Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Leonard Slatkin|Barber: Violin Concerto; Cello Concerto & Piano Concerto: Classic Library Series

Barber: Violin Concerto; Cello Concerto & Piano Concerto: Classic Library Series

Leonard Slatkin

Disponible en
16-Bit CD Quality 44.1 kHz - Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Langue disponible : anglais

Barber: Concertos in RCA Red Seal's "Classics Library" series is a combination of selections drawn from two full-price discs taken from RCA's 1990s back catalog of St. Louis Symphony Orchestra recordings. Leonard Slatkin is an ace commander of the orchestra when it comes to the specialized business of supporting soloists. Although he has since moved on, Slatkin's relationship with the St. Louis Symphony Orchestra was his happiest, and certainly the most productive in terms of recordings. The disc opens with Kyoko Takezawa's delicate traversal of Barber's Violin Concerto, Op. 14. As good as it is, it is hard to imagine how this recording could outdistance the incredible popularity of Gil Shaham's Deutsche Grammophon recording of the same work. Takezawa's finely balanced, seamless combination of Romantic warmth with no-nonsense Classicality is preferred to Shaham's more emotionally overwrought reading. However, from an engineering standpoint it is obvious that the soloist could stand to be a little louder in relation to the orchestra, a situation that remains much the same in Steven Isserlis' radiant reading of Barber's Cello Concerto, Op. 22. The Barber Piano Concerto, Op. 38, performance here won the Grammy award for best concerto performance in 1991, and it is easy to see why. This was pianist John Browning's second go-round in this work on record, the first being with George Szell and the Cleveland Orchestra in 1964, an explosive and angry performance that has never appeared on CD. As with many "second chance" recordings of great soloists in works that are still new at the first juncture, Browning has grown into the piece. Though he retains the force and frustration that make this work Barber's most atypical concerto, Browning mines its lyric vein even more effectively than in his first recording. Although remastered in the 24-bit realm, this new disc does not seem to have the same punch and presence that the old 16-bit version did. Notwithstanding this minor caveat, at mid-price Barber: Concertos is an incredible bargain, and if one would like to have these works grouped together on a single disc, it is an ideal option.
© TiVo

Plus d'informations

Barber: Violin Concerto; Cello Concerto & Piano Concerto: Classic Library Series

Leonard Slatkin

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 90 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 90 millions de titres avec votre abonnement illimité.

À partir de 12,50€/mois

Concerto for Violin and Orchestra, Op. 14 (Samuel Barber)

1
Allegro (2004 Remastered)
Leonard Slatkin
00:10:43

Samuel Barber, Composer - Lawrence Rock, Recording Engineer - Leonard Slatkin, Conductor - Saint Louis Symphony Orchestra, Performer - Andreas Torkler, Re-Mastering Engineer - Kyoko Takezawa, Violin - Joanna Nickrenz, Producer

(P) 1995 BMG Music

2
Andante (2004 Remastered)
Leonard Slatkin
00:09:07

Samuel Barber, Composer - Lawrence Rock, Recording Engineer - Leonard Slatkin, Conductor - Andreas Torkler, Re-Mastering Engineer - Saint Louis Symphony Orchestra, Performer - Kyoko Takezawa, Violin - Joanna Nickrenz, Producer

(P) 1995 BMG Music

3
Presto in moto perpetuo (2004 Remastered)
Leonard Slatkin
00:03:49

Samuel Barber, Composer - Lawrence Rock, Recording Engineer - Leonard Slatkin, Conductor - Andreas Torkler, Re-Mastering Engineer - Saint Louis Symphony Orchestra, Performer - Kyoko Takezawa, Violin - Joanna Nickrenz, Producer

(P) 1995 BMG Music

Concerto for Cello and Orchestra, Op. 22 (Samuel Barber)

4
Allegro moderato (2004 Remastered)
Steven Isserlis
00:11:32

Samuel Barber, Composer - Lawrence Rock, Recording Engineer - Leonard Slatkin, Conductor - Andreas Torkler, Re-Mastering Engineer - Saint Louis Symphony Orchestra, Performer - Steven Isserlis, Acoustic Cello - Joanna Nickrenz, Producer

(P) 1996 BMG Music

5
Andante sostenuto (2004 Remastered)
Steven Isserlis
00:07:10

Samuel Barber, Composer - Lawrence Rock, Recording Engineer - Leonard Slatkin, Conductor - Andreas Torkler, Re-Mastering Engineer - Saint Louis Symphony Orchestra, Performer - Steven Isserlis, Acoustic Cello - Joanna Nickrenz, Producer

(P) 1996 BMG Music

6
Molto allegro e appassionato (2004 Remastered)
Steven Isserlis
00:07:38

Samuel Barber, Composer - Lawrence Rock, Recording Engineer - Leonard Slatkin, Conductor - Andreas Torkler, Re-Mastering Engineer - Saint Louis Symphony Orchestra, Performer - Steven Isserlis, Acoustic Cello - Joanna Nickrenz, Producer

(P) 1996 BMG Music

Concerto for Piano and Orchestra, Op. 38 (Samuel Barber)

7
I. Allegro appassionato (2004 Remastered)
Leonard Slatkin
00:14:32

Samuel Barber, Composer - Barry Hufker, Recording Engineer - Andreas Torkler, Re-Mastering Engineer - Philip Traugott, Assistant Producer - Timothy Martyn, Engineer - William Hoekstra, Recording Engineer - Robert Rapley, Engineer - Saint Louis Symphony Orchestra, Performer - Jay David Saks, Producer - John Browning, Piano - Leonard Slatkin, Conductor

