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Langue disponible : anglais
This Bach recording by Danish cellist Toke Møldrup does not just revisit Bach's Suites for Solo Cello: it remakes them. In the words of the booklet that accompanies the CD version, "our first task was to turn the score into three separate layers -- melody, chordal structure, and bass line -- and then fill in the gaps in each line, not unlike restoring an old building by peeling off the decorative layers and rebuilding the hidden structural material in order to ensure a solid foundation." Møldrup then applies his own free realization of the melodic material, according to 18th century precepts laid down by, among others, Arcangelo Corelli. There is also a trio sonata-like realization of the Suite No. 1 in G major, BWV 1007, by composer Viggo Mangor, which could be seen as deriving from similar principles. The concept is intriguing, and it's enhanced by Møldrup's 1697 Tecchler cello. But the case is not persuasively made. Most important is that, as the annotators themselves note, Bach specifically notated the ornamented versions of his work, and was criticized for doing so in his own time. To play the music this way is essentially to side with Bach's critics. There is also the fact that Corelli is the point of departure for the kind of performer invention essayed here, but Bach was working in a German context, or perhaps a partially French one in the suites, where in either case the lessons of Corelli cannot be so easily applied. The resulting product is not anywhere near as coherent as Bach's originals, and it's not helped by engineering work at Copenhagen's Hendriksholm Church, the intent of which seems to have been to make you feel as though you're sitting inside the cello. Best suited to those with a taste for extreme experimentation.
© TiVo
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Cello Suite No. 1 in G major, BWV 1007 (Johann Sebastian Bach)
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Cello Suite No. 2 in D minor, BWV 1008 (Johann Sebastian Bach)
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Cello Suite No. 3 in C major, BWV 1009 (Johann Sebastian Bach)
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Cello Suite No. 4 in E-Flat Major, BWV 1010 (Johann Sebastian Bach)
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
DISQUE 2
Cello Suite No. 5 in C minor, BWV 1011 (Johann Sebastian Bach)
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Cello Suite No. 6 in D major, BWV 1012 (Johann Sebastian Bach)
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Johann Sebastian Bach, Composer - Toke Møldrup, Artist, MainArtist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Suite I Revisited (After J.S. Bach's BWV 1007) (Viggo Mangor)
Viggo Mangor, Composer, Artist - Toke Møldrup, Artist, MainArtist - Elisabeth Zeuthen Schneider, Artist - Kirstine Zeuthen Schneider, Artist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Viggo Mangor, Composer, Artist - Toke Møldrup, Artist, MainArtist - Elisabeth Zeuthen Schneider, Artist - Kirstine Zeuthen Schneider, Artist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Viggo Mangor, Composer, Artist - Toke Møldrup, Artist, MainArtist - Elisabeth Zeuthen Schneider, Artist - Kirstine Zeuthen Schneider, Artist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Viggo Mangor, Composer, Artist - Toke Møldrup, Artist, MainArtist - Elisabeth Zeuthen Schneider, Artist - Kirstine Zeuthen Schneider, Artist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Viggo Mangor, Composer, Artist - Toke Møldrup, Artist, MainArtist - Elisabeth Zeuthen Schneider, Artist - Kirstine Zeuthen Schneider, Artist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Viggo Mangor, Composer, Artist - Toke Møldrup, Artist, MainArtist - Elisabeth Zeuthen Schneider, Artist - Kirstine Zeuthen Schneider, Artist
(C) 2018 Bridge Records (P) 2018 Bridge Records
Chronique
This Bach recording by Danish cellist Toke Møldrup does not just revisit Bach's Suites for Solo Cello: it remakes them. In the words of the booklet that accompanies the CD version, "our first task was to turn the score into three separate layers -- melody, chordal structure, and bass line -- and then fill in the gaps in each line, not unlike restoring an old building by peeling off the decorative layers and rebuilding the hidden structural material in order to ensure a solid foundation." Møldrup then applies his own free realization of the melodic material, according to 18th century precepts laid down by, among others, Arcangelo Corelli. There is also a trio sonata-like realization of the Suite No. 1 in G major, BWV 1007, by composer Viggo Mangor, which could be seen as deriving from similar principles. The concept is intriguing, and it's enhanced by Møldrup's 1697 Tecchler cello. But the case is not persuasively made. Most important is that, as the annotators themselves note, Bach specifically notated the ornamented versions of his work, and was criticized for doing so in his own time. To play the music this way is essentially to side with Bach's critics. There is also the fact that Corelli is the point of departure for the kind of performer invention essayed here, but Bach was working in a German context, or perhaps a partially French one in the suites, where in either case the lessons of Corelli cannot be so easily applied. The resulting product is not anywhere near as coherent as Bach's originals, and it's not helped by engineering work at Copenhagen's Hendriksholm Church, the intent of which seems to have been to make you feel as though you're sitting inside the cello. Best suited to those with a taste for extreme experimentation.
© TiVo
À propos
- 2 disque(s) - 42 piste(s)
- Durée totale : 02:16:36
- Artistes principaux : Toke Møldrup Elisabeth Zeuthen Schneider Kirstine Zeuthen Schneider Viggo Mangor
- Compositeur : Various Composers
- Label : Bridge Records
- Genre : Classique
(C) 2018 Bridge Records (P) 2018 Bridge Records
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