Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
To say Steve Earle had career problems in 1994 when he recorded Train a Comin' is something more than an understatement. Earle's life went into a dramatic tailspin thanks to a voracious drug habit after he parted ways with MCA in 1991, and he ended up spending a few months in jail on drug and weapons charges in 1993. Earle thankfully got treatment for his addictions while behind bars, and was clean and sober for the first time in many years when he scored a deal with a tiny independent label, Winter Harvest Records, and cut an acoustic album called Train a Comin'. Considering how low Earle had sunk, it was a pleasant shock that Train a Comin' was not only good, it was one of the strongest albums of his career to date. Dominated by songs he's written years before along with a few new tunes and some well-chosen covers, Train a Comin' featured Earle with a small group of gifted acoustic pickers, including Norman Blake, Peter Rowan, and Roy Huskey, Jr., and the tone of these sessions is at once relaxed and committed, sounding like a back porch guitar pull with a seriously talented guy handling the lead vocals and calling out the tunes. Earle's experiences with the judicial system hadn't exactly improved his voice, but he's in far more potent form than he had been on 1991's live set Shut Up and Die Like an Aviator, and his control and command of his instrument is genuinely impressive. Earle's natural cockiness works in his favor on these tunes, especially "Tom Ames' Prayer," "Hometown Blues," and "Angel Is the Devil," and his gift for telling a story is plainly evident on "Ben McCulloch" and a moving cover of Townes Van Zandt's "Tecumseh Valley." Train a Comin' is not an album that asks the audience to forgive Steve Earle for his sins; it's a document of an artist who after a season in hell has reclaimed his gift and is determined to put it to use, and after years of fighting Nashville to do things his own way, Earle resumed his career by following his own muse with eloquent simplicity, and Train a Comin' shows his instincts were entirely correct. [Winter Harvest's original release of Train a Comin' featured a sequence not approved by Earle, who reissued the album on his E Squared label with a different running order; some pressings of the E Square version also delete his cover of the Beatles' "I'm Looking Through You."]
© Mark Deming /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Mike Elliot, AdditionalEngineer - Steve Earle, Producer, Mandolin, Vocals, Writer, MainArtist - David Hall, SecondEngineer - Keith Boden, SecondEngineer - Mack Evans, Editor, Masterer - Roy Huskey, Acoustic Bass - Wayne Neuendorf, Mixer, Recorded by - William Alsobrook, Producer - Norman Blake, Guitar - PETER ROWAN, Guitar, Mandolin, Vocals
© 1995 Warner Records Inc. ℗ 1995 Warner Records Inc.
Mike Elliot, AdditionalEngineer - Steve Earle, Producer, Guitar, Vocals, Writer, MainArtist - David Hall, SecondEngineer - Keith Boden, SecondEngineer - Mack Evans, Editor, Masterer - Roy Huskey, Acoustic Bass - Wayne Neuendorf, Mixer, Recorded by - William Alsobrook, Producer - Norman Blake, Guitar - PETER ROWAN, Mandolin, Vocals
© 1995 Warner Records Inc. ℗ 1995 Warner Records Inc.
Mike Elliot, AdditionalEngineer - Steve Earle, Producer, Guitar, Vocals, Writer, MainArtist - David Hall, SecondEngineer - Keith Boden, SecondEngineer - Mack Evans, Editor, Masterer - Roy Huskey, Acoustic Bass - Wayne Neuendorf, Mixer, Recorded by - William Alsobrook, Producer - Norman Blake, Fiddle - PETER ROWAN, Mandolin, Vocals
© 1995 Warner Records Inc. ℗ 1995 Warner Records Inc.
Mike Elliot, AdditionalEngineer - Steve Earle, Producer, Vocals, Writer, Hi-String Guitar, MainArtist - David Hall, SecondEngineer - Keith Boden, SecondEngineer - Mack Evans, Editor, Masterer - Roy Huskey, Bass Guitar, Acoustic Bass - Wayne Neuendorf, Mixer, Recorded by - William Alsobrook, Producer - Norman Blake, Guitar - PETER ROWAN, Guitar, Vocals
© 1995 Warner Records Inc. ℗ 1995 Warner Records Inc.
Mike Elliot, AdditionalEngineer - Steve Earle, Composer, Producer, Vocals, Writer, Hi-String Guitar, Harmonica, MainArtist - David Hall, SecondEngineer - Keith Boden, SecondEngineer - Mack Evans, Editor, Masterer - Roy Huskey, Acoustic Bass - Wayne Neuendorf, Mixer, Recorded by - William Alsobrook, Producer - Norman Blake, Guitar - PETER ROWAN, Guitar
© 1995 Warner Records Inc. ℗ 1995 Warner Records Inc.
Mike Elliot, AdditionalEngineer - Steve Earle, Producer, Guitar, Vocals, Writer, MainArtist - David Hall, SecondEngineer - Keith Boden, SecondEngineer - Mack Evans, Editor, Masterer - Roy Huskey, Acoustic Bass - Wayne Neuendorf, Mixer, Recorded by - William Alsobrook, Producer - Norman Blake, Guitar - PETER ROWAN, Mandolin
© 1995 Warner Records Inc. ℗ 1995 Warner Records Inc.
Mike Elliot, AdditionalEngineer - Emmylou Harris, Vocals - Steve Earle, Producer, Guitar, Vocals, Writer, MainArtist - David Hall, SecondEngineer - Keith Boden, SecondEngineer - Mack Evans, Editor, Masterer - Roy Huskey, Acoustic Bass - Wayne Neuendorf, Mixer, Recorded by - William Alsobrook, Producer - Norman Blake, Guitar - PETER ROWAN, Mandolin
© 1995 Warner Records Inc. ℗ 1995 Warner Records Inc.
