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Popol Vuh|70s Progressives

70s Progressives

Popol Vuh

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Simply put, 70s Progressives is a Popol Vuh compilation. Four tracks come from the soundtrack to Coeur de Verre, including the amazing "Hüter der Schwelle," which borrows a bit of the riff from the Velvet Underground's "Venus In Furs" and turns it into an electro-acoustic raga. Two others come from the lovely Agape-Agape, four others from the very rare Letzte Tage -- Letzte Nächte, and one more from Die Nacht Der Seele: Tantric Songs. The pieces, taken as they are from the mid-'70s, offer a solid look at how Florian Fricke had moved away form his initial obsession with new electronic sounds as explored on the Moog III, and embraced the trance and pulse-like qualities that electronic music offered in an acoustic setting. It also reveals how deeply Fricke began exploring instruments, tonalities, and harmonics from other world cultures. This is a seamless listening experience form front to back and is a fine introduction to Popol Vuh.

© Thom Jurek /TiVo

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70s Progressives

Popol Vuh

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1
Engel der gegenwart
00:08:20

Florian Fricke, Composer - Popol Vuh, Composer, Performance, MainArtist

© 2006 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 2006 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH

2
They Danced, They Loved as of the Old
00:04:51

Popol Vuh, Composer, Performance, MainArtist

© 2006 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 2006 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH

3
Lied von den hohen bergen
00:04:14

Popol Vuh, Composer, Performance, MainArtist

© 2006 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 2006 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH

4
Hüter der schwelle
00:03:49

Florian Fricke, Composer - Popol Vuh, Composer, Performance, MainArtist

© 2006 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 2006 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH

5
Love-Love
00:05:18

Florian Fricke, Composer - Popol Vuh, Composer, Performance, MainArtist

© 2006 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 2006 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH

6
Der große krieger
00:03:12

Popol Vuh, Composer, Performance, MainArtist

© 2006 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 2006 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH

7
Wo bist du, der du überwunden hast?
00:05:43

Popol Vuh, Composer, Performance, MainArtist

© 2006 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 2006 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH

8
Dort ist der weg
00:04:31

Popol Vuh, Composer, Performance, MainArtist

© 2006 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 2006 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH

9
In deine hände
00:03:03

Popol Vuh, Composer, Performance, MainArtist

© 2006 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 2006 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH

10
Der ruf
00:04:44

Popol Vuh, Composer, Performance, MainArtist - Daniel Fichelscher, Composer

© 2006 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 2006 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH

11
Oh wie nah ist der weg hinab
00:04:36

Popol Vuh, Composer, Performance, MainArtist

© 2006 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 2006 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH

Chronique

Simply put, 70s Progressives is a Popol Vuh compilation. Four tracks come from the soundtrack to Coeur de Verre, including the amazing "Hüter der Schwelle," which borrows a bit of the riff from the Velvet Underground's "Venus In Furs" and turns it into an electro-acoustic raga. Two others come from the lovely Agape-Agape, four others from the very rare Letzte Tage -- Letzte Nächte, and one more from Die Nacht Der Seele: Tantric Songs. The pieces, taken as they are from the mid-'70s, offer a solid look at how Florian Fricke had moved away form his initial obsession with new electronic sounds as explored on the Moog III, and embraced the trance and pulse-like qualities that electronic music offered in an acoustic setting. It also reveals how deeply Fricke began exploring instruments, tonalities, and harmonics from other world cultures. This is a seamless listening experience form front to back and is a fine introduction to Popol Vuh.

© Thom Jurek /TiVo

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