inc.
Ludwig van Beethoven, Composer - Vladimir Feltsman, MainArtist
(C) 1998 MusicMasters (P) 1993 MusicMasters, Inc.
Chronique
Originally recorded in 1998 for the MusicMasters label, this Beethoven disc was reissued in 2010 on Nimbus, complete with Mount Everest on the cover and pianist Vladimir Feltsman's own notes, quite elegant, that refer to "a feeling of brutality" in the gigantic yet exacting fugal finale of the Piano Sonata No. 29 in B flat major, Op. 106, "Hammerklavier." It's a good phrase for the entire work, whose chilly monumentality sets it apart even from the rest of Beethoven's late output. Yet what's a bit odd, although not in the least troubling, is that the work is anything but brutal in Feltsman's hands. The "Hammerklavier" is allied with the Symphony No. 9 in D minor, Op. 125, the Grosse Fuge for string quartet, Op. 133, and perhaps a few other works in making extreme demands on the performer, in fact, in existing at the very boundaries of performability. Yet, despite brisk tempos (especially in the slow movement) that bring the work in well below average in terms of duration, Feltsman doesn't sweat in the least. This is a precise, clear, almost placid "Hammerklavier" if indeed there can be such a thing, and it clarifies details of the counterpoint in the finale that seemed forever lost in the tradition of performances following Artur Schnabel's gate-storming performances. The slow movement perhaps loses some weight in this version, and you have to take it on faith that it wasn't meant to have the scope of the Ninth Symphony's outer movements. But Feltsman deserves full credit for performances that are both original and technically remarkable, both in the "Hammerklavier" and in the gentler Piano Sonata No. 28 in A major, Op. 101, where he rightly tones down his approach a good deal. Well worth hearing, as with Feltsman's other recordings of this period.
© TiVo
À propos
- 1 disque(s) - 8 piste(s)
- Durée totale : 01:04:29
- Artistes principaux : Vladimir Feltsman
- Compositeur : Ludwig van Beethoven
- Label : Musical Heritage Society
- Genre : Classique
(C) 1998 MusicMasters (P) 1993 MusicMasters, Inc.
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.