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Wynton Marsalis|Mr. Jelly Lord: Standard Time Vol. 6

Mr. Jelly Lord: Standard Time Vol. 6

Wynton Marsalis

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In this tribute to Jelly Roll Morton, at last there is a large sampling of the Wynton Marsalis who can get large crowds at outdoor jazz festivals like the Playboy at Hollywood Bowl to dance and wave white handkerchiefs. This is mostly gutbucket, stomping, swinging New Orleans jazz through the eyes and ears of avid students of old records -- and they have absorbed a good deal of the original raffish, joyous feeling. Dedicated scholars as they are, the band even recreates the original zany dialogue that opens Morton's recordings of "Dead Man Blues" and "Sidewalk Blues" (with a small alteration in the latter for PC purposes), leading to swaggering performances of both. Marsalis by now is an absolute virtuoso of the plunger mute, and he gets ample room to growl and snarl, often alongside trombonist/co-arranger Wycliffe Gordon. Without the mute, he is often majestically commanding, totally in his element. As befitting the contrapuntal New Orleans ethos, Wynton is also generous with the spotlight, turning over an entire track to Danilo Perez's lurching solo piano rendition of "Mamanita," another to the thick-toned period clarinet of performing musicologist Michael White on "Big Lip Blues," and another, alas, to Harry Connick, Jr.'s ham-handed solo treatment of "Billy Goat Stomp." The most startling performance -- authenticity taken to its extreme -- comes at the end as Wynton and pianist Eric Reed wander into Thomas Edison Laboratories (circa 1993) to record a cylinder of "Tom Cat Blues" with vintage acoustical equipment. The results are often hilarious, and certainly instructive (try this out as a blindfold test on friends who think that they don't make jazz records like they used to).

© Richard S. Ginell /TiVo

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Mr. Jelly Lord: Standard Time Vol. 6

Wynton Marsalis

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1
Red Hot Pepper
00:03:40

Wessell Anderson, Alto Saxophone - Wycliffe Gordon, Trombone, Trumpet - Victor Goines, Clarinet, Saxophone - Reginald Veal, Bass - Don Vappie, Banjo, Guitar - MICHAEL WHITE, Clarinet - Jelly Roll Morton, Composer, Lyricist - Wynton Marsalis, Trumpet, MainArtist, AssociatedPerformer - Steve Epstein, Producer - Todd Whitelock, Engineer - Herlin Riley, Drums - Eric Lewis, Piano - Jen Wyler, Assistant Engineer - Lucien Barbarin, Trombone

(P) 1999 Sony Music Entertainment Inc.

2
New Orleans Bump
00:04:32

Wessell Anderson, Alto Saxophone - Victor Goines, Clarinet, Saxophone - Reginald Veal, Bass - Don Vappie, Banjo, Guitar - MICHAEL WHITE, Clarinet - Jelly Roll Morton, Composer, Lyricist - Wynton Marsalis, Trumpet, MainArtist, AssociatedPerformer - Steve Epstein, Producer - Todd Whitelock, Engineer - Herlin Riley, Drums - Eric Lewis, Piano - Jen Wyler, Assistant Engineer - Lucien Barbarin, Trombone

(P) 1999 Sony Music Entertainment Inc.

3
King Porter Stomp
00:03:09

Wessell Anderson, Alto Saxophone - Victor Goines, Clarinet, Saxophone - Reginald Veal, Bass - Don Vappie, Banjo, Guitar - MICHAEL WHITE, Clarinet - Jelly Roll Morton, Composer, Lyricist - Wynton Marsalis, Trumpet, MainArtist, AssociatedPerformer - Steve Epstein, Producer - Todd Whitelock, Engineer - Herlin Riley, Drums - Eric Lewis, Piano - Jen Wyler, Assistant Engineer - Lucien Barbarin, Trombone

(P) 1999 Sony Music Entertainment Inc.

4
The Pearls
00:03:50

Wessell Anderson, Alto Saxophone - Victor Goines, Clarinet, Saxophone - Reginald Veal, Bass - Don Vappie, Banjo, Guitar - MICHAEL WHITE, Clarinet - Jelly Roll Morton, Composer, Lyricist - Wynton Marsalis, Trumpet, MainArtist, AssociatedPerformer - Steve Epstein, Producer - Todd Whitelock, Engineer - Herlin Riley, Drums - Eric Lewis, Piano - Jen Wyler, Assistant Engineer - Lucien Barbarin, Trombone

(P) 1999 Sony Music Entertainment Inc.

