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Astrud Gilberto|The Astrud Gilberto Album With Antonio Carlos Jobim

The Astrud Gilberto Album With Antonio Carlos Jobim

Astrud Gilberto, António Carlos Jobim

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Text in englischer Sprache verfügbar

Astrud Gilberto became an accidental success when her fragile command of English made her the de facto choice to sing "The Girl from Ipanema" at a session led by Stan Getz and her husband, João Gilberto. Of course, despite its overwhelming success, it wasn't clear that she could sustain a career when she recorded her first solo LP, The Astrud Gilberto Album. She had sounded more like an amateurish novelty act than a recording professional, her voice was sweet but fragile, and the Getz/Gilberto album had featured two strong voices, with Gilberto herself an afterthought (albeit a commercially effective afterthought). But The Astrud Gilberto Album was at least as good as Getz/Gilberto (despite what jazz fans say), for several reasons. The Brazilian repertoire plays particularly well to traditionally weak vocalists, her voice was yet more sweet than had been heard previously, and as before, the record featured two strong leaders -- arranger Marty Paich and the incomparable Antonio Carlos Jobim. Paich's strings positively coated the album with radiance, and his choices for lead instrumental voices -- Bud Shank's flute, João Donato's piano, Jobim's guitar -- complemented her vocals perfectly. Gilberto sounded beautiful on a range of material, from the sentimental "Dindi" to the playful "Agua de Beber," and as long as intelligent musicians were playing to her strengths (as they do here), the results were splendid.

© John Bush /TiVo

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The Astrud Gilberto Album With Antonio Carlos Jobim

Astrud Gilberto

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1
Once I Loved
00:02:14

Astrud Gilberto, Vocalist, MainArtist, AssociatedPerformer - Vinicius De Moraes, Author - António Carlos Jobim, Composer, Guitar, MainArtist, AssociatedPerformer - Creed Taylor, Producer

℗ 1965 Universal Music International

2
Água De Beber
00:02:20

Astrud Gilberto, Vocalist, MainArtist, AssociatedPerformer - Vinicius De Moraes, ComposerLyricist - António Carlos Jobim, Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Creed Taylor, Producer

℗ 1965 Universal Music International

3
Meditation
00:02:43

Norman Gimbel, ComposerLyricist - Astrud Gilberto, Vocalist, MainArtist, AssociatedPerformer - António Carlos Jobim, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist - NEWTON MENDONCA, ComposerLyricist - Creed Taylor, Producer

℗ 1965 Universal Music International

4
...And Roses ...And Roses
00:02:37

Astrud Gilberto, Vocalist, MainArtist, AssociatedPerformer - António Carlos Jobim, Guitar, MainArtist, AssociatedPerformer - RAY GILBERT, ComposerLyricist - Danilo Caymmi, ComposerLyricist - Creed Taylor, Producer

℗ 1965 Universal Music International

5
O Morro Não Tem Vez
00:03:01

Astrud Gilberto, Vocalist, MainArtist, AssociatedPerformer - Vinicius De Moraes, ComposerLyricist - António Carlos Jobim, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist - Creed Taylor, Producer

℗ 1965 Universal Music International

6
How Insensitive
00:02:50

Norman Gimbel, ComposerLyricist - Astrud Gilberto, Vocalist, MainArtist, AssociatedPerformer - Vinicius De Moraes, ComposerLyricist - António Carlos Jobim, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist - Creed Taylor, Producer

℗ 1965 Universal Music International

7
Dindi
00:02:43

Astrud Gilberto, Vocalist, MainArtist, AssociatedPerformer - António Carlos Jobim, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist - RAY GILBERT, ComposerLyricist - Creed Taylor, Producer - Aloysio de Oiliveira, ComposerLyricist

℗ 1965 Universal Music International

8
Photograph
00:02:15

Astrud Gilberto, Vocalist, MainArtist, AssociatedPerformer - António Carlos Jobim, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist - Creed Taylor, Producer

℗ 1965 Universal Music International

9
Dreamer
00:02:06

Astrud Gilberto, Vocalist, MainArtist, AssociatedPerformer - António Carlos Jobim, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist - Creed Taylor, Producer - George Lees, ComposerLyricist

℗ 1965 Universal Music International

10
Só Tinha De Ser Com Você
00:02:22

Astrud Gilberto, Vocalist, MainArtist, AssociatedPerformer - António Carlos Jobim, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist - ALOYSIO DE OLIVEIRA, ComposerLyricist - Creed Taylor, Producer

℗ 1965 Universal Music International

11
All That's Left Is To Say Goodbye
00:03:13

Astrud Gilberto, Vocalist, MainArtist, AssociatedPerformer - Vinicius De Moraes, ComposerLyricist - António Carlos Jobim, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist - RAY GILBERT, ComposerLyricist - Creed Taylor, Producer

℗ 1965 Universal Music International

Albumbeschreibung

Astrud Gilberto became an accidental success when her fragile command of English made her the de facto choice to sing "The Girl from Ipanema" at a session led by Stan Getz and her husband, João Gilberto. Of course, despite its overwhelming success, it wasn't clear that she could sustain a career when she recorded her first solo LP, The Astrud Gilberto Album. She had sounded more like an amateurish novelty act than a recording professional, her voice was sweet but fragile, and the Getz/Gilberto album had featured two strong voices, with Gilberto herself an afterthought (albeit a commercially effective afterthought). But The Astrud Gilberto Album was at least as good as Getz/Gilberto (despite what jazz fans say), for several reasons. The Brazilian repertoire plays particularly well to traditionally weak vocalists, her voice was yet more sweet than had been heard previously, and as before, the record featured two strong leaders -- arranger Marty Paich and the incomparable Antonio Carlos Jobim. Paich's strings positively coated the album with radiance, and his choices for lead instrumental voices -- Bud Shank's flute, João Donato's piano, Jobim's guitar -- complemented her vocals perfectly. Gilberto sounded beautiful on a range of material, from the sentimental "Dindi" to the playful "Agua de Beber," and as long as intelligent musicians were playing to her strengths (as they do here), the results were splendid.

© John Bush /TiVo

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