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Electrónica - Publicado el 31 de octubre de 2016 | !K7 Records

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Electrónica - Publicado el 1 de septiembre de 2014 | Phantasy

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Electrónica - Publicado el 30 de enero de 2020 | Phantasy Sound - [PIAS]

Illusion of Time is the result of several years' worth of collaboration between techno producer/DJ Daniel Avery and analog synth master Alessandro Cortini (a member of Nine Inch Nails). The two developed ideas remotely, previewing the fruits of their labor with a limited single available at a festival in 2017, then convened in a hotel room while Avery was touring with NIN in 2018, completing the album in a matter of hours. The release is far removed from Avery's hazy, acid-bath techno, but minus the propulsive beats, his frayed, shoegaze-like textures are unmistakable, and mesh well with Cortini's isolated electronics. The album veers between haunting, slightly apocalyptic moodscapes and more reflective moments that are almost soothing, yet there's still an unshakeable sense of melancholy throughout. Illusion of Time's title track is certainly one of its more refreshing pieces, with a gorgeous, Cluster-like keyboard melody drenched in trippy delay, but instead of making it sound clear and cloudless, they cover it in a wash of hiss and distortion. "At First Sight" similarly buries a lonesome yet irrepressible melody in thick fog, like a battered heart that refuses to break down completely. A steady, gentle analog synth pulse frames the lapping waves of feedback during "Enter Exit," and while the track generally feels a bit chaotic but hopeful, "Inside the Ruins" has a similar push/pull effect yet sounds much more desolate and closer to the brink of destruction. Close to the end of the album is "Water," an astonishingly pretty piece of shimmering drone-gaze that originally appeared as the A-side of the duo's 2017 single. (The much darker B-side, "Sun," is sequenced as the full-length's foreboding intro.) Illusion of Time fittingly sounds rougher and more spontaneous than any of Avery's work or Cortini's preceding recordings, particularly his 2019 Mute release Volume Massimo, but its highlights seem to pull divine inspiration out of practically nothing. © Paul Simpson /TiVo
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Electrónica - Publicado el 15 de abril de 2021 | Phantasy Sound - [PIAS]

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Electrónica - Publicado el 20 de mayo de 2021 | Phantasy Sound - [PIAS]

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Techno - Publicado el 7 de septiembre de 2018 | Phantasy Sound - [PIAS]

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Electrónica - Publicado el 4 de febrero de 2019 | Phantasy Sound - [PIAS]

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Techno - Publicado el 6 de julio de 2018 | Phantasy Sound - [PIAS]

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Electrónica - Publicado el 26 de noviembre de 2019 | Fabric Worldwide

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Electrónica - Publicado el 15 de enero de 2021 | Phantasy Sound - [PIAS]

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Electrónica - Publicado el 27 de febrero de 2020 | Phantasy Sound - [PIAS]

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Electrónica - Publicado el 22 de marzo de 2019 | Phantasy Sound - [PIAS]

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Electrónica - Publicado el 15 de octubre de 2021 | Phantasy Sound - [PIAS]

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Electrónica - Publicado el 16 de junio de 2014 | Phantasy

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Electrónica - Publicado el 11 de noviembre de 2013 | Phantasy

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Electrónica - Publicado el 24 de noviembre de 2020 | Phantasy Sound - [PIAS]

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Electrónica - Publicado el 1 de septiembre de 2020 | Phantasy Sound - [PIAS]

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Electrónica - Publicado el 24 de marzo de 2014 | Phantasy

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Dance - Publicado el 12 de octubre de 2018 | Phantasy Sound - [PIAS]

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Techno - Publicado el 1 de enero de 2018 | Phantasy Sound - [PIAS]