(P) 1991 Sony Music Entertainment

8
II. Canzone. Moderato (2004 Remastered)
Leonard Slatkin
00:07:58

Samuel Barber, Composer - Barry Hufker, Recording Engineer - Andreas Torkler, Re-Mastering Engineer - Philip Traugott, Assistant Producer - Timothy Martyn, Engineer - William Hoekstra, Recording Engineer - Robert Rapley, Engineer - Saint Louis Symphony Orchestra, Performer - Jay David Saks, Producer - John Browning, Piano - Leonard Slatkin, Conductor

(P) 1991 Sony Music Entertainment

9
III. Allegro molto (2004 Remastered)
Leonard Slatkin
00:06:43

Samuel Barber, Composer - Barry Hufker, Recording Engineer - Andreas Torkler, Re-Mastering Engineer - Philip Traugott, Assistant Producer - Timothy Martyn, Engineer - William Hoekstra, Recording Engineer - Robert Rapley, Engineer - Saint Louis Symphony Orchestra, Performer - Jay David Saks, Producer - John Browning, Piano - Leonard Slatkin, Conductor

(P) 1991 Sony Music Entertainment

Descriptif de l'album

Barber: Concertos in RCA Red Seal's "Classics Library" series is a combination of selections drawn from two full-price discs taken from RCA's 1990s back catalog of St. Louis Symphony Orchestra recordings. Leonard Slatkin is an ace commander of the orchestra when it comes to the specialized business of supporting soloists. Although he has since moved on, Slatkin's relationship with the St. Louis Symphony Orchestra was his happiest, and certainly the most productive in terms of recordings. The disc opens with Kyoko Takezawa's delicate traversal of Barber's Violin Concerto, Op. 14. As good as it is, it is hard to imagine how this recording could outdistance the incredible popularity of Gil Shaham's Deutsche Grammophon recording of the same work. Takezawa's finely balanced, seamless combination of Romantic warmth with no-nonsense Classicality is preferred to Shaham's more emotionally overwrought reading. However, from an engineering standpoint it is obvious that the soloist could stand to be a little louder in relation to the orchestra, a situation that remains much the same in Steven Isserlis' radiant reading of Barber's Cello Concerto, Op. 22. The Barber Piano Concerto, Op. 38, performance here won the Grammy award for best concerto performance in 1991, and it is easy to see why. This was pianist John Browning's second go-round in this work on record, the first being with George Szell and the Cleveland Orchestra in 1964, an explosive and angry performance that has never appeared on CD. As with many "second chance" recordings of great soloists in works that are still new at the first juncture, Browning has grown into the piece. Though he retains the force and frustration that make this work Barber's most atypical concerto, Browning mines its lyric vein even more effectively than in his first recording. Although remastered in the 24-bit realm, this new disc does not seem to have the same punch and presence that the old 16-bit version did. Notwithstanding this minor caveat, at mid-price Barber: Concertos is an incredible bargain, and if one would like to have these works grouped together on a single disc, it is an ideal option.
© TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Barn

Neil Young

Barn Neil Young

Harvest

Neil Young

Harvest Neil Young

Toast

Neil Young

Toast Neil Young

On the Beach

Neil Young

On the Beach Neil Young
À découvrir également
Par Leonard Slatkin

Schumann: Symphony No.10 & New England Triptych & American Festival Overture

Leonard Slatkin

Ravel: Orchestral Works, Vol. 1

Leonard Slatkin

Ravel: Orchestral Works, Vol. 2

Leonard Slatkin

Bach: Transcriptions for Orchestra

Leonard Slatkin

Bach: The Conductors' Transcriptions

Leonard Slatkin

Playlists

Dans la même thématique...

Eclipse

Hilary Hahn

Eclipse Hilary Hahn

Sibelius: Complete Symphonies

Klaus Mäkelä

The New Four Seasons - Vivaldi Recomposed

Max Richter

Old Friends New Friends

Nils Frahm

Nightscapes

Magdalena Hoffmann

Nightscapes Magdalena Hoffmann
Les Grands Angles...
Pat Metheny ou les langages infinis de la musique

Considéré comme l’une des grandes icônes du jazz contemporain, Pat Metheny est un insatiable explorateur sonore, à travers d’innombrables collaborations dont il a toujours su tirer un sens musical. Qobuz vous embarque dans un long voyage à travers la création artistique de l’un des grands compositeurs de notre époque.

Glenn Gould : l'extravagance ?

Il ne faisait rien comme les autres et c’est sans doute pour ça qu’il est devenu l’un des pianistes les plus respectés du XXe siècle. Avec ses interprétations inédites des grands classiques du classique, sa façon de jouer les coudes sous le clavier et ses excentricités, Glen Gould était un des musiciens les plus appréciés – et les plus critiqués – de son temps. Retour sur la carrière de ce pianiste d’art et d’essai.

8 femmes qui ont marqué la musique électronique

Des pionnières de la musique concrète aux vedettes du clubbing du XXIe siècle, Qobuz revient sur le parcours de huit femmes qui ont marqué, chacune à leur manière, la musique électronique des cinquante dernières années.

Dans l'actualité...