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Pieter Wispelwey|Bach: Sonatas for Viola Da Gamba & Riddle Preludes

Bach: Sonatas for Viola Da Gamba & Riddle Preludes

Pieter Wispelwey, Richard Egarr and Daniel Yeadon

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On this disc we celebrate three main aspects of Bach’s art. The G major and the G minor preludes represent his powerful harmonic language, which is as far-reaching in small scale pieces as it is in bigger. In the process of transcribing them for piccolo cello I thought I’d include a little riddle, more or less in the spirit of his riddle canons. (The secrets behind this riddle shouldn’t of course be revealed, but lets just say that they have to do with creative scordatura tuning). In the G major one, apart from the adventure of endless modulating, particularly appealing to me was the compelling descent from the silvery high register, through the umbrageous middle range, down to the mystical pond of the lowest register. Seemingly simple means, highly suggestive outcome and just one example out of thousands of Bach’s mastery of musical alchemy...

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Bach: Sonatas for Viola Da Gamba & Riddle Preludes

Pieter Wispelwey

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1
Das wohltemperierte Klavier I, BWV 846-869 - Prelude and Fugue No. 1 in C Major, BWV 846: I. Prelude
00:01:57

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Pieter Wispelwey, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

Sonata for Viola da Gamba and Harpsichord No. 1 in G Major, BWV 1027 (Johann Sebastian Bach)

2
I. Adagio
00:03:48

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Richard Egarr, MainArtist - Pieter Wispelwey, MainArtist - Daniel Yeadon, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

3
II. Allegro ma non tanto
00:03:34

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Richard Egarr, MainArtist - Pieter Wispelwey, MainArtist - Daniel Yeadon, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

4
III. Andante
00:02:14

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Richard Egarr, MainArtist - Pieter Wispelwey, MainArtist - Daniel Yeadon, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

5
IV. Allegro moderato
00:03:04

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Richard Egarr, MainArtist - Pieter Wispelwey, MainArtist - Daniel Yeadon, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

Harpsichord Concerto No. 2 in E Major, BWV 1053 (Johann Sebastian Bach)

6
II. Siciliano
00:04:41

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Richard Egarr, MainArtist - Pieter Wispelwey, MainArtist - Daniel Yeadon, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

7
Cello Suite No. 1 in G Major, BWV 1007: I. Prélude
00:02:12

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Pieter Wispelwey, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

Sonata for Viola da Gamba and Harpsichord No. 2 in D Major, BWV 1028 (Johann Sebastian Bach)

8
I. Adagio
00:01:51

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Richard Egarr, MainArtist - Pieter Wispelwey, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

9
II. Allegro
00:03:52

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Richard Egarr, MainArtist - Pieter Wispelwey, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

10
III. Andante
00:04:31

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Richard Egarr, MainArtist - Pieter Wispelwey, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

11
IV. Allegro
00:04:00

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Richard Egarr, MainArtist - Pieter Wispelwey, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

Italian Concerto in F major, BWV 971 (Johann Sebastian Bach)

12
II. Andante
00:04:34

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Richard Egarr, MainArtist - Pieter Wispelwey, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

13
Prelude in C Minor, BWV 999
00:01:47

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Pieter Wispelwey, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

Sonata for Viola da Gamba and Harpsichord No. 3 in G Minor, BWV 1029 (Johann Sebastian Bach)

14
I. Vivace
00:05:08

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Richard Egarr, MainArtist - Pieter Wispelwey, MainArtist - Daniel Yeadon, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

15
II. Adagio
00:05:33

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Richard Egarr, MainArtist - Pieter Wispelwey, MainArtist - Daniel Yeadon, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

16
III. Allegro
00:03:41

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Richard Egarr, MainArtist - Pieter Wispelwey, MainArtist - Daniel Yeadon, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

17
Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo
00:02:36

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Richard Egarr, MainArtist - Pieter Wispelwey, MainArtist - Daniel Yeadon, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

Chronique

On this disc we celebrate three main aspects of Bach’s art. The G major and the G minor preludes represent his powerful harmonic language, which is as far-reaching in small scale pieces as it is in bigger. In the process of transcribing them for piccolo cello I thought I’d include a little riddle, more or less in the spirit of his riddle canons. (The secrets behind this riddle shouldn’t of course be revealed, but lets just say that they have to do with creative scordatura tuning). In the G major one, apart from the adventure of endless modulating, particularly appealing to me was the compelling descent from the silvery high register, through the umbrageous middle range, down to the mystical pond of the lowest register. Seemingly simple means, highly suggestive outcome and just one example out of thousands of Bach’s mastery of musical alchemy...

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