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U2|Pop

Pop

U2

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No matter which way you look at it, Pop doesn't have the same shock of the new that Achtung Baby delivered on first listen. Less experimental and more song-oriented than Zooropa, Pop attempts to sell the glitzy rush of techno to an audience weaned on arena rock. And that audience includes U2 themselves. While they never sound like they don't believe in what they're doing, they still remove most of the radical elements of electronic dance, which is evident to anyone with just a passing knowledge of the Chemical Brothers and Underworld. To a new listener, Pop has flashes of surprise -- particularly on the rampaging "Mofo" -- but underneath the surface, U2 rely on anthemic rockers and ballads. "Discotheque" might be a little clumsy, but "Staring at the Sun" shimmers with synthesizers borrowed from Massive Attack and a Noel Gallagher chorus. Similarly, "Do You Feel Loved" and "If You Wear That Velvet Dress" fuse old-fashioned U2 dynamism with a keen sense of the cool eroticism that makes trip-hop so alluring. Problems arise when the group tries to go for conventional rock songs, some of which are symptomatic of the return of U2's crusade for salvation. Pop is inflected with the desire for a higher power to save the world from its jaded spiral of decay and immorality, which is why the group's embrace of dance music never seems joyous -- instead of providing an intoxicating rush of gloss and glamour, it functions as a backdrop for a plea of salvation. Achtung Baby also was a comment on the numbing isolation of modern culture, but it made sweeping statements through personal observations; Pop makes sweeping statements through sweeping observations. The difference is what makes Pop an easy record to admire, but a hard one to love.

© Stephen Thomas Erlewine /TiVo

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Pop

U2

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1
Discotheque
00:05:20

Mark 'Spike' Stent, Mixer, StudioPersonnel - Bono, ComposerLyricist - Flood, Producer - Conal Markey, Assistant Mixer, StudioPersonnel - U2, MainArtist - Adam Clayton, Composer - The Edge, ComposerLyricist - Simon Pike, Composer - Howie B., Additional Mixer, StudioPersonnel - Larry Mullen, Jr., Composer

℗ 1996 Universal-Island Records Ltd.

2
Do You Feel Loved
00:05:07

Steve Osborne, Producer, Mixer, StudioPersonnel - Mark 'Spike' Stent, Mixer, StudioPersonnel - Bono, Author - Flood, Producer - Conal Markey, Assistant Mixer, StudioPersonnel - U2, MainArtist - Adam Clayton, Composer - The Edge, Composer - Richard Rainey, Assistant Mixer, StudioPersonnel - Larry Mullen, Jr., Composer

℗ 1997 Universal-Island Records Ltd.

3
Mofo
00:05:47

Steve Osborne, Mixer, StudioPersonnel - ALAN MOULDER, Mixer, StudioPersonnel - Mark 'Spike' Stent, Mixer, StudioPersonnel - Bono, ComposerLyricist - Flood, Producer - Rob Kirwan, Assistant Mixer, StudioPersonnel - U2, MainArtist - Adam Clayton, Composer - The Edge, ComposerLyricist - Howie B., Mixer, StudioPersonnel - Larry Mullen, Jr., Composer

℗ 1997 Universal-Island Records Ltd.

4
If God Will Send His Angels
00:05:24

Bono, Author - Flood, Producer - Conal Markey, Assistant Mixer, StudioPersonnel - U2, MainArtist - Adam Clayton, Composer - The Edge, Composer - Howie B., Producer, Mixer, StudioPersonnel - Larry Mullen, Jr., Composer

℗ 1997 Universal-Island Records Ltd.

5
Staring At The Sun
00:04:36

Steve Osborne, Producer, Mixer, Additional Producer, StudioPersonnel - Mark 'Spike' Stent, Mixer, StudioPersonnel - Bono, Vocals, AssociatedPerformer, ComposerLyricist - Flood, Producer - Conal Markey, Assistant Mixer, StudioPersonnel - U2, MainArtist - Adam Clayton, Composer, Bass Guitar, AssociatedPerformer - The Edge, Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Richard Rainey, Assistant Mixer, StudioPersonnel - Larry Mullen, Jr., Composer, Drums, Percussion, AssociatedPerformer

℗ 1997 Island Records Limited

6
Last Night On Earth
00:04:45

Mark 'Spike' Stent, Mixer, StudioPersonnel - Bono, Author - Flood, Producer - Rob Kirwan, Assistant Mixer, StudioPersonnel - U2, MainArtist - Adam Clayton, Composer - Nana Vasconcelos, ComposerLyricist - The Edge, Composer - Larry Mullen, Jr., Composer - Denise Milan, ComposerLyricist

℗ 1997 Universal-Island Records Ltd.

