Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga digital
Compre y descargue este álbum en múltiples formatos, según sus necesidades.
Johannes Brahms may have had no greater admirer in fin de siècle Vienna, than Alexander von Zemlinsky, who as a young composer studied his scores voraciously, and in many cases, adopted Brahms' style, particularly in his early works. Yet the String Quartet No. 3, Op. 19, composed in 1924, is a far cry from the passionate late Romanticism that was characteristic of Brahms and his immediate followers and is much closer to the free atonality and angular expressionism of Arnold Schoenberg, Zemlinsky's one-time student, and son-in-law, as well as a fellow Brahms enthusiast. Curiously, the String Quartet No. 3 is a strong reaction against Schoenberg's recently discovered 12-tone method and a demonstration of how to use modified tonality to achieve many of the same effects of atonal expressionism without abandoning pitch centers. Even so, there seems to be a rather large gulf between Brahms' autumnal Clarinet Quintet in B minor, Op. 115 and the Zemlinsky work, so the connections between the pieces may seem tenuous, except for Zemlinsky's grounding as a committed Brahmsian. The Quartetto Adorno plays both works with admirable control, and the Brahms performance features clarinetist Alessandro Carbonare, whose warm timbres and smooth phrasing are at the service of the work's nostalgic and poignant moods. The pairing of these works isn't a common thing, so the group deserves credit for drawing comparisons between Brahms and Zemlinsky and making listeners think of the influences at work in Viennese music at the transition between late Romanticism and early modernism.
© TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
String Quartet No. 3, Op. 19 (Alexander von Zemlinsky)
Alexander Zemlinsky, Composer - Michael Seberich, Producer - Benedetta Bucci, Viola, AssociatedPerformer - Edoardo Zosi, Violin, AssociatedPerformer - Quartetto Adorno, Ensemble, MainArtist - Liù Pelliciari, Violin, AssociatedPerformer - Danilo Squitieri, Cello, AssociatedPerformer
℗ 2019 Universal Music Italia Srl
Alexander Zemlinsky, Composer - Michael Seberich, Producer - Benedetta Bucci, Viola, AssociatedPerformer - Edoardo Zosi, Violin, AssociatedPerformer - Quartetto Adorno, Ensemble, MainArtist - Liù Pelliciari, Violin, AssociatedPerformer - Danilo Squitieri, Cello, AssociatedPerformer
℗ 2019 Universal Music Italia Srl
Alexander Zemlinsky, Composer - Michael Seberich, Producer - Benedetta Bucci, Viola, AssociatedPerformer - Edoardo Zosi, Violin, AssociatedPerformer - Quartetto Adorno, Ensemble, MainArtist - Liù Pelliciari, Violin, AssociatedPerformer - Danilo Squitieri, Cello, AssociatedPerformer
℗ 2019 Universal Music Italia Srl
Alexander Zemlinsky, Composer - Michael Seberich, Producer - Benedetta Bucci, Viola, AssociatedPerformer - Edoardo Zosi, Violin, AssociatedPerformer - Quartetto Adorno, Ensemble, MainArtist - Liù Pelliciari, Violin, AssociatedPerformer - Danilo Squitieri, Cello, AssociatedPerformer
℗ 2019 Universal Music Italia Srl
Clarinet Quintet in B Minor, Op. 115 (Johannes Brahms)
Johannes Brahms, Composer - Alessandro Carbonare, Clarinet, MainArtist, AssociatedPerformer - Michael Seberich, Producer - Benedetta Bucci, Viola, AssociatedPerformer - Edoardo Zosi, Violin, AssociatedPerformer - Quartetto Adorno, Ensemble, MainArtist - Liù Pelliciari, Violin, AssociatedPerformer - Danilo Squitieri, Cello, AssociatedPerformer
℗ 2019 Universal Music Italia Srl
Johannes Brahms, Composer - Alessandro Carbonare, Clarinet, MainArtist, AssociatedPerformer - Michael Seberich, Producer - Benedetta Bucci, Viola, AssociatedPerformer - Edoardo Zosi, Violin, AssociatedPerformer - Quartetto Adorno, Ensemble, MainArtist - Liù Pelliciari, Violin, AssociatedPerformer - Danilo Squitieri, Cello, AssociatedPerformer
℗ 2019 Universal Music Italia Srl
Johannes Brahms, Composer - Alessandro Carbonare, Clarinet, MainArtist, AssociatedPerformer - Michael Seberich, Producer - Benedetta Bucci, Viola, AssociatedPerformer - Edoardo Zosi, Violin, AssociatedPerformer - Quartetto Adorno, Ensemble, MainArtist - Liù Pelliciari, Violin, AssociatedPerformer - Danilo Squitieri, Cello, AssociatedPerformer
℗ 2019 Universal Music Italia Srl
Johannes Brahms, Composer - Alessandro Carbonare, Clarinet, MainArtist, AssociatedPerformer - Michael Seberich, Producer - Benedetta Bucci, Viola, AssociatedPerformer - Edoardo Zosi, Violin, AssociatedPerformer - Quartetto Adorno, Ensemble, MainArtist - Liù Pelliciari, Violin, AssociatedPerformer - Danilo Squitieri, Cello, AssociatedPerformer
℗ 2019 Universal Music Italia Srl
Presentación del Álbum
Johannes Brahms may have had no greater admirer in fin de siècle Vienna, than Alexander von Zemlinsky, who as a young composer studied his scores voraciously, and in many cases, adopted Brahms' style, particularly in his early works. Yet the String Quartet No. 3, Op. 19, composed in 1924, is a far cry from the passionate late Romanticism that was characteristic of Brahms and his immediate followers and is much closer to the free atonality and angular expressionism of Arnold Schoenberg, Zemlinsky's one-time student, and son-in-law, as well as a fellow Brahms enthusiast. Curiously, the String Quartet No. 3 is a strong reaction against Schoenberg's recently discovered 12-tone method and a demonstration of how to use modified tonality to achieve many of the same effects of atonal expressionism without abandoning pitch centers. Even so, there seems to be a rather large gulf between Brahms' autumnal Clarinet Quintet in B minor, Op. 115 and the Zemlinsky work, so the connections between the pieces may seem tenuous, except for Zemlinsky's grounding as a committed Brahmsian. The Quartetto Adorno plays both works with admirable control, and the Brahms performance features clarinetist Alessandro Carbonare, whose warm timbres and smooth phrasing are at the service of the work's nostalgic and poignant moods. The pairing of these works isn't a common thing, so the group deserves credit for drawing comparisons between Brahms and Zemlinsky and making listeners think of the influences at work in Viennese music at the transition between late Romanticism and early modernism.
© TiVo
Acerca del álbum
- 1 disco(s) - 8 pista(s)
- Duración total: 01:03:00
- Artistas principales: Quartetto Adorno Alessandro Carbonare
- Compositor: Various Composers
- Sello: Universal Music Italia srL.
- Género Clásica
© 2019 Universal Music Italia Srl ℗ 2019 Universal Music Italia Srl
Mejorar la información del álbumPor qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.