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Miles Davis|Collectors' Items

Collectors' Items

Miles Davis

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This set lives up to its title by including such interesting sessions as the 1953 date on which Miles Davis welcomed the two tenors of Sonny Rollins and Charlie Parker; other meetings with Rollins in 1951 and 1956; and a moody 1955 date with bassist Charles Mingus, trombone, vibes, and drums (a young Elvin Jones). Highlights include "No Line," "Vierd Blues," "In Your Own Sweet Way," "Nature Boy," and "There's No You." It's classic if often overlooked music from a variety of immortal jazzmen.

© Scott Yanow /TiVo

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Collectors' Items

Miles Davis

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Ab 12,49€/Monat

1
The Serpent's Tooth (Take 1)
00:07:00

Miles Davis, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Charlie Parker, Saxophone, AssociatedPerformer - Philly Joe Jones, Drums, AssociatedPerformer - Percy Heath, AssociatedPerformer, Bass (Vocal) - Sonny Rollins, Saxophone, AssociatedPerformer - Walter Bishop, Jr., Piano, AssociatedPerformer - Ira Gitler, Producer

℗ 1956 Fantasy, Inc.

2
The Serpent's Tooth (Take 2)
00:06:16

Miles Davis, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Charlie Parker, Saxophone, AssociatedPerformer - Philly Joe Jones, Drums, AssociatedPerformer - Percy Heath, AssociatedPerformer, Bass (Vocal) - Sonny Rollins, Saxophone, AssociatedPerformer - Walter Bishop, Jr., Piano, AssociatedPerformer - Ira Gitler, Producer

℗ 1956 Fantasy, Inc.

3
'Round Midnight (Album Version)
00:07:04

Thelonious Monk, Composer - Miles Davis, Trumpet, MainArtist, AssociatedPerformer - Bernie Hanighen, Author - Cootie Williams, Composer - Charlie Parker, Tenor Saxophone, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Philly Joe Jones, Drums, AssociatedPerformer - Percy Heath, Upright Bass, AssociatedPerformer - Sonny Rollins, Tenor Saxophone, AssociatedPerformer - Walter Bishop, Piano, AssociatedPerformer - Ira Gitler, Recording Supervisor, StudioPersonnel - Phil De Lancie, Mastering Engineer, StudioPersonnel

℗ 1956 Fantasy, Inc.

4
Compulsion (Album Version)
00:05:43

Miles Davis, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Charlie Parker, Saxophone, AssociatedPerformer - Philly Joe Jones, Drums, AssociatedPerformer - Percy Heath, AssociatedPerformer, Bass (Vocal) - Sonny Rollins, Saxophone, AssociatedPerformer - Walter Bishop, Jr., Piano, AssociatedPerformer - Ira Gitler, Producer

℗ 1987 Fantasy, Inc.

5
No Line (Album Version)
00:05:39

Miles Davis, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Paul Chambers, Double Bass, AssociatedPerformer - Art Taylor, Drums, AssociatedPerformer - Sonny Rollins, Saxophone, AssociatedPerformer - Tommy Flanagan, Piano, AssociatedPerformer - Bob Weinstock, Producer

℗ 1987 Fantasy, Inc.

6
Vierd Blues (Album Version)
00:06:51

Miles Davis, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Paul Chambers, Double Bass, AssociatedPerformer - Art Taylor, Drums, AssociatedPerformer - Sonny Rollins, Saxophone, AssociatedPerformer - Tommy Flanagan, Piano, AssociatedPerformer - Bob Weinstock, Producer

℗ 1956 Fantasy, Inc.

7
In Your Own Sweet Way (Album Version)
00:04:35

Miles Davis, Trumpet, MainArtist, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Paul Chambers, AssociatedPerformer, Bass (Vocal) - Art Taylor, Drums, AssociatedPerformer - Sonny Rollins, Saxophone, AssociatedPerformer - Tommy Flanagan, Piano, AssociatedPerformer - Dave Brubeck, Composer - Bob Weinstock, Producer

℗ 1987 Fantasy, Inc.

Albumbeschreibung

This set lives up to its title by including such interesting sessions as the 1953 date on which Miles Davis welcomed the two tenors of Sonny Rollins and Charlie Parker; other meetings with Rollins in 1951 and 1956; and a moody 1955 date with bassist Charles Mingus, trombone, vibes, and drums (a young Elvin Jones). Highlights include "No Line," "Vierd Blues," "In Your Own Sweet Way," "Nature Boy," and "There's No You." It's classic if often overlooked music from a variety of immortal jazzmen.

© Scott Yanow /TiVo

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