Herbert Howells
Herbert Howells decided at a young age that he wanted to compose music and then sought out musical training. His most important teacher was the cathedral organist at Gloucester, Herbert Brewer, and he became Brewer's assistant. At the age of 20, he entered and won an open scholarship competition at the Royal College of Music.
His main teachers were Charles Wood in counterpoint and Charles Villiers Stanford in composition. He is said to have been Stanford's favorite pupil and Stanford conducted Howells' Piano concerto No. 1 at a Queen's Hall concert in 1913. Meanwhile, Howells' Mass in Dorian Mode was sung in Westminster Cathedral. In 1916, his piano quintet became the first work to be published under the Carnegie Trust.
He obtained a position as a sub-organist at Salisbury Cathedral, but had to give it up because of ill health, which had already kept him out of military service during World War I. He was not expected to live, but did recover and in 1920 was able to resume his career. He started teaching composition at the Royal College of Music in 1920.
His compositional style quickly emerged: it is in the tradition of modal, folk-based music that is sometimes called "English pastoralist," continuing the trends of Elgar and Ralph Vaughan Williams. His imagination was often stimulated by particular places and by people he knew. This holds true even for his large body of church music, which was not inspired by religious sentiments ("I am not a religious man any more than Ralph was," he once said). It is probable that he wrote so much church music simply because he liked choral writing and his style is rich and melodic.
Although he wrote a substantial amount of fine instrumental and orchestral music, his choral and other vocal music is considered the work most likely to keep his memory alive. His masterwork is usually considered to be the Hymnus paradisi, a quasi-requiem he wrote out of the grief suffered when he lost his nine-year-old son in 1938. It is a visionary work, with the kind of deep but quiet feeling that is also associated with Frederick Delius.
He received other teaching appoinments as well. After Holst's death in 1934, Howells was chosen to succeed him as director of music at St. Paul's School and in 1954, he was named King Edward VII Professor of Music at the University of London. He was made Commander of the British Empire in 1953 by Queen Elizabeth II. He retired from his St. Paul's position and the University of London post in 1964, but retained his professorship at the Royal College of Music and held classes there almost right up to his death at the age of 90.
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Diskografie
8 Album, -en • Geordnet nach Bestseller
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Requiem / Take Him, Earth, for Cherishing
Iain Farrington, Choir Of St. John's College, Cambridge, Christopher Robinson
Symphonieorchester - Erschienen bei Naxos am 13.09.1999
16-Bit CD Quality 44.1 kHz - Stereo -
Choral Music
Rodolfus Choir & Ralph Allwood
Klassik - Erschienen bei Signum Records am 15.04.2010
16-Bit CD Quality 44.1 kHz - Stereo -
Howells: Choral Music
Edward Higginbottom, Choir of New College Oxford
Klassik - Erschienen bei CRD Records am 01.01.1991
16-Bit CD Quality 44.1 kHz - Stereo -
Sounds Atmospheric: Organ Music of Herbert Howells
Klassik - Erschienen bei Lammas am 19.10.2007
16-Bit CD Quality 44.1 kHz - Stereo -
Hear My Words, Ye People
The Choir of St. Mary's Episcopal Cathedral, Edinburgh
Chorwerk (für den Chor) - Erschienen bei Pro Organo am 12.07.2019
16-Bit CD Quality 44.1 kHz - Stereo -
Howells: Choral And Organ Music
Edward Higginbottom, Choir of New College Oxford
Klassik - Erschienen bei CRD Records am 15.05.2007
16-Bit CD Quality 44.1 kHz - Stereo -
Howells: Gadabout, Three Pieces Op. 14, Sonatina - Stevens: Fantasia, Sonata, Aria
Klassik - Erschienen bei Guild GmbH am 20.03.1996
16-Bit CD Quality 44.1 kHz - Stereo -
O Lord, Open Thou Our Lips (Preces & Responses)
Herbert Howells, Tallgrass Chamber Choir
New Age - Erschienen bei Tallgrass Chamber Choir am 13.08.2021
16-Bit CD Quality 44.1 kHz - Stereo