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As one of the pioneers of the sound, the late George Howard was one of the most consistent rhythm and jazz saxmen over the last decade in terms of offering a smooth, light-funk melody that keeps to the status quo without going too far beyond it. Just as we thought he was staying on cruise control, his 1996 release offers a major Attitude Adjustment (GRP) to sizzling effect. There's still a smattering of the soprano silk-o-rama on the ballads, but mostly his horn hits the street at breakneck speed. He may go overboard in incorporating vocal effects, but more important is the fact that the party (a celebratory street scene emphasizing the best of African American culture) never lets up. The title of "A Whole Lotta Drum in Me" sums up the electrified production values, world percussion often meeting industrial punch and ultra-slick hip-hop. Even if the best tunes work better environmentally than harmonically, it's hard to argue with this much joy, which finds Howard more aggressive and tenacious than ever before.
© Jonathan Widran /TiVo
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Ray Hayden, Producer, Engineer, Recording Engineer, StudioPersonnel, ComposerLyricist - Sarah Brown, Vocalist, AssociatedPerformer - George Howard, Producer, Associate Producer, MainArtist, ComposerLyricist - Bobby Brooks, Mixer, StudioPersonnel
℗ 1996 UMG Recordings, Inc.
Erik Zobler, Mixer, Recording Engineer, StudioPersonnel - George Duke, Producer, Participant, ComposerLyricist - WAYNE HOLMES, Engineer, StudioPersonnel - George Howard, MainArtist, ComposerLyricist
℗ 1996 UMG Recordings, Inc.
Erik Zobler, Mixer, Recording Engineer, StudioPersonnel - George Duke, Producer, Participant, ComposerLyricist - WAYNE HOLMES, Engineer, StudioPersonnel - George Howard, MainArtist
℗ 1996 UMG Recordings, Inc.
George Howard, Producer, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Doug Deangelis, Mixer, Engineer, StudioPersonnel
℗ 1996 UMG Recordings, Inc.
MICHAEL MCDONALD, ComposerLyricist - DAVID PACK, ComposerLyricist - George Howard, Producer, Recording Arranger, MainArtist, AssociatedPerformer - Doug Deangelis, Mixer, Recording Engineer, StudioPersonnel
℗ 1996 UMG Recordings, Inc.
Unknown, ComposerLyricist - George Howard, MainArtist
℗ 1996 UMG Recordings, Inc.
Erik Zobler, Mixer, Recording Engineer, StudioPersonnel - George Duke, Producer, Participant, ComposerLyricist - WAYNE HOLMES, Engineer, StudioPersonnel - George Howard, MainArtist, ComposerLyricist
℗ 1996 UMG Recordings, Inc.
Ray Hayden, Producer, Recording Engineer, StudioPersonnel, ComposerLyricist - George Howard, Producer, Associate Producer, MainArtist - Jonathan Butler, Producer
℗ 1996 UMG Recordings, Inc.
Gordon Chambers, ComposerLyricist - Barry Eastmond, ComposerLyricist - Anita Baker, ComposerLyricist - Erik Zobler, Mixer, StudioPersonnel - George Howard, Producer, MainArtist - Doug Deangelis, Recording Engineer, StudioPersonnel - Barry James Eastmond, ComposerLyricist
℗ 1996 UMG Recordings, Inc.
Bill Summers, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - George Howard, MainArtist - Speech, Producer, Participant, MainArtist, ComposerLyricist - Bobby Brooks, Mixer, StudioPersonnel - Colin Miller, Recording Engineer, StudioPersonnel
℗ 1996 UMG Recordings, Inc.
Erik Zobler, Recording Engineer, StudioPersonnel - George Duke, Producer, Participant, ComposerLyricist - George Howard, MainArtist, ComposerLyricist
℗ 1996 UMG Recordings, Inc.
Chronique
As one of the pioneers of the sound, the late George Howard was one of the most consistent rhythm and jazz saxmen over the last decade in terms of offering a smooth, light-funk melody that keeps to the status quo without going too far beyond it. Just as we thought he was staying on cruise control, his 1996 release offers a major Attitude Adjustment (GRP) to sizzling effect. There's still a smattering of the soprano silk-o-rama on the ballads, but mostly his horn hits the street at breakneck speed. He may go overboard in incorporating vocal effects, but more important is the fact that the party (a celebratory street scene emphasizing the best of African American culture) never lets up. The title of "A Whole Lotta Drum in Me" sums up the electrified production values, world percussion often meeting industrial punch and ultra-slick hip-hop. Even if the best tunes work better environmentally than harmonically, it's hard to argue with this much joy, which finds Howard more aggressive and tenacious than ever before.
© Jonathan Widran /TiVo
À propos
- 1 disque(s) - 11 piste(s)
- Durée totale : 00:50:21
- Artistes principaux : George Howard
- Compositeur : Various Composers
- Label : GRP
- Genre : Jazz
© 1996 GRP Records Inc. ℗ 1996 UMG Recordings, Inc.
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