5
Deep Creek
00:05:13

F. Morton, Composer, Lyricist - Wessell Anderson, Alto Saxophone - Victor Goines, Clarinet, Saxophone - Reginald Veal, Bass - Don Vappie, Banjo, Guitar - MICHAEL WHITE, Clarinet - Wynton Marsalis, Trumpet, MainArtist, AssociatedPerformer - Steve Epstein, Producer - Todd Whitelock, Engineer - Herlin Riley, Drums - Eric Lewis, Piano - Jen Wyler, Assistant Engineer - Lucien Barbarin, Trombone

(P) 1999 Sony Music Entertainment Inc.

6
Mamanita
00:02:48

Wessell Anderson, Alto Saxophone - Victor Goines, Clarinet, Saxophone - Reginald Veal, Bass - Don Vappie, Banjo, Guitar - MICHAEL WHITE, Clarinet - Jelly Roll Morton, Composer, Lyricist - Wynton Marsalis, Trumpet, MainArtist, AssociatedPerformer - Steve Epstein, Producer - Todd Whitelock, Engineer - Herlin Riley, Drums - Eric Lewis, Piano - Danilo Perez, Piano - Jen Wyler, Assistant Engineer - Lucien Barbarin, Trombone

(P) 1999 Sony Music Entertainment Inc.

7
Sidewalk Blues
00:05:11

W. Melrose, Composer, Lyricist - F. Morton, Composer, Lyricist - Wessell Anderson, Alto Saxophone - Victor Goines, Clarinet, Saxophone - Reginald Veal, Bass - Don Vappie, Banjo, Guitar - MICHAEL WHITE, Clarinet - Wynton Marsalis, Trumpet, MainArtist, AssociatedPerformer - Steve Epstein, Producer - Todd Whitelock, Engineer - Herlin Riley, Drums - Eric Lewis, Piano - Jen Wyler, Assistant Engineer - Lucien Barbarin, Trombone

(P) 1999 Sony Music Entertainment Inc.

8
Jungle Blues
00:06:49

Wessell Anderson, Alto Saxophone - Victor Goines, Clarinet, Saxophone - Reginald Veal, Bass - Don Vappie, Banjo, Guitar - MICHAEL WHITE, Clarinet - Jelly Roll Morton, Composer, Lyricist - Wynton Marsalis, Trumpet, MainArtist, AssociatedPerformer - Steve Epstein, Producer - Todd Whitelock, Engineer - Herlin Riley, Drums - Eric Lewis, Piano - Jen Wyler, Assistant Engineer - Lucien Barbarin, Trombone

(P) 1999 Sony Music Entertainment Inc.

9
Big Lip Blues
00:03:16

Wessell Anderson, Alto Saxophone - Victor Goines, Clarinet, Saxophone - Reginald Veal, Bass - Don Vappie, Banjo, Guitar - MICHAEL WHITE, Clarinet - Jelly Roll Morton, Composer, Lyricist - Wynton Marsalis, Trumpet, MainArtist, AssociatedPerformer - Steve Epstein, Producer - Todd Whitelock, Engineer - Herlin Riley, Drums - Eric Lewis, Piano - Jen Wyler, Assistant Engineer - Lucien Barbarin, Trombone

(P) 1999 Sony Music Entertainment Inc.

10
Dead Man Blues
00:04:40

Anita Gonzales, Composer, Lyricist - Wessell Anderson, Alto Saxophone - Victor Goines, Clarinet, Saxophone - Reginald Veal, Bass - Don Vappie, Banjo, Guitar - MICHAEL WHITE, Clarinet - Jelly Roll Morton, Composer, Lyricist - Wynton Marsalis, Trumpet, MainArtist, AssociatedPerformer - Steve Epstein, Producer - Todd Whitelock, Engineer - Herlin Riley, Drums - Eric Lewis, Piano - Jen Wyler, Assistant Engineer - Lucien Barbarin, Trombone

(P) 1999 Sony Music Entertainment Inc.

11
Smokehouse Blues
00:04:50

Charlie Luke, Composer, Lyricist - Wessell Anderson, Alto Saxophone - Victor Goines, Clarinet, Saxophone - Reginald Veal, Bass - Don Vappie, Banjo, Guitar - MICHAEL WHITE, Clarinet - Jelly Roll Morton, Composer, Lyricist - Wynton Marsalis, Trumpet, MainArtist, AssociatedPerformer - Steve Epstein, Producer - Todd Whitelock, Engineer - Herlin Riley, Drums - Eric Lewis, Piano - Jen Wyler, Assistant Engineer - Lucien Barbarin, Trombone

(P) 1999 Sony Music Entertainment Inc.

