Antonio Carlos Jobim
It has been said that Antonio Carlos Brasileiro de Almeida Jobim was the George Gershwin of Brazil, and there is a solid ring of truth in that, for both contributed large bodies of songs to the jazz repertoire, both expanded their reach into the concert hall, and both tend to symbolize their countries in the eyes of the rest of the world. With their gracefully urbane, sensuously aching melodies and harmonies, Jobim's songs gave jazz musicians in the 1960s a quiet, strikingly original alternative to their traditional Tin Pan Alley source.
Jobim's roots were always planted firmly in jazz; the records of Gerry Mulligan, Chet Baker, Barney Kessel, and other West Coast jazz musicians made an enormous impact upon him in the 1950s. But he also claimed that the French impressionist composer Claude Debussy had a decisive influence upon his harmonies, and the Brazilian samba gave his music a uniquely exotic rhythmic underpinning. As a pianist, he usually kept things simple and melodically to the point with a touch that reminds some of Claude Thornhill, but some of his records show that he could also stretch out when given room. His guitar was limited mostly to gentle strumming of the syncopated rhythms, and he sang in a modest, slightly hoarse yet often hauntingly emotional manner.
Born in the Tijuca neighborhood of Rio, Jobim originally was headed for a career as an architect. Yet by the time he turned 20, the lure of music was too powerful, and so he started playing piano in nightclubs and working in recording studios. He made his first record in 1954 backing singer Bill Farr as the leader of "Tom and His Band" (Tom was Jobim's lifelong nickname), and he first found fame in 1956 when he teamed up with poet Vinícius de Moraes to provide part of the score for a play called Orfeo do Carnaval (later made into the famous film Black Orpheus). In 1958, the then-unknown Brazilian singer João Gilberto recorded some of Jobim's songs, which had the effect of launching the phenomenon known as bossa nova. Jobim's breakthrough outside Brazil occurred in 1962 when Stan Getz and Charlie Byrd scored a surprise hit with his tune "Desafinado" -- and later that year, he and several other Brazilian musicians were invited to participate in a Carnegie Hall showcase. Fueled by Jobim's songs, the bossa nova became an international fad, and jazz musicians jumped on the bandwagon, recording album after album of bossa novas until the trend ran out of commercial steam in the late '60s.
Jobim himself preferred the recording studios to touring, making several lovely albums of his music as a pianist, guitarist, and singer for Verve, Warner Bros., Discovery, A&M, CTI, and MCA in the '60s and '70s, and Verve again in the last decade of his life. Early on, he started collaborating with arranger/conductor Claus Ogerman, whose subtle, caressing, occasionally moody charts gave his records a haunting ambience. When Brazilian music was in its American eclipse after the '60s, a victim of overexposure and the burgeoning rock revolution, Jobim retreated more into the background, concentrating much energy upon film and TV scores in Brazil. But by 1985, as the idea of world music and a second Brazilian wave gathered steam, Jobim started touring again with a group containing his second wife Ana Lontra, his son Paulo, daughter Elizabeth, and various musician friends. At the time of his final concerts in Brazil in September 1993 and at Carnegie Hall in April 1994 (both available on Verve), Jobim at last was receiving the universal recognition he deserved, and a plethora of tribute albums and concerts followed in the wake of his sudden death in New York City of heart failure. Jobim's reputation as one of the great songwriters of the century is now secure, nowhere more so than on the jazz scene, where every other set seems to contain at least one bossa nova.
© Richard S. Ginell /TiVo
Ähnliche Künstler
-
The Very Best Of (Antônio Carlos Jobim)
World Music - Erschienen bei Glory Days Records am 29.10.2016
16-Bit CD Quality 44.1 kHz - Stereo -
Insensatez
World Music - Erschienen bei Toucan Music am 10.06.2014
16-Bit CD Quality 44.1 kHz - Stereo -
Brasília - Sinfonia Da Alvorada
Folk - Erschienen bei Music Manager am 01.01.1961
16-Bit CD Quality 44.1 kHz - Stereo -
The Story Of... Antonio Carlos Jobim
Lateinamerika - Erschienen bei Vibra Music Entertainment S.A.S. am 18.05.2018
16-Bit CD Quality 44.1 kHz - Stereo -
One Note Samba
World Music - Erschienen bei Vintage Jukebox am 11.12.2023
16-Bit CD Quality 44.1 kHz - Stereo -
-
Power to the People
Jazz - Erschienen bei my onlyoldies fma am 08.10.2019
16-Bit CD Quality 44.1 kHz - Stereo -
A Bashful Woman
Jazz - Erschienen bei Bashful Woman am 19.12.2022
16-Bit CD Quality 44.1 kHz - Stereo -
Orfeu Da Conceição
Antonio Carlos Jobim, Vinicius De Moraes
Jazz - Erschienen bei Sowing Records am 21.11.2022
16-Bit CD Quality 44.1 kHz - Stereo -
Lamento No Morro
World Music - Erschienen bei Diamond Days am 05.05.2008
16-Bit CD Quality 44.1 kHz - Stereo -
Classic Bossa Nova, Vol. 3
World Music - Erschienen bei Firefly Entertainment am 05.05.2008
16-Bit CD Quality 44.1 kHz - Stereo -
The Art Of A Legend
World Music - Erschienen bei Glory Days Records am 29.10.2016
16-Bit CD Quality 44.1 kHz - Stereo -
Monólogo De Orfeu
Brasilianische Musik - Erschienen bei Hennings Favorite Music am 10.04.2015
16-Bit CD Quality 44.1 kHz - Stereo -
Noites Do Rio
World Music - Erschienen bei Black Marlin Records am 06.12.2014
16-Bit CD Quality 44.1 kHz - Stereo -
Orfeu da Conceição
Lateinamerika - Erschienen bei JazzCutter am 15.03.2019
16-Bit CD Quality 44.1 kHz - Stereo -
Easter Bells
World Music - Erschienen bei eagleinc. Rec. am 03.04.2019
16-Bit CD Quality 44.1 kHz - Stereo -
Way Deep In My Heart
Jazz - Erschienen bei In My Heart am 24.07.2021
16-Bit CD Quality 44.1 kHz - Stereo -
Freestyle
Jazz - Erschienen bei free for more rec. am 11.01.2021
16-Bit CD Quality 44.1 kHz - Stereo -
Nightlife Costume
Jazz - Erschienen bei Nightlife Costume am 17.10.2021
16-Bit CD Quality 44.1 kHz - Stereo -
Those Draftin' Blues
Jazz - Erschienen bei Those22 am 16.01.2022
16-Bit CD Quality 44.1 kHz - Stereo -
At the Fountain
World Music - Erschienen bei At the Fountain am 17.09.2021
16-Bit CD Quality 44.1 kHz - Stereo