7
Gone
00:04:26

Steve Osborne, Mixer, StudioPersonnel - Ben Hillier, Mixer, StudioPersonnel - Bono, ComposerLyricist - Flood, Producer - U2, MainArtist - Adam Clayton, Composer - The Edge, ComposerLyricist - Richard Rainey, Assistant Mixer, StudioPersonnel - Larry Mullen, Jr., Composer

℗ 1997 Universal-Island Records Ltd.

8
Miami
00:04:52

Bono, Author - Flood, Producer - U2, MainArtist - Adam Clayton, Composer - The Edge, Composer - Howie B., Producer - Larry Mullen, Jr., Composer

℗ 1997 Universal-Island Records Ltd.

9
The Playboy Mansion
00:04:40

Roger McGuinn, ComposerLyricist - Gene Clark, ComposerLyricist - Bono, Author - Flood, Producer - Rob Kirwan, Assistant Mixer, StudioPersonnel - U2, MainArtist - Adam Clayton, Composer - The Edge, Composer - Howie B., Producer, Mixer, StudioPersonnel - Larry Mullen, Jr., Composer

℗ 1997 Universal-Island Records Ltd.

10
If You Wear That Velvet Dress
00:05:14

Bono, Author - Flood, Producer - Rob Kirwan, Assistant Mixer, StudioPersonnel - U2, MainArtist - Adam Clayton, Composer - The Edge, Composer - Howie B., Mixer, StudioPersonnel - Larry Mullen, Jr., Composer

℗ 1997 Universal-Island Records Ltd.

11
Please
00:05:02

Bono, ComposerLyricist - Flood, Producer, Mixer, StudioPersonnel - Rob Kirwan, Assistant Mixer, StudioPersonnel - U2, MainArtist - Adam Clayton, Composer - The Edge, ComposerLyricist - Howie B., Producer, Mixer, StudioPersonnel - Larry Mullen, Jr., Composer

℗ 1997 Universal-Island Records Ltd.

12
Wake Up Dead Man
00:04:52

Bono, Author - Flood, Producer, Mixer, StudioPersonnel - Rob Kirwan, Assistant Mixer, StudioPersonnel - U2, MainArtist - Adam Clayton, Composer - The Edge, Composer - Howie B., Mixer, StudioPersonnel - Larry Mullen, Jr., Composer

℗ 1997 Universal-Island Records Ltd.

Albumbeschreibung

No matter which way you look at it, Pop doesn't have the same shock of the new that Achtung Baby delivered on first listen. Less experimental and more song-oriented than Zooropa, Pop attempts to sell the glitzy rush of techno to an audience weaned on arena rock. And that audience includes U2 themselves. While they never sound like they don't believe in what they're doing, they still remove most of the radical elements of electronic dance, which is evident to anyone with just a passing knowledge of the Chemical Brothers and Underworld. To a new listener, Pop has flashes of surprise -- particularly on the rampaging "Mofo" -- but underneath the surface, U2 rely on anthemic rockers and ballads. "Discotheque" might be a little clumsy, but "Staring at the Sun" shimmers with synthesizers borrowed from Massive Attack and a Noel Gallagher chorus. Similarly, "Do You Feel Loved" and "If You Wear That Velvet Dress" fuse old-fashioned U2 dynamism with a keen sense of the cool eroticism that makes trip-hop so alluring. Problems arise when the group tries to go for conventional rock songs, some of which are symptomatic of the return of U2's crusade for salvation. Pop is inflected with the desire for a higher power to save the world from its jaded spiral of decay and immorality, which is why the group's embrace of dance music never seems joyous -- instead of providing an intoxicating rush of gloss and glamour, it functions as a backdrop for a plea of salvation. Achtung Baby also was a comment on the numbing isolation of modern culture, but it made sweeping statements through personal observations; Pop makes sweeping statements through sweeping observations. The difference is what makes Pop an easy record to admire, but a hard one to love.

© Stephen Thomas Erlewine /TiVo

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