12
Billy Goat Stomp
00:02:57

Wessell Anderson, Alto Saxophone - Victor Goines, Clarinet, Saxophone - Reginald Veal, Bass - Don Vappie, Banjo, Guitar - Harry Connick Jr., Piano - MICHAEL WHITE, Clarinet - Jelly Roll Morton, Composer, Lyricist - Wynton Marsalis, Trumpet, MainArtist, AssociatedPerformer - Steve Epstein, Producer - Todd Whitelock, Engineer - Herlin Riley, Drums - Delfeayo Marsalis, Recording Engineer - Eric Lewis, Piano - Patrick Smith, Recording Engineer - Jen Wyler, Assistant Engineer - Lucien Barbarin, Trombone

(P) 1999 Sony Music Entertainment Inc.

13
Courthouse Bump
00:03:28

Wessell Anderson, Alto Saxophone - Victor Goines, Clarinet, Saxophone - Reginald Veal, Bass - Don Vappie, Banjo, Guitar - MICHAEL WHITE, Clarinet - Jelly Roll Morton, Composer, Lyricist - Wynton Marsalis, Trumpet, MainArtist, AssociatedPerformer - Steve Epstein, Producer - Todd Whitelock, Engineer - Herlin Riley, Drums - Eric Lewis, Piano - Jen Wyler, Assistant Engineer - Lucien Barbarin, Trombone

(P) 1999 Sony Music Entertainment Inc.

14
Black Bottom Stomp
00:04:19

Wessell Anderson, Alto Saxophone - Victor Goines, Clarinet, Saxophone - Reginald Veal, Bass - Don Vappie, Banjo, Guitar - MICHAEL WHITE, Clarinet - Jelly Roll Morton, Composer, Lyricist - Wynton Marsalis, Trumpet, MainArtist, AssociatedPerformer - Steve Epstein, Producer - Todd Whitelock, Engineer - Herlin Riley, Drums - Eric Lewis, Piano - Jen Wyler, Assistant Engineer - Lucien Barbarin, Trombone

(P) 1999 Sony Music Entertainment Inc.

15
Tom Cat Blues
00:02:08

Ferd "Jelly Roll" Morton, Composer, Lyricist - Wessell Anderson, Alto Saxophone - Victor Goines, Clarinet, Saxophone - Reginald Veal, Bass - Don Vappie, Banjo, Guitar - MICHAEL WHITE, Clarinet - Wynton Marsalis, Trumpet, MainArtist, AssociatedPerformer - Steve Epstein, Producer - Todd Whitelock, Engineer - Herlin Riley, Drums - Eric Lewis, Piano - Eric Reed, Piano - Jen Wyler, Assistant Engineer - Lucien Barbarin, Trombone

(P) 1999 Sony Music Entertainment Inc.

Chronique

In this tribute to Jelly Roll Morton, at last there is a large sampling of the Wynton Marsalis who can get large crowds at outdoor jazz festivals like the Playboy at Hollywood Bowl to dance and wave white handkerchiefs. This is mostly gutbucket, stomping, swinging New Orleans jazz through the eyes and ears of avid students of old records -- and they have absorbed a good deal of the original raffish, joyous feeling. Dedicated scholars as they are, the band even recreates the original zany dialogue that opens Morton's recordings of "Dead Man Blues" and "Sidewalk Blues" (with a small alteration in the latter for PC purposes), leading to swaggering performances of both. Marsalis by now is an absolute virtuoso of the plunger mute, and he gets ample room to growl and snarl, often alongside trombonist/co-arranger Wycliffe Gordon. Without the mute, he is often majestically commanding, totally in his element. As befitting the contrapuntal New Orleans ethos, Wynton is also generous with the spotlight, turning over an entire track to Danilo Perez's lurching solo piano rendition of "Mamanita," another to the thick-toned period clarinet of performing musicologist Michael White on "Big Lip Blues," and another, alas, to Harry Connick, Jr.'s ham-handed solo treatment of "Billy Goat Stomp." The most startling performance -- authenticity taken to its extreme -- comes at the end as Wynton and pianist Eric Reed wander into Thomas Edison Laboratories (circa 1993) to record a cylinder of "Tom Cat Blues" with vintage acoustical equipment. The results are often hilarious, and certainly instructive (try this out as a blindfold test on friends who think that they don't make jazz records like they used to).

© Richard S. Ginell /TiVo

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