Charles Munch
A genial conductor with a particular gift for French music, Charles Munch extended the Boston Symphony's glory years (begun under the baton of Serge Koussevitzky) into the early 1960s. Munch was so venerated that conservative Bostonians even declined to fuss over rumors that he was having an affair with his niece, pianist Nicole Henriot-Schweitzer; they wrote it off as part of his romantic French nature. Paradoxically, Munch was not precisely French. He was born in Alsace-Lorraine, which at the time (1891) was controlled by Germany and has long hovered between two cultural worlds. Munch himself benefitted from both French and German musical training, and his first important musical posts were in Germany (his last name was even originally spelled with an umlaut). Yet he came to be regarded as the quintessential French conductor, and his recordings of French repertory with the Boston Symphony remain standards by which others are judged.
Munch studied violin at the Strasbourg Conservatory, where his father was a professor, and, from 1912, in Paris with Lucien Capet. As an Alsatian, he was conscripted into the German army at the outbreak of World War I. Gassed and wounded as an artillery sergeant, he nevertheless survived the war reasonably intact. In 1919, upon returning to Alsace-Lorraine (now back in French hands), he took French citizenship and a violin professorship in Strasbourg. Nevertheless, his professional interests soon sent him to Germany; he studied violin with Carl Flesch in Berlin, then moved to Leipzig to take a violin professorship at the conservatory there, and became concertmaster of the Leipzig Gewandhaus Orchestra from 1926 to 1933, during Furtwängler's tenure.
But it was back in Paris, in 1933, that Munch made his successful conducting debut in a self-financed concert with the Straram Orchestra. He conducted the Paris Orchestre de la Société Philharmonique (1935-38) and in 1937 was named director of the Société des Concerts du Conservatoire de Paris, a post he held through World War II. Munch introduced many new works, including, in 1945, Messiaen's L'Ascension; he quickly became known as a conductor attentive to music's grand structure as well as to small details of color. Despite his allegiances twenty-five years before, Munch refused to collaborate with the Nazis and indeed supported the French resistance; he was awarded the Légion d'honneur in 1945.
Munch's career quickly accelerated after the war. In 1946 he made his debut with the Boston Symphony (and several other American orchestras) as a guest conductor, and he toured America with the French National Radio Orchestra in 1948. The following year he was appointed music director of the Boston Symphony, which he took on an unprecedented tour of the Soviet Union in 1956. Munch retired from the BSO in 1962 but continued to guest conduct, and helped Serge Baudo launch the Orchestre de Paris in 1967. On tour in America with that orchestra, he died the following year.
Munch was easygoing in rehearsal, reluctant to drill the spontaneity out of an orchestra. He was particularly noted as an elegant, colorful interpreter of French music of the nineteenth and twentieth centuries; his recordings of that material with the Boston Symphony for RCA are still regarded as classics of their kind. He was a strong advocate for the Franco-Swiss composers of his own generation, especially Roussel, Milhaud, and Honegger. But he had a good touch with the conservative contemporary music of other lands, as may be heard in his few but important recordings of Martinu, Piston, and Barber. Indeed, during his Boston years Munch's commitment to American music was almost as strong as his allegiance to new French works.
