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Zap Mama|A Ma Zone

A Ma Zone

Zap Mama

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16-Bit/44.1 kHz Stereo

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Zap Mama's last album was the first one to incorporate instrumental sounds into the group's six-voice a cappella mix; it was also the first to include male voices. On A Ma Zone, group leader Marie Daulne has expanded the exploration of American R&B and hip-hop that she began with Seven. Breakbeats, jazzy upright bass, and turntable manipulation are now a part of the mix -- a mix that was already rich with European and West African influences. "Gissie" draws most deeply on Daulne's Central African Pygmy roots, with its call-and-response structure and her unearthly yodeling; "Rafiki," which opens the album, is a collaboration with Black Thought (of the Roots) that segues beautifully into "W'Happy Mama," on which Daulne shows off her own speed-rap flow (in French, of course). "'Allo 'Allo" and "Call Waiting" both hint at her ongoing obsession with the telephone, an instrument that she seems to find mildly repellent but can't seem to ignore. Everything on this album is both complex and immediately accessible, simultaneously deeply funky and sweetly gentle. Very highly recommended.
© Rick Anderson /TiVo

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A Ma Zone

Zap Mama

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1
Iko Iko
00:03:22

Marilyn Jones, Composer - Joan Marie Johnson, Composer - Rosa Lee Hawkins, Composer - Barbara Ann Hawkins, Composer - JESSIE THOMAS, Composer - JOE JONES, Composer - SHARON JONES, Composer - Zap Mama, MainArtist

1999 Zap Mama 1999 Zap Mama

2
Rafiki (DNA Remix)
00:03:42

Zap Mama, MainArtist - Anita Daulne, Composer - Gary Richmond, Composer - Marie Cyrille Daulne, Composer

1999 Zap Mama 1999 Zap Mama

3
W'happy Mama
00:05:16

Zap Mama, MainArtist - Anita Daulne, Composer - Marie Cyrille Daulne, Composer

1999 Zap Mama 1999 Zap Mama

4
Call Waiting
00:03:55

Zap Mama, MainArtist - Marie Cyrille Daulne, Composer

1999 Zap Mama 1999 Zap Mama

5
Gissié
00:03:43

Zap Mama, MainArtist - Marie Cyrille Daulne, Composer

1999 Zap Mama 1999 Zap Mama

6
Songe
00:03:30

Zap Mama, MainArtist - Marie Cyrille Daulne, Composer

1999 Zap Mama 1999 Zap Mama

7
Kemake
00:03:07

Zap Mama, MainArtist - Anita Daulne, Composer - Bernadette Aningi, Composer - Marie Cyrille Daulne, Composer

1999 Zap Mama 1999 Zap Mama

8
Comment Ça Va
00:04:28

Zap Mama, MainArtist - Anita Daulne, Composer - Marie Cyrille Daulne, Composer

1999 Zap Mama 1999 Zap Mama

9
Ya Solo
00:04:09

Zap Mama, MainArtist - Bernadette Aningi, Composer - Marie Cyrille Daulne, Composer

1999 Zap Mama 1999 Zap Mama

10
My Own Zero
00:04:02

Zap Mama, MainArtist - Marie Cyrille Daulne, Composer

1999 Zap Mama 1999 Zap Mama

11
M'toto
00:02:47

Zap Mama, MainArtist - Marie Cyrille Daulne, Composer

1999 Zap Mama 1999 Zap Mama

12
Gbo Mata (Station)
00:03:24

Zap Mama, MainArtist - Anita Daulne, Composer - Bernadette Aningi, Composer - Marie Cyrille Daulne, Composer

1999 Zap Mama 1999 Zap Mama

13
'Allo 'Allo
00:05:08

Zap Mama, MainArtist - Anita Daulne, Composer - Marie Cyrille Daulne, Composer

1999 Zap Mama 1999 Zap Mama

14
Rafiki
00:04:04

Zap Mama, MainArtist - Anita Daulne, Composer - Gary Richmond, Composer - Marie Cyrille Daulne, Composer

1999 Zap Mama 1999 Zap Mama

Chronique

Zap Mama's last album was the first one to incorporate instrumental sounds into the group's six-voice a cappella mix; it was also the first to include male voices. On A Ma Zone, group leader Marie Daulne has expanded the exploration of American R&B and hip-hop that she began with Seven. Breakbeats, jazzy upright bass, and turntable manipulation are now a part of the mix -- a mix that was already rich with European and West African influences. "Gissie" draws most deeply on Daulne's Central African Pygmy roots, with its call-and-response structure and her unearthly yodeling; "Rafiki," which opens the album, is a collaboration with Black Thought (of the Roots) that segues beautifully into "W'Happy Mama," on which Daulne shows off her own speed-rap flow (in French, of course). "'Allo 'Allo" and "Call Waiting" both hint at her ongoing obsession with the telephone, an instrument that she seems to find mildly repellent but can't seem to ignore. Everything on this album is both complex and immediately accessible, simultaneously deeply funky and sweetly gentle. Very highly recommended.
© Rick Anderson /TiVo

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