Giuseppe Verdi
Giuseppe Verdi was to opera in the Italian tradition what Beethoven was to the symphony. When he arrived on the scene some had suggested that effective opera after Rossini was not possible. Verdi, however, took the form to new heights of drama and musical expression. Partisans see him as at least the equal of Wagner, even though his style and musical persona were of an entirely different cast. In the end, both Verdi's popular vein -- as heard in the operas Rigoletto, Il trovatore, and La traviata -- and his deeper side -- found in Aida, Otello, and Falstaff -- demonstrate his mastery and far-reaching development of Italian opera.
Verdi showed talent by the age of seven and even played organ at a local church. Around this time he was given an old piano, which he quickly learned to play with proficiency. He moved to Busseto in 1823 and began study the following year with Ferdinando Provesi. By age 15 he had become an assistant church organist and had already started composing. Beginning in 1832, he studied privately with Vincenzo Lavigna in Milan, after the Conservatory there turned him away.
He returned to Busseto and married Margherita Barezzi in 1836. Having achieved publication of some songs, he moved to Milan in 1839 and composed his first opera, Oberto. It was a success, though his next effort, Un giorno di regno, was an abject failure. Worse, Verdi's wife died during its composition. (Their two children had died in the previous two years.) Stunned and depressed, the composer struggled on to rebound with Nabucco (1842) and I lombardi (1843). Macbeth, Luisa Miller, and other operas came in the 1840s, most with great success.
Around 1847, Verdi developed a relationship with soprano Giuseppina Strepponi and the two lived together for many years on Verdi's farm, Sant'Agata, before finally marrying in 1859. In the period 1851-1853, the composer wrote three of his most popular operas. Rigoletto (1851) and Il trovatore (1853) were instant successes, but La traviata (1853) was a disappointment at its premiere, though a year later, with minor revisions, it was warmly received. After an extended excursion to Paris in 1853, Verdi returned to Busseto and turned out Simon Boccanegra (1857) and Un ballo in maschera (1859), both embroiling him in politics, an activity in which he was already immersed, since he served in the local parliament and later in national parliament as senator. In St. Petersburg, Verdi's La forza del destino premiered in 1862 and Don Carlos in Paris in 1867.
Having relocated to Genoa, Verdi composed Aida in the years 1870-1871. Its Cairo premiere in 1871 was a success, but the composer then gave up opera, at least for a time. His String Quartet (1873) and Requiem (1874) showed his creative juices were still very much alive. His next opera, Otello, came finally in 1886, Verdi working slowly and getting sidetracked revising earlier operas. One more opera came from his pen, Falstaff, in 1893, which scored a stunning success. Critical opinion has it that his last three operas are his finest, that the elderly composer became bolder and more imaginative in his later years.
In these later years, Verdi also worked to found a hospital and, in Milan, a home for retired musicians. In 1897, Giuseppina Verdi died and the composer thereafter lived at the Grand Hotel in Milan, finding companionship with retired soprano Teresa Stolz. A year later, his Quatro pezzi sacri premiered in Paris. This would be the composer's last work. On January 21, 1901, Verdi suffered a stroke and died six days later.
© Robert Cummings /TiVo
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Verdi: Aida
Renata Tebaldi, Mario del Monaco
Ópera - Editado por Past Classics el 13 nov. 2012
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The History of Verdi (100 Famous Songs)
Clásica - Editado por Dream Collection el 15 sept. 2015
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Quartetto Di Cremona: String Quartets by Ottorino Respighi, Giacomo Puccini, Giuseppe Verdi and Luigi Boccherini (Italian Journey)
Quartetto di Cremona, Ottorino Respighi, Giacomo Puccini, Giuseppe Verdi, Luigi Boccherini
Clásica - Editado por Rondeau Production el 15 oct. 2012
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The Best Of The Classics Volume 2
Philharmonic Wind Orchestra, Marc Reift
Clásica - Editado por Marcophon el 11 jul. 2014
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The Reluctant Bride (Verdi's Requiem: "Dies irae")
Clásica - Editado por UME - Global Clearing House el 20 abr. 2024
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Los Mejores Coros de la Opera
Ópera - Editado por Tam-Tam Media el 1 jul. 2007
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La Traviata - Giuseppe Verdi
Ópera - Editado por JamadaDigital el 14 feb. 2015
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Musique Sacrée
Gabriel Fauré, Wolfgang Amadeus Mozart, Giuseppe Verdi, Johann Sebastian Bach, Olivier Messiaen, Georg Friedrich Händel
Clásica - Editado por Classic Records el 2 jun. 2017
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Opus Verdi
Clásica - Editado por UME - Global Clearing House el 19 sept. 2020
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The Best of The Classics Volume 11
Philharmonic Wind Orchestra, Marc Reift
Clásica - Editado por Marcophon el 11 jul. 2014
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Famous Overtures - Rossini, Verdi
Hamburg Rundfunk-Sinfonieorchester
Clásica - Editado por Piros - Send el 6 may. 2015
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La traviata Highlights
Renata Tebaldi, Gianni Poggi, Francesco Molinari-Pradelli
Ópera - Editado por The Digital Gramophone el 30 nov. 2013
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The Voice of Franco Corelli
Música vocal (profana y sacra) - Editado por Heritage Records el 28 jul. 2014
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Verdi: Nabucco
Ópera - Editado por C.R. Digital Contents el 9 ago. 2011
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La Forza Del Destino / The Force of Destiny (Highlights)
Ópera - Editado por Music Manager el 7 feb. 2022
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Verdi: Nabucco
Ópera - Editado por C.R. Digital Contents el 19 dic. 2012
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Verdi Autumnal Study Vibes
Clásica - Editado por UME - Global Clearing House el 24 oct. 2020
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