© James Reel /TiVo
-
Roussel: Symphonies Nos. 3 & 4 - Suite No. 2 from Bacchus et Ariane
Charles Munch, Orchestre National de France
Klassik - Erschienen bei naïve classique am 01.01.1998
16-Bit CD Quality 44.1 kHz - Stereo -
Offenbach: Gaité Parisienne
New Philharmonia Orchestra, Charles Munch
Klassik - Erschienen bei Decca Music Group Ltd. am 15.04.2015
16-Bit CD Quality 44.1 kHz - Stereo -
Franck: Symphony in D Minor; Le Chasseur Maudit; Symphonic Variations: Classic Library Series
Symphonische Dichtung - Erschienen bei RCA Red Seal am 01.02.2005
16-Bit CD Quality 44.1 kHz - Stereo -
Ravel: Bolero / Rapsodie Espagnole / Pavan For A Dead Princess
Klassik - Erschienen bei RCA Gold Seal am 10.08.1987
16-Bit CD Quality 44.1 kHz - Stereo -
Ravel: Bolero, La Valse; Debussy: Images
Klassik - Erschienen bei Living Stereo am 12.04.1993
16-Bit CD Quality 44.1 kHz - Stereo -
Berlioz: Symphonie fantastique, Ouvertures Le corsaire et de Benvenuto Cellini
Charles Munch, Orchestre National de France
Klassik - Erschienen bei naïve classique am 01.01.1998
16-Bit CD Quality 44.1 kHz - Stereo -
Berlioz: Harold in Italy; The Roman Carnival Overture; Benvenuto Cellini Overture; Le Corsaire Overture; Beatrice et Benedict Overture
Klassik - Erschienen bei Living Stereo am 26.06.2007
16-Bit CD Quality 44.1 kHz - Stereo -
Lalo : Symphonie espagnole & Concerto pour violoncelle
Pierre Amoyal, André Navarra, Charles Munch
Instrumentalmusik - Erschienen bei Warner Classics International am 07.11.2011
16-Bit CD Quality 44.1 kHz - Stereo -
Claudio Arrau plays Beethoven Piano Concertos
Claudio Arrau, Boston Symphony Orchestra, Charles Munch, Pierre Monteux
Klassik - Erschienen bei West Hill Radio Archives am 12.11.2012
16-Bit CD Quality 44.1 kHz - Stereo -
Ravel Boléro, La Valse and Rapsodie Espagnole & Debussy Images for Orchestra
Charles Munch, Boston Symphony Orchestra
Klassik - Erschienen bei Mangora Classical am 14.07.2016
16-Bit CD Quality 44.1 kHz - Stereo -
Historical Beethoven: Charles Munch
Charles Munch, Boston Symphony Orchestra
Klassik - Erschienen bei Urania Records am 01.09.2023
16-Bit CD Quality 44.1 kHz - Stereo -
Debussy: La damoiselle élue - Berlioz: Les nuits d'été (Mono Version)
Victoria de los Angeles, Boston Symphony Orchestra, Charles Munch
Klassik - Erschienen bei BNF Collection am 01.01.1955
24-Bit 96.0 kHz - Stereo -
Debussy: La mer, Ibéria, Nocturnes & Prélude à l'après-midi d'un faune
Charles Munch, Orchestre Philarmonique de L'ORTF
Klassik - Erschienen bei ClassicMelody.fr am 01.01.2015
16-Bit CD Quality 44.1 kHz - Stereo -
Mendelssohn Symphonies No. 4 & 5 and Octet in E-Flat
Charles Munch, Boston Symphony Orchestra
Klassik - Erschienen bei Mangora Classical am 26.08.2016
16-Bit CD Quality 44.1 kHz - Stereo -
Ravel: Daphnis et Chloé, M. 57 & La valse, M. 72 (2020 Digital Remaster) [Live]
Charles Munch, Boston Symphony Orchestra, Berkshire Festival Chorus
Klassik - Erschienen bei JPK Musik am 02.10.2020
24-Bit 48.0 kHz - Stereo -
Collection Artistes & Repertoires: Barber
Leonard Slatkin, Charles Munch
Klassik - Erschienen bei RCA Red Seal am 01.03.2003
16-Bit CD Quality 44.1 kHz - Stereo -
Schumann: Symphony No. 1 in B-Flat Major, Op. 38 "Spring" & Manfred Overture, Op. 115
Klassik - Erschienen bei Sony Classical am 04.11.2016
16-Bit CD Quality 44.1 kHz - Stereo -
Mozart: Concertos pour piano Nos. 21 & 27 (Mono Version)
Robert Casadesus, Charles Munch, New York Philharmonic
Verschiedenes - Erschienen bei BNF Collection am 01.01.1957
24-Bit 96.0 kHz - Stereo -
Dukas: L'apprenti sorcier - Saint-Saëns: Le rouet d'Omphale & Ravel: Ma mère l'oye (Mono Version)
Charles Munch, Boston Symphony Orchestra
Verschiedenes - Erschienen bei BNF Collection am 01.01.1959
24-Bit 96.0 kHz - Stereo -
Haydn, Beethoven & Others: Orchestral Works (Live)
Charles Munch, Boston Symphony Orchestra, Hilde Gueden, Donald Gramm, Tanglewood Festival Chorus
Klassik - Erschienen bei Urania Records am 07.01.2022
16-Bit CD Quality 44.1 kHz - Stereo -
Honegger: Le chant de Nigamon, Pastorale d'été, Symphonies Nos. 2 & 5
Charles Munch, Orchestre National de France
Klassik - Erschienen bei naïve classique am 01.01.1998
16-Bit CD Quality 44.1 kHz - Stereo