Mike Elliot, AdditionalEngineer - Steve Earle, Producer, Guitar, Vocals, Writer, MainArtist - David Hall, SecondEngineer - Keith Boden, SecondEngineer - Mack Evans, Editor, Masterer - Roy Huskey, Acoustic Bass - Wayne Neuendorf, Mixer, Recorded by - William Alsobrook, Producer - Norman Blake, Mandolin - PETER ROWAN, Guitar, Vocals
© 1995 Warner Records Inc. ℗ 1995 Warner Records Inc.
Mike Elliot, AdditionalEngineer - John Lennon, Writer - Paul Mccartney, Writer - Steve Earle, Producer, Guitar, Vocals, MainArtist - David Hall, SecondEngineer - Keith Boden, SecondEngineer - Mack Evans, Editor, Masterer - Roy Huskey, Acoustic Bass - Wayne Neuendorf, Mixer, Recorded by - William Alsobrook, Producer - Norman Blake, Guitar - PETER ROWAN, Mandolin, Vocals
© 1995 Warner Records Inc. ℗ 1995 Warner Records Inc.
Mike Elliot, AdditionalEngineer - Steve Earle, Producer, MainArtist - David Hall, SecondEngineer - Keith Boden, SecondEngineer - Mack Evans, Editor, Masterer - Wayne Neuendorf, Mixer, Recorded by - William Alsobrook, Producer - Norman Blake, Guitar, Writer
© 1995 Warner Records Inc. ℗ 1995 Warner Records Inc.
Mike Elliot, AdditionalEngineer - Steve Earle, Producer, Guitar, Vocals, Writer, MainArtist - David Hall, SecondEngineer - Keith Boden, SecondEngineer - Mack Evans, Editor, Masterer - Roy Huskey, Acoustic Bass - Wayne Neuendorf, Mixer, Recorded by - William Alsobrook, Producer - Norman Blake, Guitar - PETER ROWAN, Mandolin
© 1995 Warner Records Inc. ℗ 1995 Warner Records Inc.
B. Dowe, Writer - F. Farian, Writer - G. Reyam, Writer - Mike Elliot, AdditionalEngineer - Emmylou Harris, Vocals - Steve Earle, Producer, Guitar, Vocals, MainArtist - David Hall, SecondEngineer - J. McNaughton, Writer - Keith Boden, SecondEngineer - Mack Evans, Editor, Masterer - Roy Huskey, Acoustic Bass - Wayne Neuendorf, Mixer, Recorded by - William Alsobrook, Producer - Norman Blake, Guitar - PETER ROWAN, Mandolin, Vocals
© 1995 Warner Records Inc. ℗ 1995 Warner Records Inc.
Van Zandt, Writer - Mike Elliot, AdditionalEngineer - Steve Earle, Producer, Vocals, Hi-String Guitar, MainArtist - David Hall, SecondEngineer - Keith Boden, SecondEngineer - Mack Evans, Editor, Masterer - Roy Huskey, Acoustic Bass - Wayne Neuendorf, Mixer, Recorded by - William Alsobrook, Producer - Norman Blake, Guitar - PETER ROWAN, Guitar
© 1995 Warner Records Inc. ℗ 1995 Warner Records Inc.
Albumbeschreibung
To say Steve Earle had career problems in 1994 when he recorded Train a Comin' is something more than an understatement. Earle's life went into a dramatic tailspin thanks to a voracious drug habit after he parted ways with MCA in 1991, and he ended up spending a few months in jail on drug and weapons charges in 1993. Earle thankfully got treatment for his addictions while behind bars, and was clean and sober for the first time in many years when he scored a deal with a tiny independent label, Winter Harvest Records, and cut an acoustic album called Train a Comin'. Considering how low Earle had sunk, it was a pleasant shock that Train a Comin' was not only good, it was one of the strongest albums of his career to date. Dominated by songs he's written years before along with a few new tunes and some well-chosen covers, Train a Comin' featured Earle with a small group of gifted acoustic pickers, including Norman Blake, Peter Rowan, and Roy Huskey, Jr., and the tone of these sessions is at once relaxed and committed, sounding like a back porch guitar pull with a seriously talented guy handling the lead vocals and calling out the tunes. Earle's experiences with the judicial system hadn't exactly improved his voice, but he's in far more potent form than he had been on 1991's live set Shut Up and Die Like an Aviator, and his control and command of his instrument is genuinely impressive. Earle's natural cockiness works in his favor on these tunes, especially "Tom Ames' Prayer," "Hometown Blues," and "Angel Is the Devil," and his gift for telling a story is plainly evident on "Ben McCulloch" and a moving cover of Townes Van Zandt's "Tecumseh Valley." Train a Comin' is not an album that asks the audience to forgive Steve Earle for his sins; it's a document of an artist who after a season in hell has reclaimed his gift and is determined to put it to use, and after years of fighting Nashville to do things his own way, Earle resumed his career by following his own muse with eloquent simplicity, and Train a Comin' shows his instincts were entirely correct. [Winter Harvest's original release of Train a Comin' featured a sequence not approved by Earle, who reissued the album on his E Squared label with a different running order; some pressings of the E Square version also delete his cover of the Beatles' "I'm Looking Through You."]
© Mark Deming /TiVo
Informationen zu dem Album
- 1 Disc(s) - 13 Track(s)
- Gesamte Laufzeit: 00:39:56
- Künstler: Steve Earle
- Komponist: Steve Earle
- Label: Warner Records
- Genre: Blues/Country/Folk Country
© 1995 Warner Records Inc. ℗ 1995 Warner Records Inc.
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.